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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88 89 37 it is the complementary color RGB 167 166 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88 89 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 88 89 37: RGB 93 89 32, RGB 110 107 51, RGB 127 125 70, RGB 144 143 89 and RGB 161 161 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88 89 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 88 89 37: RGB 88 89 37, RGB 71 71 18, RGB 54 53 0, RGB 37 35 0 and RGB 20 17 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 58 / 65

HEX #585925

RGB 88 89 37

HSL 61.15, 0.41%, 0.25%

LAB 36.66, -8.47, 29.47

 

Complementary color

CMYK 23 / 24 / 0 / 15

HEX #A7A6DA

RGB 167 166 218

HSL 241.15, 0.41%, 0.75%

LAB 69.86, 11.44, -26.15

 

CMYK 0 / 4 / 66 / 64

HEX #5D5920

RGB 93 89 32

HSL 56.07, 0.49%, 0.25%

LAB 37.07, -6.5, 32.64

 

CMYK 0 / 3 / 54 / 57

HEX #6E6B33

RGB 110 107 51

HSL 56.95, 0.37%, 0.32%

LAB 44.33, -7.25, 31.46

 

CMYK 0 / 2 / 45 / 50

HEX #7F7D46

RGB 127 125 70

HSL 57.89, 0.29%, 0.39%

LAB 51.41, -7.78, 30.16

 

CMYK 0 / 1 / 38 / 44

HEX #908F59

RGB 144 143 89

HSL 58.91, 0.24%, 0.46%

LAB 58.32, -8.18, 28.88

 

CMYK 0 / 0 / 33 / 37

HEX #A1A16C

RGB 161 161 108

HSL 60, 0.22%, 0.53%

LAB 65.08, -8.49, 27.66

 

CMYK 1 / 0 / 58 / 65

HEX #585925

RGB 88 89 37

HSL 61.15, 0.41%, 0.25%

LAB 36.66, -8.47, 29.47

 

CMYK 0 / 0 / 75 / 72

HEX #474712

RGB 71 71 18

HSL 60, 0.6%, 0.17%

LAB 29.13, -7.68, 30.43

 

CMYK 0 / 2 / 100 / 79

HEX #363500

RGB 54 53 0

HSL 58.89, 1%, 0.11%

LAB 21.32, -6.55, 29.67

 

CMYK 0 / 5 / 100 / 85

HEX #252300

RGB 37 35 0

HSL 56.76, 1%, 0.07%

LAB 13.2, -4.37, 19.39

 

CMYK 0 / 15 / 100 / 92

HEX #141100

RGB 20 17 0

HSL 51, 1%, 0.04%

LAB 4.96, -1.37, 7.41

 

CMYK 1 / 0 / 58 / 65

HEX #585925

RGB 88 89 37

HSL 61.15, 0.41%, 0.25%

LAB 36.66, -8.47, 29.47

 

CMYK 10 / 0 / 58 / 65

HEX #505925

RGB 80 89 37

HSL 70.38, 0.41%, 0.25%

LAB 35.95, -12.23, 28.48

 

CMYK 20 / 0 / 58 / 65

HEX #475925

RGB 71 89 37

HSL 80.77, 0.41%, 0.25%

LAB 35.24, -16.33, 27.46

 

CMYK 30 / 0 / 58 / 65

HEX #3E5925

RGB 62 89 37

HSL 91.15, 0.41%, 0.25%

LAB 34.61, -20.23, 26.56

 

CMYK 39 / 0 / 58 / 65

HEX #365925

RGB 54 89 37

HSL 100.38, 0.41%, 0.25%

LAB 34.11, -23.46, 25.86

 

CMYK 1 / 0 / 58 / 65

HEX #585925

RGB 88 89 37

HSL 61.15, 0.41%, 0.25%

LAB 36.66, -8.47, 29.47

 

CMYK 1 / 0 / 59 / 45

HEX #8A8C3A

RGB 138 140 58

HSL 61.46, 0.41%, 0.39%

LAB 56.55, -12.27, 42.6

 

CMYK 1 / 0 / 59 / 25

HEX #BDBF4F

RGB 189 191 79

HSL 61.07, 0.47%, 0.53%

LAB 75.23, -15.35, 54.87

 

CMYK 1 / 0 / 58 / 5

HEX #EFF265

RGB 239 242 101

HSL 61.28, 0.84%, 0.67%

LAB 92.92, -18.62, 65.96

 

CMYK 0 / 0 / 58 / 85

HEX #262610

RGB 38 38 16

HSL 60, 0.41%, 0.11%

LAB 14.6, -4.13, 14.29

 

CMYK 1 / 0 / 58 / 65

HEX #585925

RGB 88 89 37

HSL 61.15, 0.41%, 0.25%

LAB 36.66, -8.47, 29.47

 

CMYK 58 / 0 / 46 / 65

HEX #255930

RGB 37 89 48

HSL 132.69, 0.41%, 0.25%

LAB 33.46, -27.49, 18.59

 

CMYK 22 / 58 / 0 / 65

HEX #452559

RGB 69 37 89

HSL 276.92, 0.41%, 0.25%

LAB 21.24, 25.8, -25.51

 

CMYK 1 / 0 / 58 / 65

HEX #585925

RGB 88 89 37

HSL 61.15, 0.41%, 0.25%

LAB 36.66, -8.47, 29.47

 

CMYK 58 / 0 / 0 / 65

HEX #255959

RGB 37 89 89

HSL 180, 0.41%, 0.25%

LAB 34.52, -17.14, -5.26

 

CMYK 0 / 58 / 0 / 65

HEX #592559

RGB 89 37 89

HSL 300, 0.41%, 0.25%

LAB 24.22, 31.99, -20.61

 

CMYK 1 / 0 / 58 / 65

HEX #585925

RGB 88 89 37

HSL 61.15, 0.41%, 0.25%

LAB 36.66, -8.47, 29.47

 

CMYK 58 / 0 / 46 / 65

HEX #255930

RGB 37 89 48

HSL 132.69, 0.41%, 0.25%

LAB 33.46, -27.49, 18.59

 

CMYK 57 / 58 / 0 / 65

HEX #262559

RGB 38 37 89

HSL 241.15, 0.41%, 0.25%

LAB 17.72, 17.17, -31.35

 

CMYK 0 / 58 / 12 / 65

HEX #59254E

RGB 89 37 78

HSL 312.69, 0.41%, 0.25%

LAB 23.66, 29.85, -14.16

 

CMYK 1 / 0 / 58 / 65

HEX #585925

RGB 88 89 37

HSL 61.15, 0.41%, 0.25%

LAB 36.66, -8.47, 29.47

 

CMYK 58 / 0 / 28 / 65

HEX #255940

RGB 37 89 64

HSL 151.15, 0.41%, 0.25%

LAB 33.79, -24.07, 9.32

 

CMYK 57 / 58 / 0 / 65

HEX #262559

RGB 38 37 89

HSL 241.15, 0.41%, 0.25%

LAB 17.72, 17.17, -31.35

 

CMYK 0 / 58 / 30 / 65

HEX #59253E

RGB 89 37 62

HSL 331.15, 0.41%, 0.25%

LAB 22.98, 27.13, -4.37

 

Description

Color code: RGB 88 89 37 | qconv.com Color code: RGB 88 89 37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 89 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 89 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 58 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 58% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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