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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 91 175 189 it is the complementary color RGB 164 80 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 91 175 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 91 175 189: RGB 96 175 184, RGB 113 193 203, RGB 130 211 222, RGB 147 229 241 and RGB 164 247 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 91 175 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 91 175 189: RGB 91 175 189, RGB 74 157 170, RGB 57 139 151, RGB 40 121 132 and RGB 23 103 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 7 / 0 / 26

HEX #5BAFBD

RGB 91 175 189

HSL 188.57, 0.43%, 0.55%

LAB 66.94, -21.57, -14.99

 

Complementary color

CMYK 0 / 51 / 60 / 36

HEX #A45042

RGB 164 80 66

HSL 8.57, 0.43%, 0.45%

LAB 44.27, 33.41, 24.36

 

CMYK 48 / 5 / 0 / 28

HEX #60AFB8

RGB 96 175 184

HSL 186.14, 0.38%, 0.55%

LAB 66.98, -21.83, -12.14

 

CMYK 44 / 5 / 0 / 20

HEX #71C1CB

RGB 113 193 203

HSL 186.67, 0.46%, 0.62%

LAB 73.52, -21.91, -12.7

 

CMYK 41 / 5 / 0 / 13

HEX #82D3DE

RGB 130 211 222

HSL 187.17, 0.58%, 0.69%

LAB 79.96, -21.95, -13.22

 

CMYK 39 / 5 / 0 / 5

HEX #93E5F1

RGB 147 229 241

HSL 187.66, 0.77%, 0.76%

LAB 86.3, -21.97, -13.72

 

CMYK 36 / 3 / 0 / 0

HEX #A4F7FF

RGB 164 247 255

HSL 185.27, 1%, 0.82%

LAB 92.41, -23.15, -11.83

 

CMYK 52 / 7 / 0 / 26

HEX #5BAFBD

RGB 91 175 189

HSL 188.57, 0.43%, 0.55%

LAB 66.94, -21.57, -14.99

 

CMYK 56 / 8 / 0 / 33

HEX #4A9DAA

RGB 74 157 170

HSL 188.13, 0.39%, 0.48%

LAB 60.31, -21.31, -14.43

 

CMYK 62 / 8 / 0 / 41

HEX #398B97

RGB 57 139 151

HSL 187.66, 0.45%, 0.41%

LAB 53.57, -20.9, -13.82

 

CMYK 70 / 8 / 0 / 48

HEX #287984

RGB 40 121 132

HSL 187.17, 0.53%, 0.34%

LAB 46.7, -20.28, -13.13

 

CMYK 80 / 9 / 0 / 56

HEX #176771

RGB 23 103 113

HSL 186.67, 0.66%, 0.27%

LAB 39.71, -19.32, -12.34

 

CMYK 52 / 7 / 0 / 26

HEX #5BAFBD

RGB 91 175 189

HSL 188.57, 0.43%, 0.55%

LAB 66.94, -21.57, -14.99

 

CMYK 52 / 16 / 0 / 26

HEX #5A9FBD

RGB 90 159 189

HSL 198.18, 0.43%, 0.55%

LAB 62.21, -13.35, -22.19

 

CMYK 52 / 24 / 0 / 26

HEX #5A8FBD

RGB 90 143 189

HSL 207.88, 0.43%, 0.55%

LAB 57.55, -4.45, -29.36

 

CMYK 52 / 33 / 0 / 26

HEX #5A7FBD

RGB 90 127 189

HSL 217.58, 0.43%, 0.55%

LAB 52.98, 4.91, -36.49

 

CMYK 52 / 42 / 0 / 26

HEX #5A6EBD

RGB 90 110 189

HSL 227.88, 0.43%, 0.55%

LAB 48.26, 15.26, -43.94

 

CMYK 52 / 7 / 0 / 26

HEX #5BAFBD

RGB 91 175 189

HSL 188.57, 0.43%, 0.55%

LAB 66.94, -21.57, -14.99

 

CMYK 52 / 8 / 0 / 6

HEX #74DEF0

RGB 116 222 240

HSL 188.71, 0.81%, 0.7%

LAB 83.04, -25.86, -18.22

 

CMYK 53 / 8 / 0 / 86

HEX #112124

RGB 17 33 36

HSL 189.47, 0.36%, 0.1%

LAB 11.51, -5.72, -4.16

 

CMYK 52 / 7 / 0 / 66

HEX #2A5157

RGB 42 81 87

HSL 188, 0.35%, 0.25%

LAB 31.95, -11.94, -7.81

 

CMYK 52 / 7 / 0 / 46

HEX #42808A

RGB 66 128 138

HSL 188.33, 0.35%, 0.4%

LAB 50.02, -17.06, -11.57

 

CMYK 52 / 7 / 0 / 26

HEX #5BAFBD

RGB 91 175 189

HSL 188.57, 0.43%, 0.55%

LAB 66.94, -21.57, -14.99

 

CMYK 35 / 52 / 0 / 26

HEX #7B5ABD

RGB 123 90 189

HSL 260, 0.43%, 0.55%

LAB 45.9, 35.49, -47.54

 

CMYK 0 / 14 / 52 / 26

HEX #BDA35A

RGB 189 163 90

HSL 44.24, 0.43%, 0.55%

LAB 67.84, 0.16, 41.1

 

CMYK 52 / 7 / 0 / 26

HEX #5BAFBD

RGB 91 175 189

HSL 188.57, 0.43%, 0.55%

LAB 66.94, -21.57, -14.99

 

CMYK 0 / 52 / 7 / 26

HEX #BD5AB0

RGB 189 90 176

HSL 307.88, 0.43%, 0.55%

LAB 53.24, 51.12, -27.89

 

CMYK 7 / 0 / 52 / 26

HEX #B0BD5A

RGB 176 189 90

HSL 67.88, 0.43%, 0.55%

LAB 73.78, -18.81, 47.9

 

CMYK 52 / 7 / 0 / 26

HEX #5BAFBD

RGB 91 175 189

HSL 188.57, 0.43%, 0.55%

LAB 66.94, -21.57, -14.99

 

CMYK 35 / 52 / 0 / 26

HEX #7B5ABD

RGB 123 90 189

HSL 260, 0.43%, 0.55%

LAB 45.9, 35.49, -47.54

 

CMYK 0 / 45 / 52 / 26

HEX #BD685A

RGB 189 104 90

HSL 8.48, 0.43%, 0.55%

LAB 53.45, 32.49, 22.92

 

CMYK 17 / 0 / 52 / 26

HEX #9CBD5A

RGB 156 189 90

HSL 80, 0.43%, 0.55%

LAB 72.36, -26.8, 45.88

 

CMYK 52 / 7 / 0 / 26

HEX #5BAFBD

RGB 91 175 189

HSL 188.57, 0.43%, 0.55%

LAB 66.94, -21.57, -14.99

 

CMYK 19 / 52 / 0 / 26

HEX #995ABD

RGB 153 90 189

HSL 278.18, 0.43%, 0.55%

LAB 49.2, 43.44, -42.09

 

CMYK 0 / 45 / 52 / 26

HEX #BD685A

RGB 189 104 90

HSL 8.48, 0.43%, 0.55%

LAB 53.45, 32.49, 22.92

 

CMYK 33 / 0 / 52 / 26

HEX #7FBD5A

RGB 127 189 90

HSL 97.58, 0.43%, 0.55%

LAB 70.63, -37.57, 43.39

 

Description

Color code: RGB 91 175 189 | qconv.com Color code: RGB 91 175 189 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 175 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 175 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 7 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 7% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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