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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 25 92 it is the complementary color RGB 165 230 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 25 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 90 25 92: RGB 95 25 87, RGB 112 43 106, RGB 129 61 125, RGB 146 79 144 and RGB 163 97 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 25 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 90 25 92: RGB 90 25 92, RGB 73 7 73, RGB 56 0 54, RGB 39 0 35 and RGB 22 0 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 73 / 0 / 64

HEX #5A195C

RGB 90 25 92

HSL 298.21, 0.57%, 0.23%

LAB 22.45, 38.7, -25.38

 

Complementary color

CMYK 28 / 0 / 29 / 10

HEX #A5E6A3

RGB 165 230 163

HSL 118.21, 0.57%, 0.77%

LAB 85.62, -33.27, 26.27

 

CMYK 0 / 74 / 8 / 63

HEX #5F1957

RGB 95 25 87

HSL 306.86, 0.58%, 0.24%

LAB 23.05, 39.1, -21.04

 

CMYK 0 / 62 / 5 / 56

HEX #702B6A

RGB 112 43 106

HSL 305.22, 0.45%, 0.3%

LAB 29.94, 39.16, -22.45

 

CMYK 0 / 53 / 3 / 49

HEX #813D7D

RGB 129 61 125

HSL 303.53, 0.36%, 0.37%

LAB 36.9, 38.67, -23.37

 

CMYK 0 / 46 / 1 / 43

HEX #924F90

RGB 146 79 144

HSL 301.79, 0.3%, 0.44%

LAB 43.82, 37.96, -24.03

 

CMYK 0 / 40 / 0 / 36

HEX #A361A3

RGB 163 97 163

HSL 300, 0.26%, 0.51%

LAB 50.66, 37.19, -24.56

 

CMYK 2 / 73 / 0 / 64

HEX #5A195C

RGB 90 25 92

HSL 298.21, 0.57%, 0.23%

LAB 22.45, 38.7, -25.38

 

CMYK 0 / 90 / 0 / 71

HEX #490749

RGB 73 7 73

HSL 300, 0.83%, 0.16%

LAB 15.74, 37.47, -23.38

 

CMYK 0 / 100 / 4 / 78

HEX #380036

RGB 56 0 54

HSL 302.14, 1%, 0.11%

LAB 9.85, 33.12, -19.51

 

CMYK 0 / 100 / 10 / 85

HEX #270023

RGB 39 0 35

HSL 306.15, 1%, 0.08%

LAB 4.99, 23.97, -13.17

 

CMYK 0 / 100 / 27 / 91

HEX #160010

RGB 22 0 16

HSL 316.36, 1%, 0.04%

LAB 1.88, 9.29, -4.03

 

CMYK 2 / 73 / 0 / 64

HEX #5A195C

RGB 90 25 92

HSL 298.21, 0.57%, 0.23%

LAB 22.45, 38.7, -25.38

 

CMYK 0 / 73 / 10 / 64

HEX #5C1953

RGB 92 25 83

HSL 308.06, 0.57%, 0.23%

LAB 22.28, 37.57, -19.62

 

CMYK 0 / 73 / 22 / 64

HEX #5C1948

RGB 92 25 72

HSL 317.91, 0.57%, 0.23%

LAB 21.72, 35.73, -13.06

 

CMYK 0 / 73 / 35 / 64

HEX #5C193C

RGB 92 25 60

HSL 328.66, 0.57%, 0.23%

LAB 21.2, 33.97, -5.61

 

CMYK 0 / 73 / 47 / 64

HEX #5C1931

RGB 92 25 49

HSL 338.51, 0.57%, 0.23%

LAB 20.8, 32.6, 1.46

 

CMYK 2 / 73 / 0 / 64

HEX #5A195C

RGB 90 25 92

HSL 298.21, 0.57%, 0.23%

LAB 22.45, 38.7, -25.38

 

CMYK 2 / 73 / 0 / 44

HEX #8C278F

RGB 140 39 143

HSL 298.27, 0.57%, 0.36%

LAB 36, 54.77, -35.77

 

CMYK 2 / 73 / 0 / 24

HEX #BE35C2

RGB 190 53 194

HSL 298.3, 0.57%, 0.48%

LAB 48.75, 69.65, -45.39

 

CMYK 2 / 73 / 0 / 4

HEX #F043F5

RGB 240 67 245

HSL 298.31, 0.9%, 0.61%

LAB 60.9, 83.74, -54.51

 

CMYK 2 / 73 / 0 / 84

HEX #280B29

RGB 40 11 41

HSL 298, 0.58%, 0.1%

LAB 7.68, 20.34, -13.55

 

CMYK 2 / 73 / 0 / 64

HEX #5A195C

RGB 90 25 92

HSL 298.21, 0.57%, 0.23%

LAB 22.45, 38.7, -25.38

 

CMYK 0 / 61 / 73 / 64

HEX #5C2419

RGB 92 36 25

HSL 9.85, 0.57%, 0.23%

LAB 22.33, 24.85, 19.9

 

CMYK 73 / 0 / 32 / 64

HEX #195C3F

RGB 25 92 63

HSL 154.03, 0.57%, 0.23%

LAB 34.44, -28.5, 10.77

 

CMYK 2 / 73 / 0 / 64

HEX #5A195C

RGB 90 25 92

HSL 298.21, 0.57%, 0.23%

LAB 22.45, 38.7, -25.38

 

CMYK 0 / 3 / 73 / 64

HEX #5C5919

RGB 92 89 25

HSL 57.31, 0.57%, 0.23%

LAB 36.91, -7.48, 35.77

 

CMYK 73 / 0 / 3 / 64

HEX #195C59

RGB 25 92 89

HSL 177.31, 0.57%, 0.23%

LAB 35.17, -21.12, -4.33

 

CMYK 2 / 73 / 0 / 64

HEX #5A195C

RGB 90 25 92

HSL 298.21, 0.57%, 0.23%

LAB 22.45, 38.7, -25.38

 

CMYK 0 / 61 / 73 / 64

HEX #5C2419

RGB 92 36 25

HSL 9.85, 0.57%, 0.23%

LAB 22.33, 24.85, 19.9

 

CMYK 71 / 0 / 73 / 64

HEX #1B5C19

RGB 27 92 25

HSL 118.21, 0.57%, 0.23%

LAB 33.89, -34.79, 31.38

 

CMYK 73 / 13 / 0 / 64

HEX #19505C

RGB 25 80 92

HSL 190.75, 0.57%, 0.23%

LAB 31.15, -13.42, -12.26

 

CMYK 2 / 73 / 0 / 64

HEX #5A195C

RGB 90 25 92

HSL 298.21, 0.57%, 0.23%

LAB 22.45, 38.7, -25.38

 

CMYK 0 / 39 / 73 / 64

HEX #5C3819

RGB 92 56 25

HSL 27.76, 0.57%, 0.23%

LAB 27.22, 12.81, 25.52

 

CMYK 71 / 0 / 73 / 64

HEX #1B5C19

RGB 27 92 25

HSL 118.21, 0.57%, 0.23%

LAB 33.89, -34.79, 31.38

 

CMYK 73 / 35 / 0 / 64

HEX #193C5C

RGB 25 60 92

HSL 208.66, 0.57%, 0.23%

LAB 24.36, -0.79, -22.8

 

Description

Color code: RGB 90 25 92 | qconv.com Color code: RGB 90 25 92 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 25 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 25 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 73 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 73% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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