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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 189 242 it is the complementary color RGB 165 66 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 189 242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 90 189 242: RGB 95 189 237, RGB 112 207 255, RGB 129 225 255, RGB 146 243 255 and RGB 163 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 189 242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 90 189 242: RGB 90 189 242, RGB 73 171 223, RGB 56 153 204, RGB 39 135 185 and RGB 22 117 166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 22 / 0 / 5

HEX #5ABDF2

RGB 90 189 242

HSL 200.92, 0.85%, 0.65%

LAB 72.88, -13.33, -34.92

 

Complementary color

CMYK 0 / 60 / 92 / 35

HEX #A5420D

RGB 165 66 13

HSL 20.92, 0.85%, 0.35%

LAB 41.1, 38.55, 47.89

 

CMYK 60 / 20 / 0 / 7

HEX #5FBDED

RGB 95 189 237

HSL 200.28, 0.8%, 0.65%

LAB 72.85, -13.99, -32.24

 

CMYK 56 / 19 / 0 / 0

HEX #70CFFF

RGB 112 207 255

HSL 200.14, 1%, 0.72%

LAB 79.21, -14.87, -32.05

 

CMYK 49 / 12 / 0 / 0

HEX #81E1FF

RGB 129 225 255

HSL 194.29, 1%, 0.75%

LAB 84.86, -20.56, -23.35

 

CMYK 43 / 5 / 0 / 0

HEX #92F3FF

RGB 146 243 255

HSL 186.61, 1%, 0.79%

LAB 90.52, -25.61, -14.74

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 63 / 22 / 0 / 5

HEX #5ABDF2

RGB 90 189 242

HSL 200.92, 0.85%, 0.65%

LAB 72.88, -13.33, -34.92

 

CMYK 67 / 23 / 0 / 13

HEX #49ABDF

RGB 73 171 223

HSL 200.8, 0.7%, 0.58%

LAB 66.42, -12.46, -34.62

 

CMYK 73 / 25 / 0 / 20

HEX #3899CC

RGB 56 153 204

HSL 200.68, 0.59%, 0.51%

LAB 59.87, -11.36, -34.3

 

CMYK 79 / 27 / 0 / 27

HEX #2787B9

RGB 39 135 185

HSL 200.55, 0.65%, 0.44%

LAB 53.24, -9.93, -33.94

 

CMYK 87 / 30 / 0 / 35

HEX #1675A6

RGB 22 117 166

HSL 200.42, 0.77%, 0.37%

LAB 46.51, -8.07, -33.51

 

CMYK 63 / 22 / 0 / 5

HEX #5ABDF2

RGB 90 189 242

HSL 200.92, 0.85%, 0.65%

LAB 72.88, -13.33, -34.92

 

CMYK 63 / 32 / 0 / 5

HEX #59A5F1

RGB 89 165 241

HSL 210, 0.84%, 0.65%

LAB 66.05, -0.63, -45.04

 

CMYK 63 / 42 / 0 / 5

HEX #598CF1

RGB 89 140 241

HSL 219.87, 0.84%, 0.65%

LAB 59.19, 13.97, -55.9

 

CMYK 63 / 52 / 0 / 5

HEX #5973F1

RGB 89 115 241

HSL 229.74, 0.84%, 0.65%

LAB 52.66, 29.16, -66.38

 

CMYK 63 / 63 / 0 / 5

HEX #5959F1

RGB 89 89 241

HSL 240, 0.84%, 0.65%

LAB 46.47, 44.86, -76.44

 

CMYK 63 / 22 / 0 / 5

HEX #5ABDF2

RGB 90 189 242

HSL 200.92, 0.85%, 0.65%

LAB 72.88, -13.33, -34.92

 

CMYK 63 / 21 / 0 / 85

HEX #0E1E26

RGB 14 30 38

HSL 200, 0.46%, 0.1%

LAB 10.27, -3.86, -7.52

 

CMYK 63 / 21 / 0 / 65

HEX #214659

RGB 33 70 89

HSL 200.36, 0.46%, 0.24%

LAB 27.91, -6.8, -15.28

 

CMYK 63 / 22 / 0 / 45

HEX #346D8C

RGB 52 109 140

HSL 201.14, 0.46%, 0.38%

LAB 43.6, -8.74, -22.61

 

CMYK 63 / 22 / 0 / 25

HEX #4795BF

RGB 71 149 191

HSL 201, 0.48%, 0.51%

LAB 58.6, -11.1, -28.93

 

CMYK 63 / 22 / 0 / 5

HEX #5ABDF2

RGB 90 189 242

HSL 200.92, 0.85%, 0.65%

LAB 72.88, -13.33, -34.92

 

CMYK 29 / 63 / 0 / 5

HEX #AA59F1

RGB 170 89 241

HSL 271.97, 0.84%, 0.65%

LAB 54.07, 59.82, -63.76

 

CMYK 0 / 4 / 63 / 5

HEX #F1E759

RGB 241 231 89

HSL 56.05, 0.84%, 0.65%

LAB 90.13, -13.21, 67.94

 

CMYK 63 / 22 / 0 / 5

HEX #5ABDF2

RGB 90 189 242

HSL 200.92, 0.85%, 0.65%

LAB 72.88, -13.33, -34.92

 

CMYK 0 / 63 / 21 / 5

HEX #F159BF

RGB 241 89 191

HSL 319.74, 0.84%, 0.65%

LAB 61.31, 68.36, -23.44

 

CMYK 21 / 0 / 63 / 5

HEX #BFF159

RGB 191 241 89

HSL 79.74, 0.84%, 0.65%

LAB 89.26, -37.68, 65.95

 

CMYK 63 / 22 / 0 / 5

HEX #5ABDF2

RGB 90 189 242

HSL 200.92, 0.85%, 0.65%

LAB 72.88, -13.33, -34.92

 

CMYK 29 / 63 / 0 / 5

HEX #AA59F1

RGB 170 89 241

HSL 271.97, 0.84%, 0.65%

LAB 54.07, 59.82, -63.76

 

CMYK 0 / 42 / 63 / 5

HEX #F18C59

RGB 241 140 89

HSL 20.13, 0.84%, 0.65%

LAB 68.15, 33.94, 43.38

 

CMYK 34 / 0 / 63 / 5

HEX #A0F159

RGB 160 241 89

HSL 91.97, 0.84%, 0.65%

LAB 87.54, -48.78, 63.59

 

CMYK 63 / 22 / 0 / 5

HEX #5ABDF2

RGB 90 189 242

HSL 200.92, 0.85%, 0.65%

LAB 72.88, -13.33, -34.92

 

CMYK 10 / 63 / 0 / 5

HEX #D859F1

RGB 216 89 241

HSL 290.13, 0.84%, 0.65%

LAB 59.97, 70.06, -53.97

 

CMYK 0 / 42 / 63 / 5

HEX #F18C59

RGB 241 140 89

HSL 20.13, 0.84%, 0.65%

LAB 68.15, 33.94, 43.38

 

CMYK 52 / 0 / 63 / 5

HEX #73F159

RGB 115 241 89

HSL 109.74, 0.84%, 0.65%

LAB 85.64, -62.4, 60.97

 

Description

Color code: RGB 90 189 242 | qconv.com Color code: RGB 90 189 242 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 189 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 189 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 22 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 22% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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