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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 138 150 it is the complementary color RGB 165 117 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 138 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 90 138 150: RGB 95 138 145, RGB 112 156 164, RGB 129 174 183, RGB 146 192 202 and RGB 163 210 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 138 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 90 138 150: RGB 90 138 150, RGB 73 120 131, RGB 56 102 112, RGB 39 84 93 and RGB 22 66 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 8 / 0 / 41

HEX #5A8A96

RGB 90 138 150

HSL 192, 0.25%, 0.47%

LAB 54.61, -12.97, -11.53

 

Complementary color

CMYK 0 / 29 / 36 / 35

HEX #A57569

RGB 165 117 105

HSL 12, 0.25%, 0.53%

LAB 53.75, 17.24, 14.12

 

CMYK 34 / 5 / 0 / 43

HEX #5F8A91

RGB 95 138 145

HSL 188.4, 0.21%, 0.47%

LAB 54.71, -12.87, -8.46

 

CMYK 32 / 5 / 0 / 36

HEX #709CA4

RGB 112 156 164

HSL 189.23, 0.22%, 0.54%

LAB 61.57, -12.84, -8.97

 

CMYK 30 / 5 / 0 / 28

HEX #81AEB7

RGB 129 174 183

HSL 190, 0.27%, 0.61%

LAB 68.28, -12.81, -9.47

 

CMYK 28 / 5 / 0 / 21

HEX #92C0CA

RGB 146 192 202

HSL 190.71, 0.35%, 0.68%

LAB 74.87, -12.78, -9.96

 

CMYK 26 / 5 / 0 / 13

HEX #A3D2DD

RGB 163 210 221

HSL 191.38, 0.46%, 0.75%

LAB 81.35, -12.76, -10.44

 

CMYK 40 / 8 / 0 / 41

HEX #5A8A96

RGB 90 138 150

HSL 192, 0.25%, 0.47%

LAB 54.61, -12.97, -11.53

 

CMYK 44 / 8 / 0 / 49

HEX #497883

RGB 73 120 131

HSL 191.38, 0.28%, 0.4%

LAB 47.61, -12.91, -11.04

 

CMYK 50 / 9 / 0 / 56

HEX #386670

RGB 56 102 112

HSL 190.71, 0.33%, 0.33%

LAB 40.43, -12.78, -10.53

 

CMYK 58 / 10 / 0 / 64

HEX #27545D

RGB 39 84 93

HSL 190, 0.41%, 0.26%

LAB 33.05, -12.54, -9.96

 

CMYK 70 / 11 / 0 / 71

HEX #16424A

RGB 22 66 74

HSL 189.23, 0.54%, 0.19%

LAB 25.45, -12.06, -9.32

 

CMYK 40 / 8 / 0 / 41

HEX #5A8A96

RGB 90 138 150

HSL 192, 0.25%, 0.47%

LAB 54.61, -12.97, -11.53

 

CMYK 40 / 15 / 0 / 42

HEX #597F95

RGB 89 127 149

HSL 202, 0.25%, 0.47%

LAB 51.24, -7.36, -16.06

 

CMYK 40 / 21 / 0 / 42

HEX #597595

RGB 89 117 149

HSL 212, 0.25%, 0.47%

LAB 48.28, -1.54, -20.57

 

CMYK 40 / 28 / 0 / 42

HEX #596B95

RGB 89 107 149

HSL 222, 0.25%, 0.47%

LAB 45.37, 4.48, -25.06

 

CMYK 40 / 35 / 0 / 42

HEX #596195

RGB 89 97 149

HSL 232, 0.25%, 0.47%

LAB 42.53, 10.65, -29.5

 

CMYK 40 / 8 / 0 / 41

HEX #5A8A96

RGB 90 138 150

HSL 192, 0.25%, 0.47%

LAB 54.61, -12.97, -11.53

 

CMYK 40 / 8 / 0 / 21

HEX #79B9C9

RGB 121 185 201

HSL 192, 0.43%, 0.63%

LAB 71.54, -16.32, -14.54

 

CMYK 40 / 8 / 0 / 1

HEX #97E8FC

RGB 151 232 252

HSL 191.88, 0.94%, 0.79%

LAB 87.64, -19.75, -17.48

 

CMYK 40 / 8 / 0 / 81

HEX #1D2C30

RGB 29 44 48

HSL 192.63, 0.25%, 0.15%

LAB 16.87, -5.03, -4.61

 

CMYK 40 / 8 / 0 / 61

HEX #3B5B63

RGB 59 91 99

HSL 192, 0.25%, 0.31%

LAB 36.58, -9.38, -8.31

 

CMYK 40 / 8 / 0 / 41

HEX #5A8A96

RGB 90 138 150

HSL 192, 0.25%, 0.47%

LAB 54.61, -12.97, -11.53

 

CMYK 24 / 40 / 0 / 42

HEX #715995

RGB 113 89 149

HSL 264, 0.25%, 0.47%

LAB 42.5, 22.81, -29.39

 

CMYK 0 / 8 / 40 / 42

HEX #958959

RGB 149 137 89

HSL 48, 0.25%, 0.47%

LAB 57.08, -2.77, 27.37

 

CMYK 40 / 8 / 0 / 41

HEX #5A8A96

RGB 90 138 150

HSL 192, 0.25%, 0.47%

LAB 54.61, -12.97, -11.53

 

CMYK 0 / 40 / 8 / 42

HEX #955989

RGB 149 89 137

HSL 312, 0.25%, 0.47%

LAB 46.1, 32.11, -16.29

 

CMYK 8 / 0 / 40 / 42

HEX #899559

RGB 137 149 89

HSL 72, 0.25%, 0.47%

LAB 59.47, -14.31, 30.24

 

CMYK 40 / 8 / 0 / 41

HEX #5A8A96

RGB 90 138 150

HSL 192, 0.25%, 0.47%

LAB 54.61, -12.97, -11.53

 

CMYK 24 / 40 / 0 / 42

HEX #715995

RGB 113 89 149

HSL 264, 0.25%, 0.47%

LAB 42.5, 22.81, -29.39

 

CMYK 0 / 32 / 40 / 42

HEX #956559

RGB 149 101 89

HSL 12, 0.25%, 0.47%

LAB 47.52, 17.8, 14.63

 

CMYK 16 / 0 / 40 / 42

HEX #7D9559

RGB 125 149 89

HSL 84, 0.25%, 0.47%

LAB 58.58, -19.16, 28.92

 

CMYK 40 / 8 / 0 / 41

HEX #5A8A96

RGB 90 138 150

HSL 192, 0.25%, 0.47%

LAB 54.61, -12.97, -11.53

 

CMYK 12 / 40 / 0 / 42

HEX #835995

RGB 131 89 149

HSL 282, 0.25%, 0.47%

LAB 44.43, 28.53, -26.23

 

CMYK 0 / 32 / 40 / 42

HEX #956559

RGB 149 101 89

HSL 12, 0.25%, 0.47%

LAB 47.52, 17.8, 14.63

 

CMYK 28 / 0 / 40 / 42

HEX #6B9559

RGB 107 149 89

HSL 102, 0.25%, 0.47%

LAB 57.41, -26.05, 27.18

 

Description

Color code: RGB 90 138 150 | qconv.com Color code: RGB 90 138 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 138 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 138 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 8 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 8% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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