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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 162 60 it is the complementary color RGB 166 93 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 162 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 89 162 60: RGB 94 162 55, RGB 111 180 74, RGB 128 198 93, RGB 145 216 112 and RGB 162 234 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 162 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 89 162 60: RGB 89 162 60, RGB 72 144 41, RGB 55 126 22, RGB 38 108 3 and RGB 21 90 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 63 / 36

HEX #59A23C

RGB 89 162 60

HSL 102.94, 0.46%, 0.44%

LAB 60.15, -41.87, 44.84

 

Complementary color

CMYK 15 / 52 / 0 / 24

HEX #A65DC3

RGB 166 93 195

HSL 282.94, 0.46%, 0.56%

LAB 51.7, 46.7, -41.51

 

CMYK 42 / 0 / 66 / 36

HEX #5EA237

RGB 94 162 55

HSL 98.13, 0.49%, 0.43%

LAB 60.33, -40.7, 47.31

 

CMYK 38 / 0 / 59 / 29

HEX #6FB44A

RGB 111 180 74

HSL 99.06, 0.42%, 0.5%

LAB 66.91, -40.86, 46.39

 

CMYK 35 / 0 / 53 / 22

HEX #80C65D

RGB 128 198 93

HSL 100, 0.48%, 0.57%

LAB 73.39, -40.88, 45.28

 

CMYK 33 / 0 / 48 / 15

HEX #91D870

RGB 145 216 112

HSL 100.96, 0.57%, 0.64%

LAB 79.79, -40.82, 44.11

 

CMYK 31 / 0 / 44 / 8

HEX #A2EA83

RGB 162 234 131

HSL 101.94, 0.71%, 0.72%

LAB 86.09, -40.71, 42.94

 

CMYK 45 / 0 / 63 / 36

HEX #59A23C

RGB 89 162 60

HSL 102.94, 0.46%, 0.44%

LAB 60.15, -41.87, 44.84

 

CMYK 50 / 0 / 72 / 44

HEX #489029

RGB 72 144 41

HSL 101.94, 0.56%, 0.36%

LAB 53.48, -41.54, 45.6

 

CMYK 56 / 0 / 83 / 51

HEX #377E16

RGB 55 126 22

HSL 100.96, 0.7%, 0.29%

LAB 46.7, -40.84, 45.6

 

CMYK 65 / 0 / 97 / 58

HEX #266C03

RGB 38 108 3

HSL 100, 0.95%, 0.22%

LAB 39.82, -39.57, 44.26

 

CMYK 77 / 0 / 100 / 65

HEX #155A00

RGB 21 90 0

HSL 106, 1%, 0.18%

LAB 32.86, -37.18, 39.32

 

CMYK 45 / 0 / 63 / 36

HEX #59A23C

RGB 89 162 60

HSL 102.94, 0.46%, 0.44%

LAB 60.15, -41.87, 44.84

 

CMYK 55 / 0 / 63 / 36

HEX #4AA33C

RGB 74 163 60

HSL 111.84, 0.46%, 0.44%

LAB 59.87, -46.76, 44.36

 

CMYK 63 / 0 / 61 / 36

HEX #3CA340

RGB 60 163 64

HSL 122.33, 0.46%, 0.44%

LAB 59.46, -49.83, 41.94

 

CMYK 63 / 0 / 50 / 36

HEX #3CA351

RGB 60 163 81

HSL 132.23, 0.46%, 0.44%

LAB 59.66, -47.51, 33.84

 

CMYK 63 / 0 / 40 / 36

HEX #3CA362

RGB 60 163 98

HSL 142.14, 0.46%, 0.44%

LAB 59.92, -44.63, 25.22

 

CMYK 45 / 0 / 63 / 36

HEX #59A23C

RGB 89 162 60

HSL 102.94, 0.46%, 0.44%

LAB 60.15, -41.87, 44.84

 

CMYK 45 / 0 / 63 / 16

HEX #75D54F

RGB 117 213 79

HSL 102.99, 0.61%, 0.57%

LAB 77.24, -52.12, 55.87

 

CMYK 44 / 0 / 67 / 96

HEX #050903

RGB 5 9 3

HSL 100, 0.5%, 0.02%

LAB 2.12, -1.88, 1.9

 

CMYK 45 / 0 / 63 / 76

HEX #213C16

RGB 33 60 22

HSL 102.63, 0.46%, 0.16%

LAB 22.35, -18.85, 20.05

 

CMYK 45 / 0 / 63 / 56

HEX #3D6F29

RGB 61 111 41

HSL 102.86, 0.46%, 0.3%

LAB 42.03, -30.93, 33.06

 

CMYK 45 / 0 / 63 / 36

HEX #59A23C

RGB 89 162 60

HSL 102.94, 0.46%, 0.44%

LAB 60.15, -41.87, 44.84

 

CMYK 63 / 0 / 6 / 36

HEX #3CA399

RGB 60 163 153

HSL 174.17, 0.46%, 0.44%

LAB 61.18, -31.8, -3.58

 

CMYK 0 / 63 / 19 / 36

HEX #A33C84

RGB 163 60 132

HSL 318.06, 0.46%, 0.44%

LAB 42.28, 50.5, -18.93

 

CMYK 45 / 0 / 63 / 36

HEX #59A23C

RGB 89 162 60

HSL 102.94, 0.46%, 0.44%

LAB 60.15, -41.87, 44.84

 

CMYK 63 / 44 / 0 / 36

HEX #3C5BA3

RGB 60 91 163

HSL 221.94, 0.46%, 0.44%

LAB 39.73, 12.12, -42.4

 

CMYK 0 / 63 / 44 / 36

HEX #A33C5B

RGB 163 60 91

HSL 341.94, 0.46%, 0.44%

LAB 40.85, 45.27, 4.34

 

CMYK 45 / 0 / 63 / 36

HEX #59A23C

RGB 89 162 60

HSL 102.94, 0.46%, 0.44%

LAB 60.15, -41.87, 44.84

 

CMYK 63 / 0 / 6 / 36

HEX #3CA399

RGB 60 163 153

HSL 174.17, 0.46%, 0.44%

LAB 61.18, -31.8, -3.58

 

CMYK 19 / 63 / 0 / 36

HEX #843CA3

RGB 132 60 163

HSL 281.94, 0.46%, 0.44%

LAB 39.21, 47.78, -42.85

 

CMYK 0 / 63 / 57 / 36

HEX #A33C46

RGB 163 60 70

HSL 354.17, 0.46%, 0.44%

LAB 40.35, 43.33, 16.77

 

CMYK 45 / 0 / 63 / 36

HEX #59A23C

RGB 89 162 60

HSL 102.94, 0.46%, 0.44%

LAB 60.15, -41.87, 44.84

 

CMYK 63 / 12 / 0 / 36

HEX #3C8FA3

RGB 60 143 163

HSL 191.65, 0.46%, 0.44%

LAB 55.33, -18.75, -18.04

 

CMYK 19 / 63 / 0 / 36

HEX #843CA3

RGB 132 60 163

HSL 281.94, 0.46%, 0.44%

LAB 39.21, 47.78, -42.85

 

CMYK 0 / 50 / 63 / 36

HEX #A3513C

RGB 163 81 60

HSL 12.23, 0.46%, 0.44%

LAB 44.23, 32.04, 27.81

 

Description

Color code: RGB 89 162 60 | qconv.com Color code: RGB 89 162 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 162 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 162 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 63 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 63% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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