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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 91 151 114 it is the complementary color RGB 164 104 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 91 151 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 91 151 114 shade: RGB 96 151 109, RGB 113 169 128, RGB 130 187 147, RGB 147 205 166 and RGB 164 223 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 91 151 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 91 151 114 shade: RGB 91 151 114, RGB 74 133 95, RGB 57 115 76, RGB 40 97 57 and RGB 23 79 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 91 151 114 shade: RGB 90 150 113, RGB 90 150 97, RGB 99 150 90, RGB 115 150 90 and RGB 132 150 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 91 151 114 shade: RGB 90 150 113, RGB 90 150 129, RGB 90 150 145, RGB 90 138 150 and RGB 90 122 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 91 151 114 shade matches the following richer shades: RGB 90 150 113, RGB 70 169 108, RGB 51 189 104, RGB 32 208 99 and RGB 12 227 95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 91 151 114 shade: RGB 90 150 113, RGB 109 130 117, RGB 129 111 122, RGB 148 92 126 and RGB 167 72 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 91 151 114 shade: RGB 99 150 90, RGB 90 150 97, RGB 90 150 113, RGB 90 150 129 and RGB 90 150 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 91 151 114 shade: RGB 59 98 74, RGB 74 124 93, RGB 90 150 113, RGB 112 169 134 and RGB 138 185 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 91 151 114 shade: RGB 91 151 114, RGB 90 115 150 and RGB 150 90 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 91 151 114 shade: RGB 91 151 114, RGB 113 90 150 and RGB 150 113 90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 91 151 114 shade: RGB 91 151 114, RGB 90 115 150, RGB 150 90 127 and RGB 150 125 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 91 151 114 shade: RGB 91 151 114, RGB 90 97 150, RGB 150 90 127 and RGB 150 143 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 25 / 41

HEX #5B9772

RGB 91 151 114

HSL 143, 0.25%, 0.47%

LAB 57.63, -28.03, 13.48

 

Complementary color

CMYK 0 / 37 / 14 / 36

HEX #A4688D

RGB 164 104 141

HSL 323, 0.25%, 0.53%

LAB 51.51, 29.64, -10.3

 

CMYK 36 / 0 / 28 / 41

HEX #60976D

RGB 96 151 109

HSL 134.18, 0.22%, 0.48%

LAB 57.77, -27.44, 16.52

 

CMYK 33 / 0 / 24 / 34

HEX #71A980

RGB 113 169 128

HSL 136.07, 0.25%, 0.55%

LAB 64.52, -27.16, 15.44

 

CMYK 30 / 0 / 21 / 27

HEX #82BB93

RGB 130 187 147

HSL 137.89, 0.3%, 0.62%

LAB 71.14, -26.9, 14.44

 

CMYK 28 / 0 / 19 / 20

HEX #93CDA6

RGB 147 205 166

HSL 139.66, 0.37%, 0.69%

LAB 77.65, -26.65, 13.51

 

CMYK 26 / 0 / 17 / 13

HEX #A4DFB9

RGB 164 223 185

HSL 141.36, 0.48%, 0.76%

LAB 84.05, -26.42, 12.62

 

CMYK 40 / 0 / 25 / 41

HEX #5B9772

RGB 91 151 114

HSL 143, 0.25%, 0.47%

LAB 57.63, -28.03, 13.48

 

CMYK 44 / 0 / 29 / 48

HEX #4A855F

RGB 74 133 95

HSL 141.36, 0.29%, 0.41%

LAB 50.75, -28.3, 14.62

 

CMYK 50 / 0 / 34 / 55

HEX #39734C

RGB 57 115 76

HSL 139.66, 0.34%, 0.34%

LAB 43.73, -28.54, 15.89

 

CMYK 59 / 0 / 41 / 62

HEX #286139

RGB 40 97 57

HSL 137.89, 0.42%, 0.27%

LAB 36.55, -28.66, 17.32

 

CMYK 71 / 0 / 52 / 69

HEX #174F26

RGB 23 79 38

HSL 136.07, 0.55%, 0.2%

LAB 29.19, -28.47, 18.95

 

CMYK 40 / 0 / 25 / 41

HEX #5A9671

RGB 90 150 113

HSL 143, 0.25%, 0.47%

LAB 57.25, -28.05, 13.5

 

