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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 91 226 27 it is the complementary color RGB 164 29 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 91 226 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 91 226 27: RGB 96 226 22, RGB 113 244 41, RGB 130 255 60, RGB 147 255 79 and RGB 164 255 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 91 226 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 91 226 27: RGB 91 226 27, RGB 74 208 8, RGB 57 190 0, RGB 40 172 0 and RGB 23 154 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 88 / 11

HEX #5BE21B

RGB 91 226 27

HSL 100.7, 0.79%, 0.5%

LAB 80.01, -67.05, 74.38

 

Complementary color

CMYK 28 / 87 / 0 / 11

HEX #A41DE4

RGB 164 29 228

HSL 280.7, 0.79%, 0.5%

LAB 44.76, 77.59, -71.56

 

CMYK 58 / 0 / 90 / 11

HEX #60E216

RGB 96 226 22

HSL 98.24, 0.82%, 0.49%

LAB 80.14, -65.98, 75.37

 

CMYK 54 / 0 / 83 / 4

HEX #71F429

RGB 113 244 41

HSL 98.72, 0.9%, 0.56%

LAB 86.19, -67.17, 77.18

 

CMYK 49 / 0 / 76 / 0

HEX #82FF3C

RGB 130 255 60

HSL 98.46, 1%, 0.62%

LAB 90.13, -65.53, 76.05

 

CMYK 42 / 0 / 69 / 0

HEX #93FF4F

RGB 147 255 79

HSL 96.82, 1%, 0.65%

LAB 90.91, -59.35, 70.8

 

CMYK 36 / 0 / 62 / 0

HEX #A4FF62

RGB 164 255 98

HSL 94.78, 1%, 0.69%

LAB 91.82, -52.47, 64.67

 

CMYK 60 / 0 / 88 / 11

HEX #5BE21B

RGB 91 226 27

HSL 100.7, 0.79%, 0.5%

LAB 80.01, -67.05, 74.38

 

CMYK 64 / 0 / 96 / 18

HEX #4AD008

RGB 74 208 8

HSL 100.2, 0.93%, 0.42%

LAB 73.92, -65.44, 71.69

 

CMYK 70 / 0 / 100 / 25

HEX #39BE00

RGB 57 190 0

HSL 102, 1%, 0.37%

LAB 67.8, -63.3, 67.46

 

CMYK 77 / 0 / 100 / 33

HEX #28AC00

RGB 40 172 0

HSL 106.05, 1%, 0.34%

LAB 61.62, -60.63, 62.4

 

CMYK 85 / 0 / 100 / 40

HEX #179A00

RGB 23 154 0

HSL 111.04, 1%, 0.3%

LAB 55.37, -57.45, 57.31

 

CMYK 60 / 0 / 88 / 11

HEX #5BE21B

RGB 91 226 27

HSL 100.7, 0.79%, 0.5%

LAB 80.01, -67.05, 74.38

 

CMYK 74 / 0 / 89 / 11

HEX #3CE41A

RGB 60 228 26

HSL 109.9, 0.8%, 0.5%

LAB 79.91, -73.76, 74.18

 

CMYK 89 / 0 / 89 / 11

HEX #1AE41A

RGB 26 228 26

HSL 120, 0.8%, 0.5%

LAB 79.49, -77.49, 73.66

 

CMYK 89 / 0 / 74 / 11

HEX #1AE43C

RGB 26 228 60

HSL 130.1, 0.8%, 0.5%

LAB 79.63, -75.66, 65

 

CMYK 89 / 0 / 59 / 11

HEX #1AE45D

RGB 26 228 93

HSL 139.9, 0.8%, 0.5%

LAB 79.9, -72.36, 52.27

 

CMYK 60 / 0 / 88 / 11

HEX #5BE21B

RGB 91 226 27

HSL 100.7, 0.79%, 0.5%

LAB 80.01, -67.05, 74.38

 

CMYK 59 / 0 / 86 / 91

HEX #091603

RGB 9 22 3

HSL 101.05, 0.76%, 0.05%

LAB 5.77, -7.82, 7.26

 

CMYK 60 / 0 / 88 / 71

HEX #1D4909

RGB 29 73 9

HSL 101.25, 0.78%, 0.16%

LAB 26.87, -27.84, 30.97

 

CMYK 60 / 0 / 88 / 51

HEX #327C0F

RGB 50 124 15

HSL 100.73, 0.78%, 0.27%

LAB 45.81, -41.87, 46.71

 

CMYK 60 / 0 / 88 / 31

HEX #46AF15

RGB 70 175 21

HSL 100.91, 0.79%, 0.38%

LAB 63.36, -54.97, 60.96

 

CMYK 60 / 0 / 88 / 11

HEX #5BE21B

RGB 91 226 27

HSL 100.7, 0.79%, 0.5%

LAB 80.01, -67.05, 74.38

 

CMYK 89 / 0 / 12 / 11

HEX #1AE4C9

RGB 26 228 201

HSL 171.98, 0.8%, 0.5%

LAB 81.8, -50.91, 0.4

 

CMYK 0 / 89 / 24 / 11

HEX #E41AAE

RGB 228 26 174

HSL 316.04, 0.8%, 0.5%

LAB 52.16, 80.91, -27.9

 

CMYK 60 / 0 / 88 / 11

HEX #5BE21B

RGB 91 226 27

HSL 100.7, 0.79%, 0.5%

LAB 80.01, -67.05, 74.38

 

CMYK 89 / 59 / 0 / 11

HEX #1A5DE4

RGB 26 93 228

HSL 220.1, 0.8%, 0.5%

LAB 43.73, 31.51, -73.71

 

CMYK 0 / 89 / 59 / 11

HEX #E41A5D

RGB 228 26 93

HSL 340.1, 0.8%, 0.5%

LAB 49.52, 73.68, 17.02

 

CMYK 60 / 0 / 88 / 11

HEX #5BE21B

RGB 91 226 27

HSL 100.7, 0.79%, 0.5%

LAB 80.01, -67.05, 74.38

 

CMYK 89 / 0 / 12 / 11

HEX #1AE4C9

RGB 26 228 201

HSL 171.98, 0.8%, 0.5%

LAB 81.8, -50.91, 0.4

 

CMYK 29 / 89 / 0 / 11

HEX #A11AE4

RGB 161 26 228

HSL 280.1, 0.8%, 0.5%

LAB 44.11, 77.77, -72.63

 

CMYK 0 / 89 / 77 / 11

HEX #E41A35

RGB 228 26 53

HSL 351.98, 0.8%, 0.5%

LAB 48.87, 71.83, 40.21

 

CMYK 60 / 0 / 88 / 11

HEX #5BE21B

RGB 91 226 27

HSL 100.7, 0.79%, 0.5%

LAB 80.01, -67.05, 74.38

 

CMYK 89 / 15 / 0 / 11

HEX #1AC2E4

RGB 26 194 228

HSL 190.1, 0.8%, 0.5%

LAB 72.5, -27.49, -28.03

 

CMYK 29 / 89 / 0 / 11

HEX #A11AE4

RGB 161 26 228

HSL 280.1, 0.8%, 0.5%

LAB 44.11, 77.77, -72.63

 

CMYK 0 / 74 / 89 / 11

HEX #E43C1A

RGB 228 60 26

HSL 10.1, 0.8%, 0.5%

LAB 51.61, 62.8, 56.04

 

Description

Color code: RGB 91 226 27 | qconv.com Color code: RGB 91 226 27 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 226 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 226 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 88 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 88% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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