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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 164 24 it is the complementary color RGB 166 91 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 164 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 89 164 24: RGB 94 164 19, RGB 111 182 38, RGB 128 200 57, RGB 145 218 76 and RGB 162 236 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 164 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 89 164 24: RGB 89 164 24, RGB 72 146 5, RGB 55 128 0, RGB 38 110 0 and RGB 21 92 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 85 / 36

HEX #59A418

RGB 89 164 24

HSL 92.14, 0.74%, 0.37%

LAB 60.55, -45.19, 58.12

 

Complementary color

CMYK 28 / 61 / 0 / 9

HEX #A65BE7

RGB 166 91 231

HSL 272.14, 0.74%, 0.63%

LAB 53.34, 55.68, -59.35

 

CMYK 43 / 0 / 88 / 36

HEX #5EA413

RGB 94 164 19

HSL 88.97, 0.79%, 0.36%

LAB 60.76, -43.69, 59.51

 

CMYK 39 / 0 / 79 / 29

HEX #6FB626

RGB 111 182 38

HSL 89.58, 0.65%, 0.43%

LAB 67.26, -44.46, 60.75

 

CMYK 36 / 0 / 72 / 22

HEX #80C839

RGB 128 200 57

HSL 90.21, 0.57%, 0.5%

LAB 73.67, -44.97, 60.92

 

CMYK 33 / 0 / 65 / 15

HEX #91DA4C

RGB 145 218 76

HSL 90.85, 0.66%, 0.58%

LAB 80, -45.29, 60.48

 

CMYK 31 / 0 / 60 / 7

HEX #A2EC5F

RGB 162 236 95

HSL 91.49, 0.79%, 0.65%

LAB 86.26, -45.48, 59.71

 

CMYK 46 / 0 / 85 / 36

HEX #59A418

RGB 89 164 24

HSL 92.14, 0.74%, 0.37%

LAB 60.55, -45.19, 58.12

 

CMYK 51 / 0 / 97 / 43

HEX #489205

RGB 72 146 5

HSL 91.49, 0.93%, 0.3%

LAB 53.97, -44.12, 55.88

 

CMYK 57 / 0 / 100 / 50

HEX #378000

RGB 55 128 0

HSL 94.22, 1%, 0.25%

LAB 47.3, -42.49, 51.2

 

CMYK 65 / 0 / 100 / 57

HEX #266E00

RGB 38 110 0

HSL 99.27, 1%, 0.22%

LAB 40.51, -40.44, 45.6

 

CMYK 77 / 0 / 100 / 64

HEX #155C00

RGB 21 92 0

HSL 106.3, 1%, 0.18%

LAB 33.59, -37.89, 39.91

 

CMYK 46 / 0 / 85 / 36

HEX #59A418

RGB 89 164 24

HSL 92.14, 0.74%, 0.37%

LAB 60.55, -45.19, 58.12

 

CMYK 60 / 0 / 85 / 36

HEX #42A418

RGB 66 164 24

HSL 102, 0.74%, 0.37%

LAB 59.69, -51.96, 57.02

 

CMYK 74 / 0 / 85 / 36

HEX #2BA418

RGB 43 164 24

HSL 111.86, 0.74%, 0.37%

LAB 59.09, -56.91, 56.27

 

CMYK 85 / 0 / 82 / 36

HEX #18A41D

RGB 24 164 29

HSL 122.14, 0.74%, 0.37%

LAB 58.82, -59.24, 54.58

 

CMYK 85 / 0 / 68 / 36

HEX #18A434

RGB 24 164 52

HSL 132, 0.74%, 0.37%

LAB 58.97, -57.38, 46.52

 

CMYK 46 / 0 / 85 / 36

HEX #59A418

RGB 89 164 24

HSL 92.14, 0.74%, 0.37%

LAB 60.55, -45.19, 58.12

 

CMYK 46 / 0 / 86 / 16

HEX #75D71F

RGB 117 215 31

HSL 91.96, 0.75%, 0.48%

LAB 77.57, -55.9, 71.86

 

CMYK 45 / 0 / 82 / 96

HEX #060B02

RGB 6 11 2

HSL 93.33, 0.69%, 0.03%

LAB 2.55, -2.57, 2.95

 

CMYK 45 / 0 / 85 / 76

HEX #223E09

RGB 34 62 9

HSL 91.7, 0.75%, 0.14%

LAB 23.02, -20.84, 27.31

 

CMYK 46 / 0 / 85 / 56

HEX #3D7111

RGB 61 113 17

HSL 92.5, 0.74%, 0.25%

LAB 42.53, -33.78, 43.38

 

CMYK 46 / 0 / 85 / 36

HEX #59A418

RGB 89 164 24

HSL 92.14, 0.74%, 0.37%

LAB 60.55, -45.19, 58.12

 

CMYK 85 / 0 / 23 / 36

HEX #18A47E

RGB 24 164 126

HSL 163.71, 0.74%, 0.37%

LAB 60.12, -44.08, 9.96

 

CMYK 0 / 85 / 12 / 36

HEX #A41891

RGB 164 24 145

HSL 308.14, 0.74%, 0.37%

LAB 38.88, 64.5, -32.16

 

CMYK 46 / 0 / 85 / 36

HEX #59A418

RGB 89 164 24

HSL 92.14, 0.74%, 0.37%

LAB 60.55, -45.19, 58.12

 

CMYK 85 / 46 / 0 / 36

HEX #1859A4

RGB 24 89 164

HSL 212.14, 0.74%, 0.37%

LAB 37.88, 8.82, -46.04

 

CMYK 0 / 85 / 46 / 36

HEX #A41859

RGB 164 24 89

HSL 332.14, 0.74%, 0.37%

LAB 36.49, 57.86, -0.68

 

CMYK 46 / 0 / 85 / 36

HEX #59A418

RGB 89 164 24

HSL 92.14, 0.74%, 0.37%

LAB 60.55, -45.19, 58.12

 

CMYK 85 / 0 / 23 / 36

HEX #18A47E

RGB 24 164 126

HSL 163.71, 0.74%, 0.37%

LAB 60.12, -44.08, 9.96

 

CMYK 40 / 85 / 0 / 36

HEX #6318A4

RGB 99 24 164

HSL 272.14, 0.74%, 0.37%

LAB 29.38, 56.44, -59.59

 

CMYK 0 / 85 / 63 / 36

HEX #A4183D

RGB 164 24 61

HSL 344.14, 0.74%, 0.37%

LAB 35.76, 55.71, 16.39

 

CMYK 46 / 0 / 85 / 36

HEX #59A418

RGB 89 164 24

HSL 92.14, 0.74%, 0.37%

LAB 60.55, -45.19, 58.12

 

CMYK 85 / 3 / 0 / 36

HEX #189FA4

RGB 24 159 164

HSL 182.14, 0.74%, 0.37%

LAB 59.59, -31.05, -12.24

 

CMYK 40 / 85 / 0 / 36

HEX #6318A4

RGB 99 24 164

HSL 272.14, 0.74%, 0.37%

LAB 29.38, 56.44, -59.59

 

CMYK 0 / 82 / 85 / 36

HEX #A41D18

RGB 164 29 24

HSL 2.14, 0.74%, 0.37%

LAB 35.67, 52.87, 38.79

 

Description

Color code: RGB 89 164 24 | qconv.com Color code: RGB 89 164 24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 164 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 164 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 85 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 85% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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