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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 69 109 it is the complementary color RGB 165 186 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 69 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 90 69 109: RGB 95 69 104, RGB 112 87 123, RGB 129 105 142, RGB 146 123 161 and RGB 163 141 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 69 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 90 69 109: RGB 90 69 109, RGB 73 51 90, RGB 56 33 71, RGB 39 15 52 and RGB 22 0 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 37 / 0 / 57

HEX #5A456D

RGB 90 69 109

HSL 271.5, 0.22%, 0.35%

LAB 32.99, 17.6, -19.83

 

Complementary color

CMYK 11 / 0 / 22 / 27

HEX #A5BA92

RGB 165 186 146

HSL 91.5, 0.22%, 0.65%

LAB 73.02, -14.51, 17.93

 

CMYK 9 / 34 / 0 / 59

HEX #5F4568

RGB 95 69 104

HSL 284.57, 0.2%, 0.34%

LAB 33.33, 18.17, -16.11

 

CMYK 9 / 29 / 0 / 52

HEX #70577B

RGB 112 87 123

HSL 281.67, 0.17%, 0.41%

LAB 40.72, 17.45, -16.41

 

CMYK 9 / 26 / 0 / 44

HEX #81698E

RGB 129 105 142

HSL 278.92, 0.15%, 0.48%

LAB 47.91, 16.82, -16.72

 

CMYK 9 / 24 / 0 / 37

HEX #927BA1

RGB 146 123 161

HSL 276.32, 0.17%, 0.56%

LAB 54.92, 16.25, -17.03

 

CMYK 9 / 22 / 0 / 29

HEX #A38DB4

RGB 163 141 180

HSL 273.85, 0.21%, 0.63%

LAB 61.77, 15.75, -17.35

 

CMYK 17 / 37 / 0 / 57

HEX #5A456D

RGB 90 69 109

HSL 271.5, 0.22%, 0.35%

LAB 32.99, 17.6, -19.83

 

CMYK 19 / 43 / 0 / 65

HEX #49335A

RGB 73 51 90

HSL 273.85, 0.28%, 0.28%

LAB 25.33, 18.45, -19.7

 

CMYK 21 / 54 / 0 / 72

HEX #382147

RGB 56 33 71

HSL 276.32, 0.37%, 0.2%

LAB 17.38, 19.42, -19.58

 

CMYK 25 / 71 / 0 / 80

HEX #270F34

RGB 39 15 52

HSL 278.92, 0.55%, 0.13%

LAB 9.16, 20.4, -19.35

 

CMYK 33 / 100 / 0 / 87

HEX #160021

RGB 22 0 33

HSL 280, 1%, 0.06%

LAB 2.53, 13.88, -15.57

 

CMYK 17 / 37 / 0 / 57

HEX #5A456D

RGB 90 69 109

HSL 271.5, 0.22%, 0.35%

LAB 32.99, 17.6, -19.83

 

CMYK 11 / 36 / 0 / 58

HEX #60456C

RGB 96 69 108

HSL 281.54, 0.22%, 0.35%

LAB 33.62, 19.46, -18.18

 

CMYK 6 / 36 / 0 / 58

HEX #66456C

RGB 102 69 108

HSL 290.77, 0.22%, 0.35%

LAB 34.32, 21.59, -17.03

 

CMYK 0 / 36 / 0 / 58

HEX #6C456C

RGB 108 69 108

HSL 300, 0.22%, 0.35%

LAB 35.06, 23.73, -15.84

 

CMYK 0 / 36 / 6 / 58

HEX #6C4565

RGB 108 69 101

HSL 310.77, 0.22%, 0.35%

LAB 34.77, 22.3, -11.87

 

CMYK 17 / 37 / 0 / 57

HEX #5A456D

RGB 90 69 109

HSL 271.5, 0.22%, 0.35%

LAB 32.99, 17.6, -19.83

 

CMYK 18 / 37 / 0 / 37

HEX #8465A0

RGB 132 101 160

HSL 271.53, 0.24%, 0.51%

LAB 47.94, 24.3, -27.29

 

CMYK 18 / 36 / 0 / 17

HEX #AE86D3

RGB 174 134 211

HSL 271.17, 0.47%, 0.68%

LAB 62.3, 30.01, -33.9

 

CMYK 14 / 43 / 0 / 97

HEX #060407

RGB 6 4 7

HSL 280, 0.27%, 0.02%

LAB 1.27, 0.94, -0.95

 

CMYK 17 / 36 / 0 / 77

HEX #30253A

RGB 48 37 58

HSL 271.43, 0.22%, 0.19%

LAB 16.78, 10.2, -11.58

 

CMYK 17 / 37 / 0 / 57

HEX #5A456D

RGB 90 69 109

HSL 271.5, 0.22%, 0.35%

LAB 32.99, 17.6, -19.83

 

CMYK 0 / 36 / 26 / 58

HEX #6C4550

RGB 108 69 80

HSL 343.08, 0.22%, 0.35%

LAB 34.03, 18.49, 0.37

 

CMYK 36 / 0 / 31 / 58

HEX #456C4A

RGB 69 108 74

HSL 127.69, 0.22%, 0.35%

LAB 41.98, -21.56, 14.78

 

CMYK 17 / 37 / 0 / 57

HEX #5A456D

RGB 90 69 109

HSL 271.5, 0.22%, 0.35%

LAB 32.99, 17.6, -19.83

 

CMYK 0 / 18 / 36 / 58

HEX #6C5945

RGB 108 89 69

HSL 30.77, 0.22%, 0.35%

LAB 39.18, 4.57, 14.5

 

CMYK 36 / 0 / 18 / 58

HEX #456C59

RGB 69 108 89

HSL 150.77, 0.22%, 0.35%

LAB 42.33, -18.39, 6.3

 

CMYK 17 / 37 / 0 / 57

HEX #5A456D

RGB 90 69 109

HSL 271.5, 0.22%, 0.35%

LAB 32.99, 17.6, -19.83

 

CMYK 0 / 36 / 26 / 58

HEX #6C4550

RGB 108 69 80

HSL 343.08, 0.22%, 0.35%

LAB 34.03, 18.49, 0.37

 

CMYK 19 / 0 / 36 / 58

HEX #586C45

RGB 88 108 69

HSL 90.77, 0.22%, 0.35%

LAB 43.11, -15.15, 19.44

 

CMYK 36 / 0 / 10 / 58

HEX #456C61

RGB 69 108 97

HSL 163.08, 0.22%, 0.35%

LAB 42.54, -16.49, 1.79

 

CMYK 17 / 37 / 0 / 57

HEX #5A456D

RGB 90 69 109

HSL 271.5, 0.22%, 0.35%

LAB 32.99, 17.6, -19.83

 

CMYK 0 / 35 / 36 / 58

HEX #6C4645

RGB 108 70 69

HSL 1.54, 0.22%, 0.35%

LAB 33.98, 16.2, 7.31

 

CMYK 19 / 0 / 36 / 58

HEX #586C45

RGB 88 108 69

HSL 90.77, 0.22%, 0.35%

LAB 43.11, -15.15, 19.44

 

CMYK 36 / 0 / 0 / 58

HEX #456C6C

RGB 69 108 108

HSL 180, 0.22%, 0.35%

LAB 42.87, -13.67, -4.38

 

Description

Color code: RGB 90 69 109 | qconv.com Color code: RGB 90 69 109 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 69 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 69 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 37 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 37% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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