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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 8 99 240 it is the complementary color RGB 247 156 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 8 99 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 8 99 240: RGB 13 99 235, RGB 30 117 254, RGB 47 135 255, RGB 64 153 255 and RGB 81 171 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 8 99 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 8 99 240: RGB 8 99 240, RGB 0 81 221, RGB 0 63 202, RGB 0 45 183 and RGB 0 27 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 59 / 0 / 6

HEX #0863F0

RGB 8 99 240

HSL 216.47, 0.94%, 0.49%

LAB 46, 31.6, -76.77

 

Complementary color

CMYK 0 / 37 / 94 / 3

HEX #F79C0F

RGB 247 156 15

HSL 36.47, 0.94%, 0.51%

LAB 71.95, 25.42, 74.65

 

CMYK 94 / 58 / 0 / 8

HEX #0D63EB

RGB 13 99 235

HSL 216.76, 0.9%, 0.49%

LAB 45.64, 29.81, -74.53

 

CMYK 88 / 54 / 0 / 0

HEX #1E75FE

RGB 30 117 254

HSL 216.7, 0.99%, 0.56%

LAB 52.01, 26.29, -74.75

 

CMYK 82 / 47 / 0 / 0

HEX #2F87FF

RGB 47 135 255

HSL 214.62, 1%, 0.59%

LAB 57.22, 16.62, -66.85

 

CMYK 75 / 40 / 0 / 0

HEX #4099FF

RGB 64 153 255

HSL 212.04, 1%, 0.63%

LAB 62.59, 7.49, -58.23

 

CMYK 68 / 33 / 0 / 0

HEX #51ABFF

RGB 81 171 255

HSL 208.97, 1%, 0.66%

LAB 68.09, -0.68, -49.46

 

CMYK 97 / 59 / 0 / 6

HEX #0863F0

RGB 8 99 240

HSL 216.47, 0.94%, 0.49%

LAB 46, 31.6, -76.77

 

CMYK 100 / 63 / 0 / 13

HEX #0051DD

RGB 0 81 221

HSL 218.01, 1%, 0.43%

LAB 39.76, 35.71, -76.24

 

CMYK 100 / 69 / 0 / 21

HEX #003FCA

RGB 0 63 202

HSL 221.29, 1%, 0.4%

LAB 33.6, 40.04, -75.41

 

CMYK 100 / 75 / 0 / 28

HEX #002DB7

RGB 0 45 183

HSL 225.25, 1%, 0.36%

LAB 27.56, 44.16, -74.22

 

CMYK 100 / 84 / 0 / 36

HEX #001BA4

RGB 0 27 164

HSL 230.12, 1%, 0.32%

LAB 21.81, 47.51, -72.35

 

CMYK 97 / 59 / 0 / 6

HEX #0863F0

RGB 8 99 240

HSL 216.47, 0.94%, 0.49%

LAB 46, 31.6, -76.77

 

CMYK 97 / 74 / 0 / 5

HEX #073EF2

RGB 7 62 242

HSL 225.96, 0.94%, 0.49%

LAB 37.66, 54.95, -91.61

 

CMYK 97 / 90 / 0 / 5

HEX #0717F2

RGB 7 23 242

HSL 235.91, 0.94%, 0.49%

LAB 31.96, 71.74, -101.1

 

CMYK 88 / 97 / 0 / 5

HEX #1E07F2

RGB 30 7 242

HSL 245.87, 0.94%, 0.49%

LAB 31.44, 75.23, -101.97

 

CMYK 71 / 97 / 0 / 5

HEX #4607F2

RGB 70 7 242

HSL 256.09, 0.94%, 0.49%

LAB 33.7, 76.21, -98.13

 

CMYK 97 / 59 / 0 / 6

HEX #0863F0

RGB 8 99 240

HSL 216.47, 0.94%, 0.49%

LAB 46, 31.6, -76.77

 

CMYK 97 / 58 / 0 / 86

HEX #010F24

RGB 1 15 36

HSL 216, 0.95%, 0.07%

LAB 4.29, 2.04, -15.33

 

CMYK 97 / 59 / 0 / 66

HEX #032457

RGB 3 36 87

HSL 216.43, 0.93%, 0.18%

LAB 15.32, 11.44, -33.98

 

CMYK 96 / 59 / 0 / 46

HEX #05398A

RGB 5 57 138

HSL 216.54, 0.93%, 0.28%

LAB 26.14, 18.7, -49.24

 

CMYK 97 / 59 / 0 / 26

HEX #064EBD

RGB 6 78 189

HSL 216.39, 0.94%, 0.38%

LAB 36.29, 25.32, -63.4

 

CMYK 97 / 59 / 0 / 6

HEX #0863F0

RGB 8 99 240

HSL 216.47, 0.94%, 0.49%

LAB 46, 31.6, -76.77

 

CMYK 19 / 97 / 0 / 5

HEX #C307F2

RGB 195 7 242

HSL 288, 0.94%, 0.49%

LAB 49.7, 87.13, -71.23

 

CMYK 19 / 0 / 97 / 5

HEX #C3F207

RGB 195 242 7

HSL 72, 0.94%, 0.49%

LAB 89.45, -39.65, 86.35

 

CMYK 97 / 59 / 0 / 6

HEX #0863F0

RGB 8 99 240

HSL 216.47, 0.94%, 0.49%

LAB 46, 31.6, -76.77

 

CMYK 0 / 97 / 58 / 5

HEX #F20765

RGB 242 7 101

HSL 336, 0.94%, 0.49%

LAB 51.8, 79.43, 15.69

 

CMYK 58 / 0 / 97 / 5

HEX #65F207

RGB 101 242 7

HSL 96, 0.94%, 0.49%

LAB 85.14, -70.36, 81.13

 

CMYK 97 / 59 / 0 / 6

HEX #0863F0

RGB 8 99 240

HSL 216.47, 0.94%, 0.49%

LAB 46, 31.6, -76.77

 

CMYK 19 / 97 / 0 / 5

HEX #C307F2

RGB 195 7 242

HSL 288, 0.94%, 0.49%

LAB 49.7, 87.13, -71.23

 

CMYK 0 / 39 / 97 / 5

HEX #F29407

RGB 242 148 7

HSL 36, 0.94%, 0.49%

LAB 69.52, 27.45, 73.76

 

CMYK 78 / 0 / 97 / 5

HEX #36F207

RGB 54 242 7

HSL 108, 0.94%, 0.49%

LAB 84.12, -79.04, 79.88

 

CMYK 97 / 59 / 0 / 6

HEX #0863F0

RGB 8 99 240

HSL 216.47, 0.94%, 0.49%

LAB 46, 31.6, -76.77

 

CMYK 0 / 97 / 10 / 5

HEX #F207DA

RGB 242 7 218

HSL 306.13, 0.94%, 0.49%

LAB 56.18, 90.75, -46.82

 

CMYK 0 / 39 / 97 / 5

HEX #F29407

RGB 242 148 7

HSL 36, 0.94%, 0.49%

LAB 69.52, 27.45, 73.76

 

CMYK 97 / 0 / 88 / 5

HEX #07F21E

RGB 7 242 30

HSL 125.87, 0.94%, 0.49%

LAB 83.78, -81.98, 76.62

 

Description

Color code: RGB 8 99 240 | qconv.com Color code: RGB 8 99 240 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 99 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 99 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 59 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 59% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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