CMYK 40 / 0 / 35 / 41

HEX #5A9661

RGB 90 150 97

HSL 127, 0.25%, 0.47%

LAB 56.93, -31.09, 22

 

CMYK 34 / 0 / 40 / 41

HEX #63965A

RGB 99 150 90

HSL 111, 0.25%, 0.47%

LAB 57.27, -29.25, 26.37

 

CMYK 23 / 0 / 40 / 41

HEX #73965A

RGB 115 150 90

HSL 95, 0.25%, 0.47%

LAB 58.22, -23.41, 27.79

 

CMYK 12 / 0 / 40 / 41

HEX #84965A

RGB 132 150 90

HSL 78, 0.25%, 0.47%

LAB 59.39, -16.74, 29.53

 

CMYK 40 / 0 / 25 / 41

HEX #5A9671

RGB 90 150 113

HSL 143, 0.25%, 0.47%

LAB 57.25, -28.05, 13.5

 

CMYK 40 / 0 / 14 / 41

HEX #5A9681

RGB 90 150 129

HSL 159, 0.25%, 0.47%

LAB 57.63, -24.57, 4.97

 

CMYK 40 / 0 / 3 / 41

HEX #5A9691

RGB 90 150 145

HSL 175, 0.25%, 0.47%

LAB 58.07, -20.7, -3.51

 

CMYK 40 / 8 / 0 / 41

HEX #5A8A96

RGB 90 138 150

HSL 192, 0.25%, 0.47%

LAB 54.61, -12.97, -11.53

 

CMYK 40 / 19 / 0 / 41

HEX #5A7A96

RGB 90 122 150

HSL 208, 0.25%, 0.47%

LAB 49.85, -3.9, -18.75

 

CMYK 40 / 0 / 25 / 41

HEX #5A9671

RGB 90 150 113

HSL 143, 0.25%, 0.47%

LAB 57.25, -28.05, 13.5

 

CMYK 59 / 0 / 36 / 34

HEX #46A96C

RGB 70 169 108

HSL 143.03, 0.41%, 0.47%

LAB 62.31, -43.03, 23.05

 

CMYK 73 / 0 / 45 / 26

HEX #33BD68

RGB 51 189 104

HSL 143.04, 0.58%, 0.47%

LAB 68.09, -55.19, 32.66

 

CMYK 85 / 0 / 52 / 18

HEX #20D063

RGB 32 208 99

HSL 142.84, 0.73%, 0.47%

LAB 73.75, -64.79, 42.19

 

CMYK 95 / 0 / 58 / 11

HEX #0CE35F

RGB 12 227 95

HSL 143.16, 0.9%, 0.47%

LAB 79.52, -72.5, 50.93

 

CMYK 40 / 0 / 25 / 41

HEX #5A9671

RGB 90 150 113

HSL 143, 0.25%, 0.47%

LAB 57.25, -28.05, 13.5

 

CMYK 16 / 0 / 10 / 49

HEX #6D8275

RGB 109 130 117

HSL 142.86, 0.09%, 0.47%

LAB 52.4, -10.37, 4.5

 

CMYK 0 / 14 / 5 / 49

HEX #816F7A

RGB 129 111 122

HSL 323.33, 0.08%, 0.47%

LAB 48.81, 9.1, -3.47

 

CMYK 0 / 38 / 15 / 42

HEX #945C7E

RGB 148 92 126

HSL 323.57, 0.23%, 0.47%

LAB 46.25, 28.1, -9.45

 

CMYK 0 / 57 / 22 / 35

HEX #A74883

RGB 167 72 131

HSL 322.74, 0.4%, 0.47%

LAB 44.93, 46, -14.22

 

CMYK 34 / 0 / 40 / 41

HEX #63965A

RGB 99 150 90

HSL 111, 0.25%, 0.47%

LAB 57.27, -29.25, 26.37

 

CMYK 40 / 0 / 35 / 41

HEX #5A9661

RGB 90 150 97

HSL 127, 0.25%, 0.47%

LAB 56.93, -31.09, 22

 

CMYK 40 / 0 / 25 / 41

HEX #5A9671

RGB 90 150 113

HSL 143, 0.25%, 0.47%

LAB 57.25, -28.05, 13.5

 

