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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 17 232 it is the complementary color RGB 163 238 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 17 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 92 17 232: RGB 97 17 227, RGB 114 35 246, RGB 131 53 255, RGB 148 71 255 and RGB 165 89 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 17 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 92 17 232: RGB 92 17 232, RGB 75 0 213, RGB 58 0 194, RGB 41 0 175 and RGB 24 0 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 93 / 0 / 9

HEX #5C11E8

RGB 92 17 232

HSL 260.93, 0.86%, 0.49%

LAB 35.01, 73.41, -90.22

 

Complementary color

CMYK 32 / 0 / 90 / 7

HEX #A3EE17

RGB 163 238 23

HSL 80.93, 0.86%, 0.51%

LAB 86.5, -49.73, 81.61

 

CMYK 57 / 93 / 0 / 11

HEX #6111E3

RGB 97 17 227

HSL 262.86, 0.86%, 0.48%

LAB 34.98, 72.59, -87.4

 

CMYK 54 / 86 / 0 / 4

HEX #7223F6

RGB 114 35 246

HSL 262.46, 0.92%, 0.55%

LAB 40.3, 74.12, -89.31

 

CMYK 49 / 79 / 0 / 0

HEX #8335FF

RGB 131 53 255

HSL 263.17, 1%, 0.6%

LAB 45.07, 72.15, -86.43

 

CMYK 42 / 72 / 0 / 0

HEX #9447FF

RGB 148 71 255

HSL 265.11, 1%, 0.64%

LAB 49.52, 67.27, -79.06

 

CMYK 35 / 65 / 0 / 0

HEX #A559FF

RGB 165 89 255

HSL 267.47, 1%, 0.67%

LAB 54.41, 62.04, -71.02

 

CMYK 60 / 93 / 0 / 9

HEX #5C11E8

RGB 92 17 232

HSL 260.93, 0.86%, 0.49%

LAB 35.01, 73.41, -90.22

 

CMYK 65 / 100 / 0 / 16

HEX #4B00D5

RGB 75 0 213

HSL 261.13, 1%, 0.42%

LAB 30.16, 70.72, -87.41

 

CMYK 70 / 100 / 0 / 24

HEX #3A00C2

RGB 58 0 194

HSL 257.94, 1%, 0.38%

LAB 26.14, 65.53, -83.03

 

CMYK 77 / 100 / 0 / 31

HEX #2900AF

RGB 41 0 175

HSL 254.06, 1%, 0.34%

LAB 22.18, 60.34, -78.34

 

CMYK 85 / 100 / 0 / 39

HEX #18009C

RGB 24 0 156

HSL 249.23, 1%, 0.31%

LAB 18.34, 55.16, -73.23

 

CMYK 60 / 93 / 0 / 9

HEX #5C11E8

RGB 92 17 232

HSL 260.93, 0.86%, 0.49%

LAB 35.01, 73.41, -90.22

 

CMYK 47 / 93 / 0 / 9

HEX #7C11E8

RGB 124 17 232

HSL 269.86, 0.86%, 0.49%

LAB 38.75, 75.95, -83.92

 

CMYK 31 / 93 / 0 / 9

HEX #A011E8

RGB 160 17 232

HSL 279.91, 0.86%, 0.49%

LAB 43.8, 79.86, -75.42

 

CMYK 16 / 93 / 0 / 9

HEX #C411E8

RGB 196 17 232

HSL 289.95, 0.86%, 0.49%

LAB 49.45, 84.7, -65.98

 

CMYK 0 / 93 / 0 / 9

HEX #E811E8

RGB 232 17 232

HSL 300, 0.86%, 0.49%

LAB 55.46, 90.26, -55.99

 

CMYK 60 / 93 / 0 / 9

HEX #5C11E8

RGB 92 17 232

HSL 260.93, 0.86%, 0.49%

LAB 35.01, 73.41, -90.22

 

CMYK 61 / 93 / 0 / 89

HEX #0B021C

RGB 11 2 28

HSL 260.77, 0.87%, 0.06%

LAB 1.79, 7.4, -12.79

 

CMYK 61 / 92 / 0 / 69

HEX #1F064F

RGB 31 6 79

HSL 260.55, 0.86%, 0.17%

LAB 8.87, 31.77, -39.02

 

CMYK 60 / 92 / 0 / 49

HEX #340A82

RGB 52 10 130

HSL 261, 0.86%, 0.27%

LAB 18.18, 46.69, -57.2

 

CMYK 60 / 93 / 0 / 29

HEX #480DB5

RGB 72 13 181

HSL 261.07, 0.87%, 0.38%

LAB 26.74, 60.59, -74.28

 

CMYK 60 / 93 / 0 / 9

HEX #5C11E8

RGB 92 17 232

HSL 260.93, 0.86%, 0.49%

LAB 35.01, 73.41, -90.22

 

CMYK 0 / 93 / 50 / 9

HEX #E81175

RGB 232 17 117

HSL 332.09, 0.86%, 0.49%

LAB 50.5, 77.42, 3.82

 

CMYK 87 / 0 / 93 / 9

HEX #1FE811

RGB 31 232 17

HSL 116.09, 0.86%, 0.49%

LAB 80.76, -78.47, 76.07

 

CMYK 60 / 93 / 0 / 9

HEX #5C11E8

RGB 92 17 232

HSL 260.93, 0.86%, 0.49%

LAB 35.01, 73.41, -90.22

 

CMYK 0 / 62 / 93 / 9

HEX #E85911

RGB 232 89 17

HSL 20.09, 0.86%, 0.49%

LAB 56.43, 52.74, 62.64

 

CMYK 93 / 0 / 62 / 9

HEX #11E859

RGB 17 232 89

HSL 140.09, 0.86%, 0.49%

LAB 81.05, -74.53, 55.31

 

CMYK 60 / 93 / 0 / 9

HEX #5C11E8

RGB 92 17 232

HSL 260.93, 0.86%, 0.49%

LAB 35.01, 73.41, -90.22

 

CMYK 0 / 93 / 50 / 9

HEX #E81175

RGB 232 17 117

HSL 332.09, 0.86%, 0.49%

LAB 50.5, 77.42, 3.82

 

CMYK 31 / 0 / 93 / 9

HEX #A0E811

RGB 160 232 17

HSL 80.09, 0.86%, 0.49%

LAB 84.6, -48.44, 80.78

 

CMYK 93 / 0 / 43 / 9

HEX #11E884

RGB 17 232 132

HSL 152.09, 0.86%, 0.49%

LAB 81.56, -68.22, 35.85

 

CMYK 60 / 93 / 0 / 9

HEX #5C11E8

RGB 92 17 232

HSL 260.93, 0.86%, 0.49%

LAB 35.01, 73.41, -90.22

 

CMYK 0 / 93 / 77 / 9

HEX #E81135

RGB 232 17 53

HSL 349.95, 0.86%, 0.49%

LAB 49.27, 74.03, 40.87

 

CMYK 31 / 0 / 93 / 9

HEX #A0E811

RGB 160 232 17

HSL 80.09, 0.86%, 0.49%

LAB 84.6, -48.44, 80.78

 

CMYK 93 / 0 / 16 / 9

HEX #11E8C4

RGB 17 232 196

HSL 169.95, 0.86%, 0.49%

LAB 82.82, -54.22, 4.52

 

Description

Color code: RGB 92 17 232 | qconv.com Color code: RGB 92 17 232 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 17 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 17 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 93 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 93% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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