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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 91 18 27 it is the complementary color RGB 164 237 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 91 18 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 91 18 27: RGB 96 18 22, RGB 113 36 41, RGB 130 54 60, RGB 147 72 79 and RGB 164 90 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 91 18 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 91 18 27: RGB 91 18 27, RGB 74 0 8, RGB 57 0 0, RGB 40 0 0 and RGB 23 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 70 / 64

HEX #5B121B

RGB 91 18 27

HSL 352.6, 0.67%, 0.21%

LAB 18.95, 33.23, 14.37

 

Complementary color

CMYK 31 / 0 / 4 / 7

HEX #A4EDE4

RGB 164 237 228

HSL 172.6, 0.67%, 0.79%

LAB 88.95, -24.42, -2.88

 

CMYK 0 / 81 / 77 / 62

HEX #601216

RGB 96 18 22

HSL 356.92, 0.68%, 0.22%

LAB 19.95, 34.66, 19.28

 

CMYK 0 / 68 / 64 / 56

HEX #712429

RGB 113 36 41

HSL 356.1, 0.52%, 0.29%

LAB 26.54, 34.29, 15.49

 

CMYK 0 / 58 / 54 / 49

HEX #82363C

RGB 130 54 60

HSL 355.26, 0.41%, 0.36%

LAB 33.37, 33.34, 12.72

 

CMYK 0 / 51 / 46 / 42

HEX #93484F

RGB 147 72 79

HSL 354.4, 0.34%, 0.43%

LAB 40.25, 32.24, 10.62

 

CMYK 0 / 45 / 40 / 36

HEX #A45A62

RGB 164 90 98

HSL 353.51, 0.29%, 0.5%

LAB 47.09, 31.16, 8.93

 

CMYK 0 / 80 / 70 / 64

HEX #5B121B

RGB 91 18 27

HSL 352.6, 0.67%, 0.21%

LAB 18.95, 33.23, 14.37

 

CMYK 0 / 100 / 89 / 71

HEX #4A0008

RGB 74 0 8

HSL 353.51, 1%, 0.15%

LAB 12.44, 33.08, 16.25

 

CMYK 0 / 100 / 100 / 78

HEX #390000

RGB 57 0 0

HSL 0, 1%, 0.11%

LAB 7.86, 27.6, 12.42

 

CMYK 0 / 100 / 100 / 84

HEX #280000

RGB 40 0 0

HSL 0, 1%, 0.08%

LAB 4.07, 18.26, 6.44

 

CMYK 0 / 100 / 100 / 91

HEX #170000

RGB 23 0 0

HSL 0, 1%, 0.05%

LAB 1.65, 7.38, 2.6

 

CMYK 0 / 80 / 70 / 64

HEX #5B121B

RGB 91 18 27

HSL 352.6, 0.67%, 0.21%

LAB 18.95, 33.23, 14.37

 

CMYK 0 / 78 / 81 / 65

HEX #591411

RGB 89 20 17

HSL 2.5, 0.68%, 0.21%

LAB 18.65, 31.15, 20.58

 

CMYK 0 / 64 / 81 / 65

HEX #592011

RGB 89 32 17

HSL 12.5, 0.68%, 0.21%

LAB 20.82, 25.31, 23.05

 

CMYK 0 / 52 / 81 / 65

HEX #592B11

RGB 89 43 17

HSL 21.67, 0.68%, 0.21%

LAB 23.31, 18.96, 25.71

 

CMYK 0 / 38 / 81 / 65

HEX #593711

RGB 89 55 17

HSL 31.67, 0.68%, 0.21%

LAB 26.44, 11.49, 28.9

 

CMYK 0 / 80 / 70 / 64

HEX #5B121B

RGB 91 18 27

HSL 352.6, 0.67%, 0.21%

LAB 18.95, 33.23, 14.37

 

CMYK 0 / 80 / 70 / 44

HEX #8E1C2A

RGB 142 28 42

HSL 352.63, 0.67%, 0.33%

LAB 31.23, 47.19, 21.97

 

CMYK 0 / 80 / 70 / 24

HEX #C12639

RGB 193 38 57

HSL 352.65, 0.67%, 0.45%

LAB 42.79, 60.07, 29.04

 

CMYK 0 / 80 / 70 / 4

HEX #F43048

RGB 244 48 72

HSL 352.65, 0.9%, 0.57%

LAB 53.83, 72.24, 35.74

 

CMYK 0 / 80 / 70 / 84

HEX #28080C

RGB 40 8 12

HSL 352.5, 0.67%, 0.09%

LAB 5.88, 16.26, 4.15

 

CMYK 0 / 80 / 70 / 64

HEX #5B121B

RGB 91 18 27

HSL 352.6, 0.67%, 0.21%

LAB 18.95, 33.23, 14.37

 

CMYK 6 / 0 / 81 / 65

HEX #545911

RGB 84 89 17

HSL 64.17, 0.68%, 0.21%

LAB 36.12, -11.83, 38.03

 

CMYK 81 / 38 / 0 / 65

HEX #113759

RGB 17 55 89

HSL 208.33, 0.68%, 0.21%

LAB 22.21, 0.08, -24.25

 

CMYK 0 / 80 / 70 / 64

HEX #5B121B

RGB 91 18 27

HSL 352.6, 0.67%, 0.21%

LAB 18.95, 33.23, 14.37

 

CMYK 70 / 0 / 81 / 65

HEX #1B5911

RGB 27 89 17

HSL 111.67, 0.68%, 0.21%

LAB 32.74, -34.37, 33.61

 

CMYK 81 / 70 / 0 / 65

HEX #111B59

RGB 17 27 89

HSL 231.67, 0.68%, 0.21%

LAB 13.38, 20.59, -38.48

 

CMYK 0 / 80 / 70 / 64

HEX #5B121B

RGB 91 18 27

HSL 352.6, 0.67%, 0.21%

LAB 18.95, 33.23, 14.37

 

CMYK 6 / 0 / 81 / 65

HEX #545911

RGB 84 89 17

HSL 64.17, 0.68%, 0.21%

LAB 36.12, -11.83, 38.03

 

CMYK 81 / 0 / 11 / 65

HEX #11594F

RGB 17 89 79

HSL 171.67, 0.68%, 0.21%

LAB 33.62, -23.9, -0.36

 

CMYK 75 / 81 / 0 / 65

HEX #161159

RGB 22 17 89

HSL 244.17, 0.68%, 0.21%

LAB 11.22, 27.99, -42.01

 

CMYK 0 / 80 / 70 / 64

HEX #5B121B

RGB 91 18 27

HSL 352.6, 0.67%, 0.21%

LAB 18.95, 33.23, 14.37

 

CMYK 29 / 0 / 81 / 65

HEX #3F5911

RGB 63 89 17

HSL 81.67, 0.68%, 0.21%

LAB 34.48, -21.62, 35.91

 

CMYK 81 / 0 / 11 / 65

HEX #11594F

RGB 17 89 79

HSL 171.67, 0.68%, 0.21%

LAB 33.62, -23.9, -0.36

 

CMYK 52 / 81 / 0 / 65

HEX #2B1159

RGB 43 17 89

HSL 261.67, 0.68%, 0.21%

LAB 13.45, 31.09, -38.27

 

Description

Color code: RGB 91 18 27 | qconv.com Color code: RGB 91 18 27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 18 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 18 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 70 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 70% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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