CMYK 40 / 0 / 14 / 41

HEX #5A9681

RGB 90 150 129

HSL 159, 0.25%, 0.47%

LAB 57.63, -24.57, 4.97

 

CMYK 40 / 0 / 3 / 41

HEX #5A9691

RGB 90 150 145

HSL 175, 0.25%, 0.47%

LAB 58.07, -20.7, -3.51

 

CMYK 40 / 0 / 24 / 62

HEX #3B624A

RGB 59 98 74

HSL 143.08, 0.25%, 0.31%

LAB 38.13, -19.74, 9.38

 

CMYK 40 / 0 / 25 / 51

HEX #4A7C5D

RGB 74 124 93

HSL 142.8, 0.25%, 0.39%

LAB 47.83, -24.25, 11.72

 

CMYK 40 / 0 / 25 / 41

HEX #5A9671

RGB 90 150 113

HSL 143, 0.25%, 0.47%

LAB 57.25, -28.05, 13.5

 

CMYK 34 / 0 / 21 / 34

HEX #70A986

RGB 112 169 134

HSL 143.16, 0.25%, 0.55%

LAB 64.6, -26.31, 12.23

 

CMYK 25 / 0 / 16 / 27

HEX #8AB99C

RGB 138 185 156

HSL 142.98, 0.25%, 0.63%

LAB 71.22, -21.58, 9.72

 

CMYK 40 / 0 / 25 / 41

HEX #5B9772

RGB 91 151 114

HSL 143, 0.25%, 0.47%

LAB 57.63, -28.03, 13.48

 

CMYK 40 / 23 / 0 / 41

HEX #5A7396

RGB 90 115 150

HSL 215, 0.25%, 0.47%

LAB 47.8, 0.23, -21.9

 

CMYK 0 / 40 / 39 / 41

HEX #965A5B

RGB 150 90 91

HSL 359, 0.25%, 0.47%

LAB 45.01, 24.79, 9.97

 

CMYK 40 / 0 / 25 / 41

HEX #5B9772

RGB 91 151 114

HSL 143, 0.25%, 0.47%

LAB 57.63, -28.03, 13.48

 

CMYK 25 / 40 / 0 / 41

HEX #715A96

RGB 113 90 150

HSL 263, 0.25%, 0.47%

LAB 42.8, 22.46, -29.52

 

CMYK 0 / 25 / 40 / 41

HEX #96715A

RGB 150 113 90

HSL 23, 0.25%, 0.47%

LAB 50.73, 11.4, 18.43

 

CMYK 40 / 0 / 25 / 41

HEX #5B9772

RGB 91 151 114

HSL 143, 0.25%, 0.47%

LAB 57.63, -28.03, 13.48

 

CMYK 40 / 23 / 0 / 41

HEX #5A7396

RGB 90 115 150

HSL 215, 0.25%, 0.47%

LAB 47.8, 0.23, -21.9

 

CMYK 0 / 40 / 15 / 41

HEX #965A7F

RGB 150 90 127

HSL 323, 0.25%, 0.47%

LAB 46.08, 30.12, -10.29

 

CMYK 0 / 17 / 40 / 41

HEX #967D5A

RGB 150 125 90

HSL 35, 0.25%, 0.47%

LAB 53.91, 4.53, 22.68

 

CMYK 40 / 0 / 25 / 41

HEX #5B9772

RGB 91 151 114

HSL 143, 0.25%, 0.47%

LAB 57.63, -28.03, 13.48

 

CMYK 40 / 35 / 0 / 41

HEX #5A6196

RGB 90 97 150

HSL 233, 0.25%, 0.47%

LAB 42.65, 11.23, -29.9

 

CMYK 0 / 40 / 15 / 41

HEX #965A7F

RGB 150 90 127

HSL 323, 0.25%, 0.47%

LAB 46.08, 30.12, -10.29

 

CMYK 0 / 5 / 40 / 41

HEX #968F5A

RGB 150 143 90

HSL 53, 0.25%, 0.47%

LAB 58.85, -5.53, 29.13

 

Description

Color code: RGB 91 151 114 | qconv.com Color code: RGB 91 151 114 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 151 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 151 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 25 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 25% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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