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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 135 200 it is the complementary color RGB 166 120 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 135 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 89 135 200: RGB 94 135 195, RGB 111 153 214, RGB 128 171 233, RGB 145 189 252 and RGB 162 207 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 135 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 89 135 200: RGB 89 135 200, RGB 72 117 181, RGB 55 99 162, RGB 38 81 143 and RGB 21 63 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 33 / 0 / 22

HEX #5987C8

RGB 89 135 200

HSL 215.14, 0.5%, 0.57%

LAB 55.71, 3.44, -38.47

 

Complementary color

CMYK 0 / 28 / 67 / 35

HEX #A67837

RGB 166 120 55

HSL 35.14, 0.5%, 0.43%

LAB 53.83, 11.18, 41.81

 

CMYK 52 / 31 / 0 / 24

HEX #5E87C3

RGB 94 135 195

HSL 215.64, 0.46%, 0.57%

LAB 55.73, 2.97, -35.58

 

CMYK 48 / 29 / 0 / 16

HEX #6F99D6

RGB 111 153 214

HSL 215.53, 0.56%, 0.64%

LAB 62.52, 2.29, -35.59

 

CMYK 45 / 27 / 0 / 9

HEX #80ABE9

RGB 128 171 233

HSL 215.43, 0.7%, 0.71%

LAB 69.18, 1.73, -35.63

 

CMYK 42 / 25 / 0 / 1

HEX #91BDFC

RGB 145 189 252

HSL 215.33, 0.95%, 0.78%

LAB 75.73, 1.26, -35.7

 

CMYK 36 / 19 / 0 / 0

HEX #A2CFFF

RGB 162 207 255

HSL 210.97, 1%, 0.82%

LAB 81.58, -3.29, -28.21

 

CMYK 56 / 33 / 0 / 22

HEX #5987C8

RGB 89 135 200

HSL 215.14, 0.5%, 0.57%

LAB 55.71, 3.44, -38.47

 

CMYK 60 / 35 / 0 / 29

HEX #4875B5

RGB 72 117 181

HSL 215.23, 0.43%, 0.5%

LAB 48.81, 4.43, -38.52

 

CMYK 66 / 39 / 0 / 36

HEX #3763A2

RGB 55 99 162

HSL 215.33, 0.49%, 0.43%

LAB 41.76, 5.71, -38.59

 

CMYK 73 / 43 / 0 / 44

HEX #26518F

RGB 38 81 143

HSL 215.43, 0.58%, 0.35%

LAB 34.56, 7.4, -38.67

 

CMYK 83 / 49 / 0 / 51

HEX #153F7C

RGB 21 63 124

HSL 215.53, 0.71%, 0.28%

LAB 27.21, 9.73, -38.74

 

CMYK 56 / 33 / 0 / 22

HEX #5987C8

RGB 89 135 200

HSL 215.14, 0.5%, 0.57%

LAB 55.71, 3.44, -38.47

 

CMYK 55 / 42 / 0 / 22

HEX #5A75C8

RGB 90 117 200

HSL 225.27, 0.5%, 0.57%

LAB 50.76, 14.51, -46.28

 

CMYK 55 / 51 / 0 / 22

HEX #5A63C8

RGB 90 99 200

HSL 235.09, 0.5%, 0.57%

LAB 46, 25.65, -53.9

 

CMYK 51 / 55 / 0 / 22

HEX #635AC8

RGB 99 90 200

HSL 244.91, 0.5%, 0.57%

LAB 44.43, 33.06, -56.4

 

CMYK 42 / 55 / 0 / 22

HEX #755AC8

RGB 117 90 200

HSL 254.73, 0.5%, 0.57%

LAB 45.99, 37.05, -53.79

 

CMYK 56 / 33 / 0 / 22

HEX #5987C8

RGB 89 135 200

HSL 215.14, 0.5%, 0.57%

LAB 55.71, 3.44, -38.47

 

CMYK 55 / 33 / 0 / 2

HEX #70A9FB

RGB 112 169 251

HSL 215.4, 0.95%, 0.71%

LAB 68.6, 4.62, -46.41

 

CMYK 55 / 32 / 0 / 82

HEX #15202F

RGB 21 32 47

HSL 214.62, 0.38%, 0.13%

LAB 11.94, 0.31, -11.47

 

CMYK 55 / 33 / 0 / 62

HEX #2C4262

RGB 44 66 98

HSL 215.56, 0.38%, 0.28%

LAB 27.61, 1.73, -21.51

 

CMYK 56 / 32 / 0 / 42

HEX #426595

RGB 66 101 149

HSL 214.7, 0.39%, 0.42%

LAB 42.21, 2.18, -30.1

 

CMYK 56 / 33 / 0 / 22

HEX #5987C8

RGB 89 135 200

HSL 215.14, 0.5%, 0.57%

LAB 55.71, 3.44, -38.47

 

CMYK 12 / 55 / 0 / 22

HEX #B05AC8

RGB 176 90 200

HSL 286.91, 0.5%, 0.57%

LAB 52.63, 51.95, -42.81

 

CMYK 10 / 0 / 55 / 22

HEX #B4C85A

RGB 180 200 90

HSL 70.91, 0.5%, 0.57%

LAB 77.13, -22.65, 51.86

 

CMYK 56 / 33 / 0 / 22

HEX #5987C8

RGB 89 135 200

HSL 215.14, 0.5%, 0.57%

LAB 55.71, 3.44, -38.47

 

CMYK 0 / 55 / 32 / 22

HEX #C85A88

RGB 200 90 136

HSL 334.91, 0.5%, 0.57%

LAB 53.35, 48.62, -4.09

 

CMYK 32 / 0 / 55 / 22

HEX #88C85A

RGB 136 200 90

HSL 94.91, 0.5%, 0.57%

LAB 74.37, -39.34, 47.95

 

CMYK 56 / 33 / 0 / 22

HEX #5987C8

RGB 89 135 200

HSL 215.14, 0.5%, 0.57%

LAB 55.71, 3.44, -38.47

 

CMYK 12 / 55 / 0 / 22

HEX #B05AC8

RGB 176 90 200

HSL 286.91, 0.5%, 0.57%

LAB 52.63, 51.95, -42.81

 

CMYK 0 / 23 / 55 / 22

HEX #C89A5A

RGB 200 154 90

HSL 34.91, 0.5%, 0.57%

LAB 66.62, 9.69, 39.88

 

CMYK 43 / 0 / 55 / 22

HEX #72C85A

RGB 114 200 90

HSL 106.91, 0.5%, 0.57%

LAB 73.3, -46.62, 46.43

 

CMYK 56 / 33 / 0 / 22

HEX #5987C8

RGB 89 135 200

HSL 215.14, 0.5%, 0.57%

LAB 55.71, 3.44, -38.47

 

CMYK 0 / 55 / 5 / 22

HEX #C85ABF

RGB 200 90 191

HSL 304.91, 0.5%, 0.57%

LAB 55.43, 56.78, -33.02

 

CMYK 0 / 23 / 55 / 22

HEX #C89A5A

RGB 200 154 90

HSL 34.91, 0.5%, 0.57%

LAB 66.62, 9.69, 39.88

 

CMYK 55 / 0 / 51 / 22

HEX #5AC863

RGB 90 200 99

HSL 124.91, 0.5%, 0.57%

LAB 72.48, -52.21, 40.91

 

Description

Color code: RGB 89 135 200 | qconv.com Color code: RGB 89 135 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 135 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 135 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 33 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 33% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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