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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 209 234 it is the complementary color RGB 166 46 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 209 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 89 209 234: RGB 94 209 229, RGB 111 227 248, RGB 128 245 255, RGB 145 255 255 and RGB 162 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 209 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 89 209 234: RGB 89 209 234, RGB 72 191 215, RGB 55 173 196, RGB 38 155 177 and RGB 21 137 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 11 / 0 / 8

HEX #59D1EA

RGB 89 209 234

HSL 190.34, 0.78%, 0.63%

LAB 78.27, -26.17, -22.35

 

Complementary color

CMYK 0 / 72 / 87 / 35

HEX #A62E15

RGB 166 46 21

HSL 10.34, 0.78%, 0.37%

LAB 38.05, 47.85, 42.48

 

CMYK 59 / 9 / 0 / 10

HEX #5ED1E5

RGB 94 209 229

HSL 188.89, 0.72%, 0.63%

LAB 78.25, -26.75, -19.68

 

CMYK 55 / 8 / 0 / 3

HEX #6FE3F8

RGB 111 227 248

HSL 189.2, 0.91%, 0.7%

LAB 84.53, -27.12, -20.22

 

CMYK 50 / 4 / 0 / 0

HEX #80F5FF

RGB 128 245 255

HSL 184.72, 1%, 0.75%

LAB 90.37, -30.54, -15.03

 

CMYK 43 / 0 / 0 / 0

HEX #91FFFF

RGB 145 255 255

HSL 180, 1%, 0.78%

LAB 93.78, -31.57, -9.88

 

CMYK 36 / 0 / 0 / 0

HEX #A2FFFF

RGB 162 255 255

HSL 180, 1%, 0.82%

LAB 94.49, -27.52, -8.75

 

CMYK 62 / 11 / 0 / 8

HEX #59D1EA

RGB 89 209 234

HSL 190.34, 0.78%, 0.63%

LAB 78.27, -26.17, -22.35

 

CMYK 67 / 11 / 0 / 16

HEX #48BFD7

RGB 72 191 215

HSL 190.07, 0.64%, 0.56%

LAB 71.92, -25.55, -21.78

 

CMYK 72 / 12 / 0 / 23

HEX #37ADC4

RGB 55 173 196

HSL 189.79, 0.56%, 0.49%

LAB 65.5, -24.73, -21.16

 

CMYK 79 / 12 / 0 / 31

HEX #269BB1

RGB 38 155 177

HSL 189.5, 0.65%, 0.42%

LAB 59, -23.64, -20.47

 

CMYK 87 / 13 / 0 / 38

HEX #15899E

RGB 21 137 158

HSL 189.2, 0.77%, 0.35%

LAB 52.42, -22.17, -19.68

 

CMYK 62 / 11 / 0 / 8

HEX #59D1EA

RGB 89 209 234

HSL 190.34, 0.78%, 0.63%

LAB 78.27, -26.17, -22.35

 

CMYK 63 / 21 / 0 / 8

HEX #57B9EA

RGB 87 185 234

HSL 200, 0.78%, 0.63%

LAB 71.33, -14.21, -32.99

 

CMYK 63 / 32 / 0 / 8

HEX #57A0EA

RGB 87 160 234

HSL 210.2, 0.78%, 0.63%

LAB 64.25, -0.43, -44.03

 

CMYK 63 / 42 / 0 / 8

HEX #5788EA

RGB 87 136 234

HSL 220, 0.78%, 0.63%

LAB 57.63, 13.67, -54.51

 

CMYK 63 / 53 / 0 / 8

HEX #576FEA

RGB 87 111 234

HSL 230.2, 0.78%, 0.63%

LAB 51.08, 28.94, -65.03

 

CMYK 62 / 11 / 0 / 8

HEX #59D1EA

RGB 89 209 234

HSL 190.34, 0.78%, 0.63%

LAB 78.27, -26.17, -22.35

 

CMYK 63 / 10 / 0 / 88

HEX #0B1B1E

RGB 11 27 30

HSL 189.47, 0.46%, 0.08%

LAB 8.56, -5.58, -4.19

 

CMYK 62 / 11 / 0 / 68

HEX #1F4851

RGB 31 72 81

HSL 190.8, 0.45%, 0.22%

LAB 28.17, -11.29, -9.73

 

CMYK 62 / 11 / 0 / 48

HEX #327684

RGB 50 118 132

HSL 190.24, 0.45%, 0.36%

LAB 46.04, -16.88, -14.1

 

CMYK 62 / 11 / 0 / 28

HEX #46A3B7

RGB 70 163 183

HSL 190.62, 0.45%, 0.5%

LAB 62.44, -21.31, -18.54

 

CMYK 62 / 11 / 0 / 8

HEX #59D1EA

RGB 89 209 234

HSL 190.34, 0.78%, 0.63%

LAB 78.27, -26.17, -22.35

 

CMYK 40 / 63 / 0 / 8

HEX #8D57EA

RGB 141 87 234

HSL 262.04, 0.78%, 0.63%

LAB 50, 53.06, -66.57

 

CMYK 0 / 15 / 63 / 8

HEX #EAC757

RGB 234 199 87

HSL 45.71, 0.78%, 0.63%

LAB 81.31, -0.07, 59.12

 

CMYK 62 / 11 / 0 / 8

HEX #59D1EA

RGB 89 209 234

HSL 190.34, 0.78%, 0.63%

LAB 78.27, -26.17, -22.35

 

CMYK 0 / 63 / 11 / 8

HEX #EA57D1

RGB 234 87 209

HSL 310.2, 0.78%, 0.63%

LAB 60.7, 69.88, -34.7

 

CMYK 11 / 0 / 63 / 8

HEX #D1EA57

RGB 209 234 87

HSL 70.2, 0.78%, 0.63%

LAB 88.49, -27.67, 66.28

 

CMYK 62 / 11 / 0 / 8

HEX #59D1EA

RGB 89 209 234

HSL 190.34, 0.78%, 0.63%

LAB 78.27, -26.17, -22.35

 

CMYK 40 / 63 / 0 / 8

HEX #8D57EA

RGB 141 87 234

HSL 262.04, 0.78%, 0.63%

LAB 50, 53.06, -66.57

 

CMYK 0 / 53 / 63 / 8

HEX #EA6F57

RGB 234 111 87

HSL 9.8, 0.78%, 0.63%

LAB 61.26, 45.79, 35.9

 

CMYK 23 / 0 / 63 / 8

HEX #B4EA57

RGB 180 234 87

HSL 82.04, 0.78%, 0.63%

LAB 86.62, -38.8, 63.72

 

CMYK 62 / 11 / 0 / 8

HEX #59D1EA

RGB 89 209 234

HSL 190.34, 0.78%, 0.63%

LAB 78.27, -26.17, -22.35

 

CMYK 21 / 63 / 0 / 8

HEX #B957EA

RGB 185 87 234

HSL 280, 0.78%, 0.63%

LAB 55.15, 62.54, -58.01

 

CMYK 0 / 53 / 63 / 8

HEX #EA6F57

RGB 234 111 87

HSL 9.8, 0.78%, 0.63%

LAB 61.26, 45.79, 35.9

 

CMYK 42 / 0 / 63 / 8

HEX #88EA57

RGB 136 234 87

HSL 100, 0.78%, 0.63%

LAB 84.36, -53.9, 60.61

 

Description

Color code: RGB 89 209 234 | qconv.com Color code: RGB 89 209 234 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 209 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 209 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 11 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 11% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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