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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 121 141 it is the complementary color RGB 163 134 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 121 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 92 121 141: RGB 97 121 136, RGB 114 139 155, RGB 131 157 174, RGB 148 175 193 and RGB 165 193 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 121 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 92 121 141: RGB 92 121 141, RGB 75 103 122, RGB 58 85 103, RGB 41 67 84 and RGB 24 49 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 14 / 0 / 45

HEX #5C798D

RGB 92 121 141

HSL 204.49, 0.21%, 0.46%

LAB 49.34, -5.23, -14.23

 

Complementary color

CMYK 0 / 18 / 30 / 36

HEX #A38672

RGB 163 134 114

HSL 24.49, 0.21%, 0.54%

LAB 58.09, 7.99, 14.92

 

CMYK 29 / 11 / 0 / 47

HEX #617988

RGB 97 121 136

HSL 203.08, 0.17%, 0.46%

LAB 49.49, -4.99, -11.03

 

CMYK 26 / 10 / 0 / 39

HEX #728B9B

RGB 114 139 155

HSL 203.41, 0.17%, 0.53%

LAB 56.5, -5.07, -11.43

 

CMYK 25 / 10 / 0 / 32

HEX #839DAE

RGB 131 157 174

HSL 203.72, 0.21%, 0.6%

LAB 63.34, -5.15, -11.84

 

CMYK 23 / 9 / 0 / 24

HEX #94AFC1

RGB 148 175 193

HSL 204, 0.27%, 0.67%

LAB 70.04, -5.23, -12.25

 

CMYK 22 / 9 / 0 / 17

HEX #A5C1D4

RGB 165 193 212

HSL 204.26, 0.35%, 0.74%

LAB 76.61, -5.3, -12.66

 

CMYK 35 / 14 / 0 / 45

HEX #5C798D

RGB 92 121 141

HSL 204.49, 0.21%, 0.46%

LAB 49.34, -5.23, -14.23

 

CMYK 39 / 16 / 0 / 52

HEX #4B677A

RGB 75 103 122

HSL 204.26, 0.24%, 0.39%

LAB 42.16, -5.07, -13.89

 

CMYK 44 / 17 / 0 / 60

HEX #3A5567

RGB 58 85 103

HSL 204, 0.28%, 0.32%

LAB 34.75, -4.86, -13.57

 

CMYK 51 / 20 / 0 / 67

HEX #294354

RGB 41 67 84

HSL 203.72, 0.34%, 0.25%

LAB 27.09, -4.56, -13.27

 

CMYK 63 / 25 / 0 / 75

HEX #183141

RGB 24 49 65

HSL 203.41, 0.46%, 0.17%

LAB 19.11, -4.05, -12.99

 

CMYK 35 / 14 / 0 / 45

HEX #5C798D

RGB 92 121 141

HSL 204.49, 0.21%, 0.46%

LAB 49.34, -5.23, -14.23

 

CMYK 35 / 19 / 0 / 45

HEX #5C728D

RGB 92 114 141

HSL 213.06, 0.21%, 0.46%

LAB 47.28, -1.13, -17.37

 

CMYK 35 / 26 / 0 / 45

HEX #5C698D

RGB 92 105 141

HSL 224.08, 0.21%, 0.46%

LAB 44.66, 4.29, -21.38

 

CMYK 35 / 31 / 0 / 45

HEX #5C618D

RGB 92 97 141

HSL 233.88, 0.21%, 0.46%

LAB 42.38, 9.21, -24.91

 

CMYK 33 / 35 / 0 / 45

HEX #5F5C8D

RGB 95 92 141

HSL 243.67, 0.21%, 0.46%

LAB 41.23, 13.24, -26.68

 

CMYK 35 / 14 / 0 / 45

HEX #5C798D

RGB 92 121 141

HSL 204.49, 0.21%, 0.46%

LAB 49.34, -5.23, -14.23

 

CMYK 35 / 14 / 0 / 25

HEX #7DA5C0

RGB 125 165 192

HSL 204.18, 0.35%, 0.62%

LAB 65.81, -6.87, -18.22

 

CMYK 35 / 14 / 0 / 5

HEX #9FD1F3

RGB 159 209 243

HSL 204.29, 0.78%, 0.79%

LAB 81.53, -8.15, -21.91

 

CMYK 36 / 15 / 0 / 85

HEX #192127

RGB 25 33 39

HSL 205.71, 0.22%, 0.13%

LAB 12.23, -1.76, -5.21

 

CMYK 34 / 14 / 0 / 65

HEX #3B4D5A

RGB 59 77 90

HSL 205.16, 0.21%, 0.29%

LAB 31.75, -3.44, -9.93

 

CMYK 35 / 14 / 0 / 45

HEX #5C798D

RGB 92 121 141

HSL 204.49, 0.21%, 0.46%

LAB 49.34, -5.23, -14.23

 

CMYK 13 / 35 / 0 / 45

HEX #7A5C8D

RGB 122 92 141

HSL 276.73, 0.21%, 0.46%

LAB 43.82, 21.98, -22.46

 

CMYK 0 / 0 / 35 / 45

HEX #8D8D5C

RGB 141 141 92

HSL 60, 0.21%, 0.46%

LAB 57.55, -7.97, 26.19

 

CMYK 35 / 14 / 0 / 45

HEX #5C798D

RGB 92 121 141

HSL 204.49, 0.21%, 0.46%

LAB 49.34, -5.23, -14.23

 

CMYK 0 / 35 / 13 / 45

HEX #8D5C7A

RGB 141 92 122

HSL 323.27, 0.21%, 0.46%

LAB 45.25, 24.83, -8.63

 

CMYK 13 / 0 / 35 / 45

HEX #7A8D5C

RGB 122 141 92

HSL 83.27, 0.21%, 0.46%

LAB 56.05, -15.74, 23.94

 

CMYK 35 / 14 / 0 / 45

HEX #5C798D

RGB 92 121 141

HSL 204.49, 0.21%, 0.46%

LAB 49.34, -5.23, -14.23

 

CMYK 13 / 35 / 0 / 45

HEX #7A5C8D

RGB 122 92 141

HSL 276.73, 0.21%, 0.46%

LAB 43.82, 21.98, -22.46

 

CMYK 0 / 21 / 35 / 45

HEX #8D705C

RGB 141 112 92

HSL 24.49, 0.21%, 0.46%

LAB 49.52, 8.43, 15.47

 

CMYK 21 / 0 / 35 / 45

HEX #708D5C

RGB 112 141 92

HSL 95.51, 0.21%, 0.46%

LAB 55.35, -19.66, 22.89

 

CMYK 35 / 14 / 0 / 45

HEX #5C798D

RGB 92 121 141

HSL 204.49, 0.21%, 0.46%

LAB 49.34, -5.23, -14.23

 

CMYK 3 / 35 / 0 / 45

HEX #895C8D

RGB 137 92 141

HSL 295.1, 0.21%, 0.46%

LAB 45.49, 27.06, -19.75

 

CMYK 0 / 21 / 35 / 45

HEX #8D705C

RGB 141 112 92

HSL 24.49, 0.21%, 0.46%

LAB 49.52, 8.43, 15.47

 

CMYK 31 / 0 / 35 / 45

HEX #618D5C

RGB 97 141 92

HSL 113.88, 0.21%, 0.46%

LAB 54.41, -25.21, 21.48

 

Description

Color code: RGB 92 121 141 | qconv.com Color code: RGB 92 121 141 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 121 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 121 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 14 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 14% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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