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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 108 193 it is the complementary color RGB 165 147 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 108 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 90 108 193: RGB 95 108 188, RGB 112 126 207, RGB 129 144 226, RGB 146 162 245 and RGB 163 180 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 108 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 90 108 193: RGB 90 108 193, RGB 73 90 174, RGB 56 72 155, RGB 39 54 136 and RGB 22 36 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 44 / 0 / 24

HEX #5A6CC1

RGB 90 108 193

HSL 229.51, 0.45%, 0.55%

LAB 47.94, 17.79, -46.76

 

Complementary color

CMYK 0 / 11 / 62 / 35

HEX #A5933E

RGB 165 147 62

HSL 49.51, 0.45%, 0.45%

LAB 60.97, -3.82, 46.29

 

CMYK 49 / 43 / 0 / 26

HEX #5F6CBC

RGB 95 108 188

HSL 231.61, 0.41%, 0.55%

LAB 47.99, 17.34, -43.77

 

CMYK 46 / 39 / 0 / 19

HEX #707ECF

RGB 112 126 207

HSL 231.16, 0.5%, 0.63%

LAB 54.94, 16.31, -43.56

 

CMYK 43 / 36 / 0 / 11

HEX #8190E2

RGB 129 144 226

HSL 230.72, 0.63%, 0.7%

LAB 61.74, 15.44, -43.4

 

CMYK 40 / 34 / 0 / 4

HEX #92A2F5

RGB 146 162 245

HSL 230.3, 0.83%, 0.77%

LAB 68.42, 14.7, -43.29

 

CMYK 36 / 29 / 0 / 0

HEX #A3B4FF

RGB 163 180 255

HSL 228.91, 1%, 0.82%

LAB 74.6, 11.68, -38.97

 

CMYK 53 / 44 / 0 / 24

HEX #5A6CC1

RGB 90 108 193

HSL 229.51, 0.45%, 0.55%

LAB 47.94, 17.79, -46.76

 

CMYK 58 / 48 / 0 / 32

HEX #495AAE

RGB 73 90 174

HSL 229.9, 0.41%, 0.48%

LAB 40.87, 19.2, -47.04

 

CMYK 64 / 54 / 0 / 39

HEX #38489B

RGB 56 72 155

HSL 230.3, 0.47%, 0.41%

LAB 33.65, 20.96, -47.37

 

CMYK 71 / 60 / 0 / 47

HEX #273688

RGB 39 54 136

HSL 230.72, 0.55%, 0.34%

LAB 26.3, 23.2, -47.69

 

CMYK 81 / 69 / 0 / 54

HEX #162475

RGB 22 36 117

HSL 231.16, 0.68%, 0.27%

LAB 18.87, 26.08, -47.85

 

CMYK 53 / 44 / 0 / 24

HEX #5A6CC1

RGB 90 108 193

HSL 229.51, 0.45%, 0.55%

LAB 47.94, 17.79, -46.76

 

CMYK 54 / 53 / 0 / 25

HEX #585ABF

RGB 88 90 191

HSL 238.83, 0.45%, 0.55%

LAB 42.99, 27.93, -53.55

 

CMYK 46 / 54 / 0 / 25

HEX #6858BF

RGB 104 88 191

HSL 249.32, 0.45%, 0.55%

LAB 43.78, 32.64, -52.21

 

CMYK 37 / 54 / 0 / 25

HEX #7958BF

RGB 121 88 191

HSL 259.22, 0.45%, 0.55%

LAB 45.37, 36.69, -49.57

 

CMYK 28 / 54 / 0 / 25

HEX #8A58BF

RGB 138 88 191

HSL 269.13, 0.45%, 0.55%

LAB 47.16, 41.01, -46.6

 

CMYK 53 / 44 / 0 / 24

HEX #5A6CC1

RGB 90 108 193

HSL 229.51, 0.45%, 0.55%

LAB 47.94, 17.79, -46.76

 

CMYK 53 / 44 / 0 / 4

HEX #7289F4

RGB 114 137 244

HSL 229.38, 0.86%, 0.7%

LAB 59.89, 21.5, -56.36

 

CMYK 53 / 45 / 0 / 84

HEX #131628

RGB 19 22 40

HSL 231.43, 0.36%, 0.12%

LAB 7.82, 4.6, -12.78

 

CMYK 54 / 44 / 0 / 64

HEX #2A335B

RGB 42 51 91

HSL 228.98, 0.37%, 0.26%

LAB 22.36, 8.98, -25.24

 

CMYK 54 / 44 / 0 / 44

HEX #424F8E

RGB 66 79 142

HSL 229.74, 0.37%, 0.41%

LAB 35.41, 13.87, -36.63

 

CMYK 53 / 44 / 0 / 24

HEX #5A6CC1

RGB 90 108 193

HSL 229.51, 0.45%, 0.55%

LAB 47.94, 17.79, -46.76

 

CMYK 0 / 54 / 1 / 25

HEX #BF58BE

RGB 191 88 190

HSL 300.58, 0.45%, 0.55%

LAB 53.79, 55.07, -35.11

 

CMYK 23 / 0 / 54 / 25

HEX #94BF58

RGB 148 191 88

HSL 85.05, 0.45%, 0.55%

LAB 72.4, -31.03, 46.75

 

CMYK 53 / 44 / 0 / 24

HEX #5A6CC1

RGB 90 108 193

HSL 229.51, 0.45%, 0.55%

LAB 47.94, 17.79, -46.76

 

CMYK 0 / 54 / 44 / 25

HEX #BF586B

RGB 191 88 107

HSL 348.93, 0.45%, 0.55%

LAB 50.82, 43.18, 9.36

 

CMYK 44 / 0 / 54 / 25

HEX #6BBF58

RGB 107 191 88

HSL 108.93, 0.45%, 0.55%

LAB 70.24, -45.27, 43.66

 

CMYK 53 / 44 / 0 / 24

HEX #5A6CC1

RGB 90 108 193

HSL 229.51, 0.45%, 0.55%

LAB 47.94, 17.79, -46.76

 

CMYK 0 / 54 / 1 / 25

HEX #BF58BE

RGB 191 88 190

HSL 300.58, 0.45%, 0.55%

LAB 53.79, 55.07, -35.11

 

CMYK 0 / 10 / 54 / 25

HEX #BFAC58

RGB 191 172 88

HSL 48.93, 0.45%, 0.55%

LAB 70.38, -3.97, 45.18

 

CMYK 54 / 0 / 53 / 25

HEX #58BF5A

RGB 88 191 90

HSL 121.17, 0.45%, 0.55%

LAB 69.52, -50.42, 41.66

 

CMYK 53 / 44 / 0 / 24

HEX #5A6CC1

RGB 90 108 193

HSL 229.51, 0.45%, 0.55%

LAB 47.94, 17.79, -46.76

 

CMYK 0 / 54 / 17 / 25

HEX #BF589F

RGB 191 88 159

HSL 318.64, 0.45%, 0.55%

LAB 52.46, 49.94, -19.12

 

CMYK 0 / 10 / 54 / 25

HEX #BFAC58

RGB 191 172 88

HSL 48.93, 0.45%, 0.55%

LAB 70.38, -3.97, 45.18

 

CMYK 54 / 0 / 37 / 25

HEX #58BF79

RGB 88 191 121

HSL 139.22, 0.45%, 0.55%

LAB 69.98, -45.57, 26.47

 

Description

Color code: RGB 90 108 193 | qconv.com Color code: RGB 90 108 193 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 108 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 108 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 44 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 44% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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