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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 111 73 it is the complementary color RGB 165 144 182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 111 73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 90 111 73: RGB 95 111 68, RGB 112 129 87, RGB 129 147 106, RGB 146 165 125 and RGB 163 183 144

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 111 73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 90 111 73: RGB 90 111 73, RGB 73 93 54, RGB 56 75 35, RGB 39 57 16 and RGB 22 39 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 34 / 56

HEX #5A6F49

RGB 90 111 73

HSL 93.16, 0.21%, 0.36%

LAB 44.27, -15.35, 18.68

 

Complementary color

CMYK 9 / 21 / 0 / 29

HEX #A590B6

RGB 165 144 182

HSL 273.16, 0.21%, 0.64%

LAB 62.78, 15.14, -16.93

 

CMYK 14 / 0 / 39 / 56

HEX #5F6F44

RGB 95 111 68

HSL 82.33, 0.24%, 0.35%

LAB 44.55, -14.05, 22.01

 

CMYK 13 / 0 / 33 / 49

HEX #708157

RGB 112 129 87

HSL 84.29, 0.19%, 0.42%

LAB 51.65, -14.06, 20.78

 

CMYK 12 / 0 / 28 / 42

HEX #81936A

RGB 129 147 106

HSL 86.34, 0.16%, 0.5%

LAB 58.58, -14.06, 19.64

 

CMYK 12 / 0 / 24 / 35

HEX #92A57D

RGB 146 165 125

HSL 88.5, 0.18%, 0.57%

LAB 65.36, -14.04, 18.57

 

CMYK 11 / 0 / 21 / 28

HEX #A3B790

RGB 163 183 144

HSL 90.77, 0.21%, 0.64%

LAB 72.01, -14.02, 17.58

 

CMYK 19 / 0 / 34 / 56

HEX #5A6F49

RGB 90 111 73

HSL 93.16, 0.21%, 0.36%

LAB 44.27, -15.35, 18.68

 

CMYK 22 / 0 / 42 / 64

HEX #495D36

RGB 73 93 54

HSL 90.77, 0.27%, 0.29%

LAB 36.95, -15.43, 19.96

 

CMYK 25 / 0 / 53 / 71

HEX #384B23

RGB 56 75 35

HSL 88.5, 0.36%, 0.22%

LAB 29.4, -15.47, 21.33

 

CMYK 32 / 0 / 72 / 78

HEX #273910

RGB 39 57 16

HSL 86.34, 0.56%, 0.14%

LAB 21.56, -15.35, 22.61

 

CMYK 44 / 0 / 100 / 85

HEX #162700

RGB 22 39 0

HSL 86.15, 1%, 0.08%

LAB 13.36, -14.97, 19.36

 

CMYK 19 / 0 / 34 / 56

HEX #5A6F49

RGB 90 111 73

HSL 93.16, 0.21%, 0.36%

LAB 44.27, -15.35, 18.68

 

CMYK 25 / 0 / 35 / 56

HEX #536F48

RGB 83 111 72

HSL 103.08, 0.21%, 0.36%

LAB 43.76, -18.29, 18.51

 

CMYK 31 / 0 / 35 / 56

HEX #4D6F48

RGB 77 111 72

HSL 112.31, 0.21%, 0.36%

LAB 43.38, -20.58, 17.93

 

CMYK 35 / 0 / 33 / 56

HEX #486F4A

RGB 72 111 74

HSL 123.08, 0.21%, 0.36%

LAB 43.12, -22.05, 16.36

 

CMYK 35 / 0 / 28 / 56

HEX #486F50

RGB 72 111 80

HSL 132.31, 0.21%, 0.36%

LAB 43.25, -20.89, 13

 

CMYK 19 / 0 / 34 / 56

HEX #5A6F49

RGB 90 111 73

HSL 93.16, 0.21%, 0.36%

LAB 44.27, -15.35, 18.68

 

CMYK 19 / 0 / 34 / 36

HEX #83A26B

RGB 131 162 107

HSL 93.82, 0.23%, 0.53%

LAB 63.12, -20.94, 25.2

 

CMYK 19 / 0 / 34 / 16

HEX #ADD58C

RGB 173 213 140

HSL 92.88, 0.46%, 0.69%

LAB 80.94, -25.97, 31.9

 

CMYK 22 / 0 / 33 / 96

HEX #070906

RGB 7 9 6

HSL 100, 0.2%, 0.03%

LAB 2.29, -0.94, 0.95

 

CMYK 18 / 0 / 35 / 76

HEX #313C27

RGB 49 60 39

HSL 91.43, 0.21%, 0.19%

LAB 23.77, -9.17, 11.53

 

CMYK 19 / 0 / 34 / 56

HEX #5A6F49

RGB 90 111 73

HSL 93.16, 0.21%, 0.36%

LAB 44.27, -15.35, 18.68

 

CMYK 35 / 0 / 9 / 56

HEX #486F65

RGB 72 111 101

HSL 164.62, 0.21%, 0.36%

LAB 43.78, -16.2, 1.2

 

CMYK 0 / 35 / 5 / 56

HEX #6F4869

RGB 111 72 105

HSL 309.23, 0.21%, 0.36%

LAB 36.05, 22.39, -12.41

 

CMYK 19 / 0 / 34 / 56

HEX #5A6F49

RGB 90 111 73

HSL 93.16, 0.21%, 0.36%

LAB 44.27, -15.35, 18.68

 

CMYK 35 / 20 / 0 / 56

HEX #48596F

RGB 72 89 111

HSL 213.85, 0.21%, 0.36%

LAB 37.24, -0.64, -14.67

 

CMYK 0 / 35 / 20 / 56

HEX #6F4859

RGB 111 72 89

HSL 333.85, 0.21%, 0.36%

LAB 35.47, 19.39, -3.19

 

CMYK 19 / 0 / 34 / 56

HEX #5A6F49

RGB 90 111 73

HSL 93.16, 0.21%, 0.36%

LAB 44.27, -15.35, 18.68

 

CMYK 35 / 0 / 9 / 56

HEX #486F65

RGB 72 111 101

HSL 164.62, 0.21%, 0.36%

LAB 43.78, -16.2, 1.2

 

CMYK 16 / 35 / 0 / 56

HEX #5D486F

RGB 93 72 111

HSL 272.31, 0.21%, 0.36%

LAB 34.21, 17.24, -19.17

 

CMYK 0 / 35 / 26 / 56

HEX #6F4852

RGB 111 72 82

HSL 344.62, 0.21%, 0.36%

LAB 35.25, 18.22, 0.92

 

CMYK 19 / 0 / 34 / 56

HEX #5A6F49

RGB 90 111 73

HSL 93.16, 0.21%, 0.36%

LAB 44.27, -15.35, 18.68

 

CMYK 35 / 2 / 0 / 56

HEX #486D6F

RGB 72 109 111

HSL 183.08, 0.21%, 0.36%

LAB 43.45, -12.52, -5.31

 

CMYK 16 / 35 / 0 / 56

HEX #5D486F

RGB 93 72 111

HSL 272.31, 0.21%, 0.36%

LAB 34.21, 17.24, -19.17

 

CMYK 0 / 33 / 35 / 56

HEX #6F4A48

RGB 111 74 72

HSL 3.08, 0.21%, 0.36%

LAB 35.49, 15.47, 7.59

 

Description

Color code: RGB 90 111 73 | qconv.com Color code: RGB 90 111 73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 111 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 111 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 34 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 34% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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