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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 85 241 it is the complementary color RGB 163 170 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 85 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 92 85 241: RGB 97 85 236, RGB 114 103 255, RGB 131 121 255, RGB 148 139 255 and RGB 165 157 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 85 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 92 85 241: RGB 92 85 241, RGB 75 67 222, RGB 58 49 203, RGB 41 31 184 and RGB 24 13 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 65 / 0 / 5

HEX #5C55F1

RGB 92 85 241

HSL 242.69, 0.85%, 0.64%

LAB 45.8, 47.6, -77.52

 

Complementary color

CMYK 4 / 0 / 92 / 33

HEX #A3AA0E

RGB 163 170 14

HSL 62.69, 0.85%, 0.36%

LAB 66.95, -18.8, 67.27

 

CMYK 59 / 64 / 0 / 7

HEX #6155EC

RGB 97 85 236

HSL 244.77, 0.8%, 0.63%

LAB 45.76, 46.79, -74.76

 

CMYK 55 / 60 / 0 / 0

HEX #7267FF

RGB 114 103 255

HSL 244.34, 1%, 0.7%

LAB 52.4, 45.02, -74.51

 

CMYK 49 / 53 / 0 / 0

HEX #8379FF

RGB 131 121 255

HSL 244.48, 1%, 0.74%

LAB 57.77, 37.82, -65.76

 

CMYK 42 / 45 / 0 / 0

HEX #948BFF

RGB 148 139 255

HSL 244.66, 1%, 0.77%

LAB 63.33, 31.18, -56.79

 

CMYK 35 / 38 / 0 / 0

HEX #A59DFF

RGB 165 157 255

HSL 244.9, 1%, 0.81%

LAB 68.99, 25.15, -47.74

 

CMYK 62 / 65 / 0 / 5

HEX #5C55F1

RGB 92 85 241

HSL 242.69, 0.85%, 0.64%

LAB 45.8, 47.6, -77.52

 

CMYK 66 / 70 / 0 / 13

HEX #4B43DE

RGB 75 67 222

HSL 243.1, 0.7%, 0.57%

LAB 39.21, 49.64, -77.61

 

CMYK 71 / 76 / 0 / 20

HEX #3A31CB

RGB 58 49 203

HSL 243.51, 0.61%, 0.49%

LAB 32.72, 51.67, -77.39

 

CMYK 78 / 83 / 0 / 28

HEX #291FB8

RGB 41 31 184

HSL 243.92, 0.71%, 0.42%

LAB 26.48, 53.37, -76.57

 

CMYK 85 / 92 / 0 / 35

HEX #180DA5

RGB 24 13 165

HSL 244.34, 0.85%, 0.35%

LAB 20.82, 53.94, -74.59

 

CMYK 62 / 65 / 0 / 5

HEX #5C55F1

RGB 92 85 241

HSL 242.69, 0.85%, 0.64%

LAB 45.8, 47.6, -77.52

 

CMYK 52 / 65 / 0 / 5

HEX #7455F1

RGB 116 85 241

HSL 251.92, 0.85%, 0.64%

LAB 47.7, 51.36, -74.34

 

CMYK 41 / 65 / 0 / 5

HEX #8E55F1

RGB 142 85 241

HSL 261.92, 0.85%, 0.64%

LAB 50.21, 56.09, -70.15

 

CMYK 30 / 65 / 0 / 5

HEX #A855F1

RGB 168 85 241

HSL 271.92, 0.85%, 0.64%

LAB 53.14, 61.31, -65.27

 

CMYK 20 / 65 / 0 / 5

HEX #C255F1

RGB 194 85 241

HSL 281.92, 0.85%, 0.64%

LAB 56.4, 66.85, -59.85

 

CMYK 62 / 65 / 0 / 5

HEX #5C55F1

RGB 92 85 241

HSL 242.69, 0.85%, 0.64%

LAB 45.8, 47.6, -77.52

 

CMYK 62 / 65 / 0 / 85

HEX #0E0D25

RGB 14 13 37

HSL 242.5, 0.48%, 0.1%

LAB 4.65, 6.95, -15.49

 

CMYK 61 / 65 / 0 / 65

HEX #221F58

RGB 34 31 88

HSL 243.16, 0.48%, 0.23%

LAB 15.62, 20.16, -34.1

 

CMYK 62 / 65 / 0 / 45

HEX #35318B

RGB 53 49 139

HSL 242.67, 0.48%, 0.37%

LAB 26.21, 29.89, -49.65

 

CMYK 62 / 65 / 0 / 25

HEX #4943BE

RGB 73 67 190

HSL 242.93, 0.49%, 0.5%

LAB 36.27, 39.07, -63.91

 

CMYK 62 / 65 / 0 / 5

HEX #5C55F1

RGB 92 85 241

HSL 242.69, 0.85%, 0.64%

LAB 45.8, 47.6, -77.52

 

CMYK 0 / 65 / 15 / 5

HEX #F155CC

RGB 241 85 204

HSL 314.23, 0.85%, 0.64%

LAB 61.27, 71.7, -30.9

 

CMYK 41 / 0 / 65 / 5

HEX #8EF155

RGB 142 241 85

HSL 98.08, 0.85%, 0.64%

LAB 86.66, -54.98, 64

 

CMYK 62 / 65 / 0 / 5

HEX #5C55F1

RGB 92 85 241

HSL 242.69, 0.85%, 0.64%

LAB 45.8, 47.6, -77.52

 

CMYK 0 / 63 / 65 / 5

HEX #F15A55

RGB 241 90 85

HSL 1.92, 0.85%, 0.64%

LAB 58.67, 57.7, 34.06

 

CMYK 65 / 0 / 63 / 5

HEX #55F15A

RGB 85 241 90

HSL 121.92, 0.85%, 0.64%

LAB 84.78, -69.17, 59.36

 

CMYK 62 / 65 / 0 / 5

HEX #5C55F1

RGB 92 85 241

HSL 242.69, 0.85%, 0.64%

LAB 45.8, 47.6, -77.52

 

CMYK 0 / 65 / 15 / 5

HEX #F155CC

RGB 241 85 204

HSL 314.23, 0.85%, 0.64%

LAB 61.27, 71.7, -30.9

 

CMYK 2 / 0 / 65 / 5

HEX #ECF155

RGB 236 241 85

HSL 61.92, 0.85%, 0.64%

LAB 92.31, -20.35, 71.67

 

CMYK 65 / 0 / 50 / 5

HEX #55F179

RGB 85 241 121

HSL 133.85, 0.85%, 0.64%

LAB 85.11, -65.38, 45.89

 

CMYK 62 / 65 / 0 / 5

HEX #5C55F1

RGB 92 85 241

HSL 242.69, 0.85%, 0.64%

LAB 45.8, 47.6, -77.52

 

CMYK 0 / 65 / 35 / 5

HEX #F1559D

RGB 241 85 157

HSL 332.31, 0.85%, 0.64%

LAB 59.55, 65.78, -6.51

 

CMYK 2 / 0 / 65 / 5

HEX #ECF155

RGB 236 241 85

HSL 61.92, 0.85%, 0.64%

LAB 92.31, -20.35, 71.67

 

CMYK 65 / 0 / 30 / 5

HEX #55F1A8

RGB 85 241 168

HSL 151.92, 0.85%, 0.64%

LAB 85.84, -57.32, 23.5

 

Description

Color code: RGB 92 85 241 | qconv.com Color code: RGB 92 85 241 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 85 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 85 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 65 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 65% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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