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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 246 223 it is the complementary color RGB 166 9 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 246 223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 89 246 223: RGB 94 246 218, RGB 111 255 237, RGB 128 255 255, RGB 145 255 255 and RGB 162 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 246 223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 89 246 223: RGB 89 246 223, RGB 72 228 204, RGB 55 210 185, RGB 38 192 166 and RGB 21 174 147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 9 / 4

HEX #59F6DF

RGB 89 246 223

HSL 171.21, 0.9%, 0.66%

LAB 88.62, -46.26, -1.07

 

Complementary color

CMYK 0 / 95 / 81 / 35

HEX #A60920

RGB 166 9 32

HSL 351.21, 0.9%, 0.34%

LAB 34.82, 57.53, 33.63

 

CMYK 62 / 0 / 11 / 4

HEX #5EF6DA

RGB 94 246 218

HSL 168.95, 0.89%, 0.67%

LAB 88.62, -46.69, 1.54

 

CMYK 56 / 0 / 7 / 0

HEX #6FFFED

RGB 111 255 237

HSL 172.5, 1%, 0.72%

LAB 92.14, -42.99, -3.13

 

CMYK 50 / 0 / 0 / 0

HEX #80FFFF

RGB 128 255 255

HSL 180, 1%, 0.75%

LAB 93.16, -35.22, -10.88

 

CMYK 43 / 0 / 0 / 0

HEX #91FFFF

RGB 145 255 255

HSL 180, 1%, 0.78%

LAB 93.78, -31.57, -9.88

 

CMYK 36 / 0 / 0 / 0

HEX #A2FFFF

RGB 162 255 255

HSL 180, 1%, 0.82%

LAB 94.49, -27.52, -8.75

 

CMYK 64 / 0 / 9 / 4

HEX #59F6DF

RGB 89 246 223

HSL 171.21, 0.9%, 0.66%

LAB 88.62, -46.26, -1.07

 

CMYK 68 / 0 / 11 / 11

HEX #48E4CC

RGB 72 228 204

HSL 170.77, 0.74%, 0.59%

LAB 82.5, -45.81, -0.09

 

CMYK 74 / 0 / 12 / 18

HEX #37D2B9

RGB 55 210 185

HSL 170.32, 0.63%, 0.52%

LAB 76.32, -45.17, 0.99

 

CMYK 80 / 0 / 14 / 25

HEX #26C0A6

RGB 38 192 166

HSL 169.87, 0.67%, 0.45%

LAB 70.08, -44.26, 2.18

 

CMYK 88 / 0 / 16 / 32

HEX #15AE93

RGB 21 174 147

HSL 169.41, 0.78%, 0.38%

LAB 63.79, -43.02, 3.5

 

CMYK 64 / 0 / 9 / 4

HEX #59F6DF

RGB 89 246 223

HSL 171.21, 0.9%, 0.66%

LAB 88.62, -46.26, -1.07

 

CMYK 63 / 1 / 0 / 4

HEX #5AF3F6

RGB 90 243 246

HSL 181.15, 0.9%, 0.66%

LAB 88.41, -38.77, -13.39

 

CMYK 63 / 12 / 0 / 4

HEX #5AD9F6

RGB 90 217 246

HSL 191.15, 0.9%, 0.66%

LAB 80.99, -26.46, -24.6

 

CMYK 63 / 22 / 0 / 4

HEX #5ABFF6

RGB 90 191 246

HSL 201.15, 0.9%, 0.66%

LAB 73.6, -13.15, -35.95

 

CMYK 63 / 33 / 0 / 4

HEX #5AA5F6

RGB 90 165 246

HSL 211.15, 0.9%, 0.66%

LAB 66.32, 1.17, -47.34

 

CMYK 64 / 0 / 9 / 4

HEX #59F6DF

RGB 89 246 223

HSL 171.21, 0.9%, 0.66%

LAB 88.62, -46.26, -1.07

 

CMYK 64 / 0 / 10 / 84

HEX #0F2A26

RGB 15 42 38

HSL 171.11, 0.47%, 0.11%

LAB 14.94, -11.53, -0.52

 

CMYK 63 / 0 / 10 / 64

HEX #225D54

RGB 34 93 84

HSL 170.85, 0.46%, 0.25%

LAB 35.61, -21.48, -0.53

 

CMYK 64 / 0 / 9 / 44

HEX #349083

RGB 52 144 131

HSL 171.52, 0.47%, 0.38%

LAB 54.36, -30.19, -1.1

 

CMYK 64 / 0 / 9 / 24

HEX #47C3B1

RGB 71 195 177

HSL 171.29, 0.51%, 0.52%

LAB 71.92, -38.36, -1.06

 

CMYK 64 / 0 / 9 / 4

HEX #59F6DF

RGB 89 246 223

HSL 171.21, 0.9%, 0.66%

LAB 88.62, -46.26, -1.07

 

CMYK 60 / 63 / 0 / 4

HEX #625AF6

RGB 98 90 246

HSL 243.08, 0.9%, 0.66%

LAB 47.7, 47.17, -77.2

 

CMYK 0 / 35 / 63 / 4

HEX #F6A05A

RGB 246 160 90

HSL 26.92, 0.9%, 0.66%

LAB 73.2, 25.55, 48.95

 

CMYK 64 / 0 / 9 / 4

HEX #59F6DF

RGB 89 246 223

HSL 171.21, 0.9%, 0.66%

LAB 88.62, -46.26, -1.07

 

CMYK 10 / 63 / 0 / 4

HEX #DE5AF6

RGB 222 90 246

HSL 290.77, 0.9%, 0.66%

LAB 61.22, 71.91, -54.72

 

CMYK 0 / 10 / 63 / 4

HEX #F6DE5A

RGB 246 222 90

HSL 50.77, 0.9%, 0.66%

LAB 88.24, -6.62, 65.66

 

CMYK 64 / 0 / 9 / 4

HEX #59F6DF

RGB 89 246 223

HSL 171.21, 0.9%, 0.66%

LAB 88.62, -46.26, -1.07

 

CMYK 60 / 63 / 0 / 4

HEX #625AF6

RGB 98 90 246

HSL 243.08, 0.9%, 0.66%

LAB 47.7, 47.17, -77.2

 

CMYK 0 / 63 / 54 / 4

HEX #F65A71

RGB 246 90 113

HSL 351.15, 0.9%, 0.66%

LAB 59.98, 61.18, 19.84

 

CMYK 3 / 0 / 63 / 4

HEX #EEF65A

RGB 238 246 90

HSL 63.08, 0.9%, 0.66%

LAB 93.81, -21.65, 71.34

 

CMYK 64 / 0 / 9 / 4

HEX #59F6DF

RGB 89 246 223

HSL 171.21, 0.9%, 0.66%

LAB 88.62, -46.26, -1.07

 

CMYK 41 / 63 / 0 / 4

HEX #905AF6

RGB 144 90 246

HSL 260.77, 0.9%, 0.66%

LAB 51.72, 55.19, -70.49

 

CMYK 0 / 63 / 54 / 4

HEX #F65A71

RGB 246 90 113

HSL 351.15, 0.9%, 0.66%

LAB 59.98, 61.18, 19.84

 

CMYK 22 / 0 / 63 / 4

HEX #BFF65A

RGB 191 246 90

HSL 81.15, 0.9%, 0.66%

LAB 90.65, -39.84, 67.05

 

Description

Color code: RGB 89 246 223 | qconv.com Color code: RGB 89 246 223 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 246 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 246 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 9 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 9% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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