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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 153 156 it is the complementary color RGB 166 102 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 153 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 89 153 156: RGB 94 153 151, RGB 111 171 170, RGB 128 189 189, RGB 145 207 208 and RGB 162 225 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 153 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 89 153 156: RGB 89 153 156, RGB 72 135 137, RGB 55 117 118, RGB 38 99 99 and RGB 21 81 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 2 / 0 / 39

HEX #59999C

RGB 89 153 156

HSL 182.69, 0.27%, 0.48%

LAB 59.26, -19.68, -8.02

 

Complementary color

CMYK 0 / 39 / 40 / 35

HEX #A66663

RGB 166 102 99

HSL 2.69, 0.27%, 0.52%

LAB 50.11, 25.4, 12.61

 

CMYK 39 / 0 / 1 / 40

HEX #5E9997

RGB 94 153 151

HSL 177.97, 0.24%, 0.48%

LAB 59.34, -19.65, -5.03

 

CMYK 35 / 0 / 1 / 33

HEX #6FABAA

RGB 111 171 170

HSL 179, 0.26%, 0.55%

LAB 66.06, -19.56, -5.66

 

CMYK 32 / 0 / 0 / 26

HEX #80BDBD

RGB 128 189 189

HSL 180, 0.32%, 0.62%

LAB 72.67, -19.47, -6.26

 

CMYK 30 / 0 / 0 / 18

HEX #91CFD0

RGB 145 207 208

HSL 180.95, 0.4%, 0.69%

LAB 79.16, -19.38, -6.84

 

CMYK 29 / 1 / 0 / 11

HEX #A2E1E3

RGB 162 225 227

HSL 181.85, 0.54%, 0.76%

LAB 85.54, -19.29, -7.39

 

CMYK 43 / 2 / 0 / 39

HEX #59999C

RGB 89 153 156

HSL 182.69, 0.27%, 0.48%

LAB 59.26, -19.68, -8.02

 

CMYK 47 / 1 / 0 / 46

HEX #488789

RGB 72 135 137

HSL 181.85, 0.31%, 0.41%

LAB 52.41, -19.65, -7.37

 

CMYK 53 / 1 / 0 / 54

HEX #377576

RGB 55 117 118

HSL 180.95, 0.36%, 0.34%

LAB 45.42, -19.55, -6.67

 

CMYK 62 / 0 / 0 / 61

HEX #266363

RGB 38 99 99

HSL 180, 0.45%, 0.27%

LAB 38.26, -19.31, -5.88

 

CMYK 74 / 0 / 1 / 68

HEX #155150

RGB 21 81 80

HSL 179, 0.59%, 0.2%

LAB 30.93, -18.78, -4.96

 

CMYK 43 / 2 / 0 / 39

HEX #59999C

RGB 89 153 156

HSL 182.69, 0.27%, 0.48%

LAB 59.26, -19.68, -8.02

 

CMYK 43 / 8 / 0 / 39

HEX #598E9B

RGB 89 142 155

HSL 191.82, 0.27%, 0.48%

LAB 55.92, -14.07, -12.44

 

CMYK 43 / 15 / 0 / 39

HEX #59839B

RGB 89 131 155

HSL 201.82, 0.27%, 0.48%

LAB 52.64, -7.94, -17.4

 

CMYK 43 / 23 / 0 / 39

HEX #59789B

RGB 89 120 155

HSL 211.82, 0.27%, 0.48%

LAB 49.4, -1.57, -22.37

 

CMYK 43 / 30 / 0 / 39

HEX #596D9B

RGB 89 109 155

HSL 221.82, 0.27%, 0.48%

LAB 46.21, 5.03, -27.31

 

CMYK 43 / 2 / 0 / 39

HEX #59999C

RGB 89 153 156

HSL 182.69, 0.27%, 0.48%

LAB 59.26, -19.68, -8.02

 

CMYK 43 / 2 / 0 / 19

HEX #76CBCF

RGB 118 203 207

HSL 182.7, 0.48%, 0.64%

LAB 76.72, -24.68, -10.06

 

CMYK 33 / 0 / 0 / 99

HEX #020303

RGB 2 3 3

HSL 180, 0.2%, 0.01%

LAB 0.76, -0.26, -0.09

 

CMYK 43 / 2 / 0 / 79

HEX #1F3536

RGB 31 53 54

HSL 182.61, 0.27%, 0.17%

LAB 20.46, -8.36, -3.39

 

CMYK 43 / 2 / 0 / 59

HEX #3C6769

RGB 60 103 105

HSL 182.67, 0.27%, 0.32%

LAB 40.7, -14.32, -5.83

 

CMYK 43 / 2 / 0 / 39

HEX #59999C

RGB 89 153 156

HSL 182.69, 0.27%, 0.48%

LAB 59.26, -19.68, -8.02

 

CMYK 33 / 43 / 0 / 39

HEX #68599B

RGB 104 89 155

HSL 253.64, 0.27%, 0.48%

LAB 41.93, 21.69, -33.94

 

CMYK 0 / 15 / 43 / 39

HEX #9B8359

RGB 155 131 89

HSL 38.18, 0.27%, 0.48%

LAB 56.01, 3.15, 26.1

 

CMYK 43 / 2 / 0 / 39

HEX #59999C

RGB 89 153 156

HSL 182.69, 0.27%, 0.48%

LAB 59.26, -19.68, -8.02

 

CMYK 0 / 43 / 1 / 39

HEX #9B5999

RGB 155 89 153

HSL 301.82, 0.27%, 0.48%

LAB 47.51, 37.09, -23.61

 

CMYK 1 / 0 / 43 / 39

HEX #999B59

RGB 153 155 89

HSL 61.82, 0.27%, 0.48%

LAB 62.45, -10.86, 34.28

 

CMYK 43 / 2 / 0 / 39

HEX #59999C

RGB 89 153 156

HSL 182.69, 0.27%, 0.48%

LAB 59.26, -19.68, -8.02

 

CMYK 33 / 43 / 0 / 39

HEX #68599B

RGB 104 89 155

HSL 253.64, 0.27%, 0.48%

LAB 41.93, 21.69, -33.94

 

CMYK 0 / 41 / 43 / 39

HEX #9B5B59

RGB 155 91 89

HSL 1.82, 0.27%, 0.48%

LAB 45.87, 25.99, 12.48

 

CMYK 10 / 0 / 43 / 39

HEX #8C9B59

RGB 140 155 89

HSL 73.64, 0.27%, 0.48%

LAB 61.43, -16.23, 32.77

 

CMYK 43 / 2 / 0 / 39

HEX #59999C

RGB 89 153 156

HSL 182.69, 0.27%, 0.48%

LAB 59.26, -19.68, -8.02

 

CMYK 20 / 43 / 0 / 39

HEX #7C599B

RGB 124 89 155

HSL 271.82, 0.27%, 0.48%

LAB 43.94, 27.71, -30.64

 

CMYK 0 / 41 / 43 / 39

HEX #9B5B59

RGB 155 91 89

HSL 1.82, 0.27%, 0.48%

LAB 45.87, 25.99, 12.48

 

CMYK 23 / 0 / 43 / 39

HEX #789B59

RGB 120 155 89

HSL 91.82, 0.27%, 0.48%

LAB 60.03, -24.15, 30.71

 

Description

Color code: RGB 89 153 156 | qconv.com Color code: RGB 89 153 156 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 153 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 153 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 2 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 2% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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