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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 91 111 137 it is the complementary color RGB 164 144 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 91 111 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 91 111 137: RGB 96 111 132, RGB 113 129 151, RGB 130 147 170, RGB 147 165 189 and RGB 164 183 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 91 111 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 91 111 137: RGB 91 111 137, RGB 74 93 118, RGB 57 75 99, RGB 40 57 80 and RGB 23 39 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 19 / 0 / 46

HEX #5B6F89

RGB 91 111 137

HSL 213.91, 0.2%, 0.45%

LAB 46.18, -0.75, -16.68

 

Complementary color

CMYK 0 / 12 / 28 / 36

HEX #A49076

RGB 164 144 118

HSL 33.91, 0.2%, 0.55%

LAB 60.91, 3.36, 16.58

 

CMYK 27 / 16 / 0 / 48

HEX #606F84

RGB 96 111 132

HSL 215, 0.16%, 0.45%

LAB 46.34, -0.48, -13.42

 

CMYK 25 / 15 / 0 / 41

HEX #718197

RGB 113 129 151

HSL 214.74, 0.15%, 0.52%

LAB 53.43, -0.67, -13.74

 

CMYK 24 / 14 / 0 / 33

HEX #8293AA

RGB 130 147 170

HSL 214.5, 0.19%, 0.59%

LAB 60.35, -0.84, -14.08

 

CMYK 22 / 13 / 0 / 26

HEX #93A5BD

RGB 147 165 189

HSL 214.29, 0.24%, 0.66%

LAB 67.12, -1, -14.43

 

CMYK 21 / 12 / 0 / 18

HEX #A4B7D0

RGB 164 183 208

HSL 214.09, 0.32%, 0.73%

LAB 73.75, -1.15, -14.79

 

CMYK 34 / 19 / 0 / 46

HEX #5B6F89

RGB 91 111 137

HSL 213.91, 0.2%, 0.45%

LAB 46.18, -0.75, -16.68

 

CMYK 37 / 21 / 0 / 54

HEX #4A5D76

RGB 74 93 118

HSL 214.09, 0.23%, 0.38%

LAB 38.89, -0.47, -16.45

 

CMYK 42 / 24 / 0 / 61

HEX #394B63

RGB 57 75 99

HSL 214.29, 0.27%, 0.31%

LAB 31.35, -0.11, -16.27

 

CMYK 50 / 29 / 0 / 69

HEX #283950

RGB 40 57 80

HSL 214.5, 0.33%, 0.24%

LAB 23.53, 0.39, -16.15

 

CMYK 62 / 36 / 0 / 76

HEX #17273D

RGB 23 39 61

HSL 214.74, 0.45%, 0.16%

LAB 15.33, 1.16, -16.11

 

CMYK 34 / 19 / 0 / 46

HEX #5B6F89

RGB 91 111 137

HSL 213.91, 0.2%, 0.45%

LAB 46.18, -0.75, -16.68

 

CMYK 34 / 24 / 0 / 46

HEX #5B6889

RGB 91 104 137

HSL 223.04, 0.2%, 0.45%

LAB 44.13, 3.47, -19.81

 

CMYK 34 / 29 / 0 / 46

HEX #5B6189

RGB 91 97 137

HSL 232.17, 0.2%, 0.45%

LAB 42.12, 7.77, -22.91

 

CMYK 31 / 34 / 0 / 46

HEX #5E5B89

RGB 94 91 137

HSL 243.91, 0.2%, 0.45%

LAB 40.68, 12.45, -25.13

 

CMYK 26 / 34 / 0 / 46

HEX #655B89

RGB 101 91 137

HSL 253.04, 0.2%, 0.45%

LAB 41.3, 14.67, -24.12

 

CMYK 34 / 19 / 0 / 46

HEX #5B6F89

RGB 91 111 137

HSL 213.91, 0.2%, 0.45%

LAB 46.18, -0.75, -16.68

 

CMYK 34 / 19 / 0 / 26

HEX #7D98BC

RGB 125 152 188

HSL 214.29, 0.32%, 0.61%

LAB 62.04, -0.69, -21.72

 

CMYK 33 / 19 / 0 / 6

HEX #9FC2EF

RGB 159 194 239

HSL 213.75, 0.71%, 0.78%

LAB 77.39, -1.17, -26.08

 

CMYK 34 / 20 / 0 / 86

HEX #171C23

RGB 23 28 35

HSL 215, 0.21%, 0.11%

LAB 10.06, -0.2, -5.56

 

CMYK 34 / 19 / 0 / 66

HEX #394656

RGB 57 70 86

HSL 213.1, 0.2%, 0.28%

LAB 29.21, -0.83, -11.23

 

CMYK 34 / 19 / 0 / 46

HEX #5B6F89

RGB 91 111 137

HSL 213.91, 0.2%, 0.45%

LAB 46.18, -0.75, -16.68

 

CMYK 8 / 34 / 0 / 46

HEX #7E5B89

RGB 126 91 137

HSL 285.65, 0.2%, 0.45%

LAB 43.83, 23.03, -20

 

CMYK 5 / 0 / 34 / 46

HEX #82895B

RGB 130 137 91

HSL 69.13, 0.2%, 0.45%

LAB 55.47, -10.49, 23.86

 

CMYK 34 / 19 / 0 / 46

HEX #5B6F89

RGB 91 111 137

HSL 213.91, 0.2%, 0.45%

LAB 46.18, -0.75, -16.68

 

CMYK 0 / 34 / 18 / 46

HEX #895B70

RGB 137 91 112

HSL 332.61, 0.2%, 0.45%

LAB 44.19, 22.17, -4.19

 

CMYK 18 / 0 / 34 / 46

HEX #70895B

RGB 112 137 91

HSL 92.61, 0.2%, 0.45%

LAB 54.12, -17.72, 21.82

 

CMYK 34 / 19 / 0 / 46

HEX #5B6F89

RGB 91 111 137

HSL 213.91, 0.2%, 0.45%

LAB 46.18, -0.75, -16.68

 

CMYK 8 / 34 / 0 / 46

HEX #7E5B89

RGB 126 91 137

HSL 285.65, 0.2%, 0.45%

LAB 43.83, 23.03, -20

 

CMYK 0 / 15 / 34 / 46

HEX #89755B

RGB 137 117 91

HSL 33.91, 0.2%, 0.45%

LAB 50.45, 3.7, 17.24

 

CMYK 25 / 0 / 34 / 46

HEX #67895B

RGB 103 137 91

HSL 104.35, 0.2%, 0.45%

LAB 53.52, -21.16, 20.92

 

CMYK 34 / 19 / 0 / 46

HEX #5B6F89

RGB 91 111 137

HSL 213.91, 0.2%, 0.45%

LAB 46.18, -0.75, -16.68

 

CMYK 0 / 34 / 1 / 46

HEX #895B87

RGB 137 91 135

HSL 302.61, 0.2%, 0.45%

LAB 45.01, 26.42, -16.88

 

CMYK 0 / 15 / 34 / 46

HEX #89755B

RGB 137 117 91

HSL 33.91, 0.2%, 0.45%

LAB 50.45, 3.7, 17.24

 

CMYK 34 / 0 / 31 / 46

HEX #5B895E

RGB 91 137 94

HSL 123.91, 0.2%, 0.45%

LAB 52.87, -24.96, 18.22

 

Description

Color code: RGB 91 111 137 | qconv.com Color code: RGB 91 111 137 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 111 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 111 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 19 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 19% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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