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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 191 234 it is the complementary color RGB 163 64 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 191 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 92 191 234: RGB 97 191 229, RGB 114 209 248, RGB 131 227 255, RGB 148 245 255 and RGB 165 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 191 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 92 191 234: RGB 92 191 234, RGB 75 173 215, RGB 58 155 196, RGB 41 137 177 and RGB 24 119 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 18 / 0 / 8

HEX #5CBFEA

RGB 92 191 234

HSL 198.17, 0.77%, 0.64%

LAB 73.21, -16.5, -30.08

 

Complementary color

CMYK 0 / 61 / 87 / 36

HEX #A34015

RGB 163 64 21

HSL 18.17, 0.77%, 0.36%

LAB 40.42, 38.92, 44.24

 

CMYK 58 / 17 / 0 / 10

HEX #61BFE5

RGB 97 191 229

HSL 197.27, 0.72%, 0.64%

LAB 73.19, -17.07, -27.37

 

CMYK 54 / 16 / 0 / 3

HEX #72D1F8

RGB 114 209 248

HSL 197.46, 0.91%, 0.71%

LAB 79.59, -17.52, -27.73

 

CMYK 49 / 11 / 0 / 0

HEX #83E3FF

RGB 131 227 255

HSL 193.55, 1%, 0.76%

LAB 85.5, -21.13, -22.38

 

CMYK 42 / 4 / 0 / 0

HEX #94F5FF

RGB 148 245 255

HSL 185.61, 1%, 0.79%

LAB 91.15, -26.11, -13.79

 

CMYK 35 / 0 / 0 / 0

HEX #A5FFFF

RGB 165 255 255

HSL 180, 1%, 0.82%

LAB 94.63, -26.76, -8.53

 

CMYK 61 / 18 / 0 / 8

HEX #5CBFEA

RGB 92 191 234

HSL 198.17, 0.77%, 0.64%

LAB 73.21, -16.5, -30.08

 

CMYK 65 / 20 / 0 / 16

HEX #4BADD7

RGB 75 173 215

HSL 198, 0.64%, 0.57%

LAB 66.74, -15.79, -29.72

 

CMYK 70 / 21 / 0 / 23

HEX #3A9BC4

RGB 58 155 196

HSL 197.83, 0.54%, 0.5%

LAB 60.18, -14.87, -29.32

 

CMYK 77 / 23 / 0 / 31

HEX #2989B1

RGB 41 137 177

HSL 197.65, 0.62%, 0.43%

LAB 53.53, -13.67, -28.89

 

CMYK 85 / 25 / 0 / 38

HEX #18779E

RGB 24 119 158

HSL 197.46, 0.74%, 0.36%

LAB 46.79, -12.06, -28.38

 

CMYK 61 / 18 / 0 / 8

HEX #5CBFEA

RGB 92 191 234

HSL 198.17, 0.77%, 0.64%

LAB 73.21, -16.5, -30.08

 

CMYK 61 / 28 / 0 / 9

HEX #5CA7E9

RGB 92 167 233

HSL 208.09, 0.76%, 0.64%

LAB 66.36, -3.81, -40.15

 

CMYK 61 / 38 / 0 / 9

HEX #5C90E9

RGB 92 144 233

HSL 217.87, 0.76%, 0.64%

LAB 59.98, 9.46, -50.2

 

CMYK 61 / 48 / 0 / 9

HEX #5C78E9

RGB 92 120 233

HSL 228.09, 0.76%, 0.64%

LAB 53.59, 23.94, -60.41

 

CMYK 61 / 58 / 0 / 9

HEX #5C61E9

RGB 92 97 233

HSL 237.87, 0.76%, 0.64%

LAB 47.89, 37.97, -69.62

 

CMYK 61 / 18 / 0 / 8

HEX #5CBFEA

RGB 92 191 234

HSL 198.17, 0.77%, 0.64%

LAB 73.21, -16.5, -30.08

 

CMYK 60 / 20 / 0 / 88

HEX #0C181E

RGB 12 24 30

HSL 200, 0.43%, 0.08%

LAB 7.45, -2.94, -5.85

 

CMYK 60 / 19 / 0 / 68

HEX #204251

RGB 32 66 81

HSL 198.37, 0.43%, 0.22%

LAB 26.15, -7.34, -12.8

 

CMYK 61 / 18 / 0 / 48

HEX #346C84

RGB 52 108 132

HSL 198, 0.43%, 0.36%

LAB 42.95, -10.83, -18.82

 

CMYK 61 / 19 / 0 / 28

HEX #4895B7

RGB 72 149 183

HSL 198.38, 0.44%, 0.5%

LAB 58.31, -13.47, -24.84

 

CMYK 61 / 18 / 0 / 8

HEX #5CBFEA

RGB 92 191 234

HSL 198.17, 0.77%, 0.64%

LAB 73.21, -16.5, -30.08

 

CMYK 30 / 61 / 0 / 9

HEX #A35CE9

RGB 163 92 233

HSL 270.21, 0.76%, 0.64%

LAB 53.3, 54.96, -60.56

 

CMYK 0 / 6 / 61 / 9

HEX #E9DB5C

RGB 233 219 92

HSL 54.04, 0.76%, 0.64%

LAB 86.38, -10.34, 62.48

 

CMYK 61 / 18 / 0 / 8

HEX #5CBFEA

RGB 92 191 234

HSL 198.17, 0.77%, 0.64%

LAB 73.21, -16.5, -30.08

 

CMYK 0 / 61 / 18 / 9

HEX #E95CBF

RGB 233 92 191

HSL 317.87, 0.76%, 0.64%

LAB 60.55, 64.96, -24.72

 

CMYK 18 / 0 / 61 / 9

HEX #BFE95C

RGB 191 233 92

HSL 77.87, 0.76%, 0.64%

LAB 87.06, -33.83, 62.33

 

CMYK 61 / 18 / 0 / 8

HEX #5CBFEA

RGB 92 191 234

HSL 198.17, 0.77%, 0.64%

LAB 73.21, -16.5, -30.08

 

CMYK 30 / 61 / 0 / 9

HEX #A35CE9

RGB 163 92 233

HSL 270.21, 0.76%, 0.64%

LAB 53.3, 54.96, -60.56

 

CMYK 0 / 42 / 61 / 9

HEX #E9865C

RGB 233 134 92

HSL 17.87, 0.76%, 0.64%

LAB 65.86, 34.11, 38.81

 

CMYK 30 / 0 / 61 / 9

HEX #A3E95C

RGB 163 233 92

HSL 89.79, 0.76%, 0.64%

LAB 85.42, -44.1, 60.06

 

CMYK 61 / 18 / 0 / 8

HEX #5CBFEA

RGB 92 191 234

HSL 198.17, 0.77%, 0.64%

LAB 73.21, -16.5, -30.08

 

CMYK 12 / 61 / 0 / 9

HEX #CD5CE9

RGB 205 92 233

HSL 288.09, 0.76%, 0.64%

LAB 58.52, 64.72, -51.91

 

CMYK 0 / 42 / 61 / 9

HEX #E9865C

RGB 233 134 92

HSL 17.87, 0.76%, 0.64%

LAB 65.86, 34.11, 38.81

 

CMYK 48 / 0 / 61 / 9

HEX #78E95C

RGB 120 233 92

HSL 108.09, 0.76%, 0.64%

LAB 83.47, -57.77, 57.33

 

Description

Color code: RGB 92 191 234 | qconv.com Color code: RGB 92 191 234 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 191 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 191 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 18 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 18% 0% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

47% - Manchester City FC, ...
Link: http://mcfc.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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