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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 86 68 it is the complementary color RGB 165 169 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 86 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 90 86 68: RGB 95 86 63, RGB 112 104 82, RGB 129 122 101, RGB 146 140 120 and RGB 163 158 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 86 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 90 86 68: RGB 90 86 68, RGB 73 68 49, RGB 56 50 30, RGB 39 32 11 and RGB 22 14 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 24 / 65

HEX #5A5644

RGB 90 86 68

HSL 49.09, 0.14%, 0.31%

LAB 36.45, -1.74, 11.09

 

Complementary color

CMYK 12 / 10 / 0 / 27

HEX #A5A9BB

RGB 165 169 187

HSL 229.09, 0.14%, 0.69%

LAB 69.44, 2.22, -9.7

 

CMYK 0 / 9 / 34 / 63

HEX #5F563F

RGB 95 86 63

HSL 43.13, 0.2%, 0.31%

LAB 36.83, -0.3, 14.75

 

CMYK 0 / 7 / 27 / 56

HEX #706852

RGB 112 104 82

HSL 44, 0.15%, 0.38%

LAB 44.17, -0.71, 13.55

 

CMYK 0 / 5 / 22 / 49

HEX #817A65

RGB 129 122 101

HSL 45, 0.12%, 0.45%

LAB 51.3, -1.03, 12.48

 

CMYK 0 / 4 / 18 / 43

HEX #928C78

RGB 146 140 120

HSL 46.15, 0.11%, 0.52%

LAB 58.25, -1.3, 11.49

 

CMYK 0 / 3 / 15 / 36

HEX #A39E8B

RGB 163 158 139

HSL 47.5, 0.12%, 0.59%

LAB 65.05, -1.53, 10.58

 

CMYK 0 / 4 / 24 / 65

HEX #5A5644

RGB 90 86 68

HSL 49.09, 0.14%, 0.31%

LAB 36.45, -1.74, 11.09

 

CMYK 0 / 7 / 33 / 71

HEX #494431

RGB 73 68 49

HSL 47.5, 0.2%, 0.24%

LAB 28.83, -1.39, 12.3

 

CMYK 0 / 11 / 46 / 78

HEX #38321E

RGB 56 50 30

HSL 46.15, 0.3%, 0.17%

LAB 20.89, -0.88, 13.71

 

CMYK 0 / 18 / 72 / 85

HEX #27200B

RGB 39 32 11

HSL 45, 0.56%, 0.1%

LAB 12.53, -0.03, 14.04

 

CMYK 0 / 36 / 100 / 91

HEX #160E00

RGB 22 14 0

HSL 38.18, 1%, 0.04%

LAB 4.38, 1.12, 6.58

 

CMYK 0 / 4 / 24 / 65

HEX #5A5644

RGB 90 86 68

HSL 49.09, 0.14%, 0.31%

LAB 36.45, -1.74, 11.09

 

CMYK 0 / 1 / 26 / 65

HEX #5A5943

RGB 90 89 67

HSL 57.39, 0.15%, 0.31%

LAB 37.34, -3.71, 12.92

 

CMYK 4 / 0 / 26 / 65

HEX #565A43

RGB 86 90 67

HSL 70.43, 0.15%, 0.31%

LAB 37.29, -6.05, 12.79

 

CMYK 8 / 0 / 26 / 65

HEX #535A43

RGB 83 90 67

HSL 78.26, 0.15%, 0.31%

LAB 37.03, -7.34, 12.4

 

CMYK 12 / 0 / 26 / 65

HEX #4F5A43

RGB 79 90 67

HSL 88.7, 0.15%, 0.31%

LAB 36.71, -9.03, 11.89

 

CMYK 0 / 4 / 24 / 65

HEX #5A5644

RGB 90 86 68

HSL 49.09, 0.14%, 0.31%

LAB 36.45, -1.74, 11.09

 

CMYK 0 / 4 / 24 / 45

HEX #8D876B

RGB 141 135 107

HSL 49.41, 0.14%, 0.49%

LAB 56.14, -2.55, 15.89

 

CMYK 0 / 5 / 24 / 25

HEX #C0B791

RGB 192 183 145

HSL 48.51, 0.27%, 0.66%

LAB 74.27, -2.92, 20.51

 

CMYK 0 / 5 / 24 / 5

HEX #F3E8B8

RGB 243 232 184

HSL 48.81, 0.71%, 0.84%

LAB 91.79, -3.65, 24.74

 

CMYK 0 / 5 / 26 / 85

HEX #27251D

RGB 39 37 29

HSL 48, 0.15%, 0.13%

LAB 14.64, -0.81, 5.67

 

CMYK 0 / 4 / 24 / 65

HEX #5A5644

RGB 90 86 68

HSL 49.09, 0.14%, 0.31%

LAB 36.45, -1.74, 11.09

 

CMYK 26 / 0 / 24 / 65

HEX #435A44

RGB 67 90 68

HSL 122.61, 0.15%, 0.31%

LAB 35.84, -13.7, 9.94

 

CMYK 14 / 26 / 0 / 65

HEX #4D435A

RGB 77 67 90

HSL 266.09, 0.15%, 0.31%

LAB 30.23, 9.44, -12.09

 

CMYK 0 / 4 / 24 / 65

HEX #5A5644

RGB 90 86 68

HSL 49.09, 0.14%, 0.31%

LAB 36.45, -1.74, 11.09

 

CMYK 26 / 0 / 4 / 65

HEX #435A56

RGB 67 90 86

HSL 169.57, 0.15%, 0.31%

LAB 36.32, -9.65, -0.54

 

CMYK 4 / 26 / 0 / 65

HEX #56435A

RGB 86 67 90

HSL 289.57, 0.15%, 0.31%

LAB 31.19, 12.87, -10.55

 

CMYK 0 / 4 / 24 / 65

HEX #5A5644

RGB 90 86 68

HSL 49.09, 0.14%, 0.31%

LAB 36.45, -1.74, 11.09

 

CMYK 26 / 0 / 24 / 65

HEX #435A44

RGB 67 90 68

HSL 122.61, 0.15%, 0.31%

LAB 35.84, -13.7, 9.94

 

CMYK 26 / 20 / 0 / 65

HEX #43485A

RGB 67 72 90

HSL 226.96, 0.15%, 0.31%

LAB 30.8, 2.52, -11.32

 

CMYK 0 / 26 / 1 / 65

HEX #5A4359

RGB 90 67 89

HSL 302.61, 0.15%, 0.31%

LAB 31.6, 14.2, -9.24

 

CMYK 0 / 4 / 24 / 65

HEX #5A5644

RGB 90 86 68

HSL 49.09, 0.14%, 0.31%

LAB 36.45, -1.74, 11.09

 

CMYK 26 / 0 / 18 / 65

HEX #435A4A

RGB 67 90 74

HSL 138.26, 0.15%, 0.31%

LAB 35.98, -12.44, 6.44

 

CMYK 26 / 20 / 0 / 65

HEX #43485A

RGB 67 72 90

HSL 226.96, 0.15%, 0.31%

LAB 30.8, 2.52, -11.32

 

CMYK 0 / 26 / 8 / 65

HEX #5A4353

RGB 90 67 83

HSL 318.26, 0.15%, 0.31%

LAB 31.38, 12.93, -5.72

 

Description

Color code: RGB 90 86 68 | qconv.com Color code: RGB 90 86 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 86 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 86 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 24 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 24% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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