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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88 77 11 it is the complementary color RGB 167 178 244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88 77 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 88 77 11: RGB 93 77 6, RGB 110 95 25, RGB 127 113 44, RGB 144 131 63 and RGB 161 149 82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88 77 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 88 77 11: RGB 88 77 11, RGB 71 59 0, RGB 54 41 0, RGB 37 23 0 and RGB 20 5 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 88 / 65

HEX #584D0B

RGB 88 77 11

HSL 51.43, 0.78%, 0.19%

LAB 32.72, -3.04, 37.24

 

Complementary color

CMYK 32 / 27 / 0 / 4

HEX #A7B2F4

RGB 167 178 244

HSL 231.43, 0.78%, 0.81%

LAB 73.93, 11.08, -34.06

 

CMYK 0 / 17 / 94 / 64

HEX #5D4D06

RGB 93 77 6

HSL 48.97, 0.88%, 0.19%

LAB 33.24, -0.67, 39.55

 

CMYK 0 / 14 / 77 / 57

HEX #6E5F19

RGB 110 95 25

HSL 49.41, 0.63%, 0.26%

LAB 40.52, -2.22, 39.94

 

CMYK 0 / 11 / 65 / 50

HEX #7F712C

RGB 127 113 44

HSL 49.88, 0.49%, 0.34%

LAB 47.63, -3.39, 39.19

 

CMYK 0 / 9 / 56 / 44

HEX #90833F

RGB 144 131 63

HSL 50.37, 0.39%, 0.41%

LAB 54.58, -4.28, 38.03

 

CMYK 0 / 7 / 49 / 37

HEX #A19552

RGB 161 149 82

HSL 50.89, 0.33%, 0.48%

LAB 61.38, -4.97, 36.75

 

CMYK 0 / 13 / 88 / 65

HEX #584D0B

RGB 88 77 11

HSL 51.43, 0.78%, 0.19%

LAB 32.72, -3.04, 37.24

 

CMYK 0 / 17 / 100 / 72

HEX #473B00

RGB 71 59 0

HSL 49.86, 1%, 0.14%

LAB 25.16, -1.17, 34.18

 

CMYK 0 / 24 / 100 / 79

HEX #362900

RGB 54 41 0

HSL 45.56, 1%, 0.11%

LAB 17.32, 1.3, 25.06

 

CMYK 0 / 38 / 100 / 85

HEX #251700

RGB 37 23 0

HSL 37.3, 1%, 0.07%

LAB 9.04, 4.1, 13.62

 

CMYK 0 / 75 / 100 / 92

HEX #140500

RGB 20 5 0

HSL 15, 1%, 0.04%

LAB 2.32, 4.02, 3.55

 

CMYK 0 / 13 / 88 / 65

HEX #584D0B

RGB 88 77 11

HSL 51.43, 0.78%, 0.19%

LAB 32.72, -3.04, 37.24

 

CMYK 2 / 0 / 88 / 66

HEX #54560A

RGB 84 86 10

HSL 61.58, 0.79%, 0.19%

LAB 35.13, -10.41, 39.48

 

CMYK 16 / 0 / 88 / 66

HEX #48560A

RGB 72 86 10

HSL 71.05, 0.79%, 0.19%

LAB 34.1, -16.24, 38.19

 

CMYK 31 / 0 / 88 / 66

HEX #3B560A

RGB 59 86 10

HSL 81.32, 0.79%, 0.19%

LAB 33.15, -22.21, 36.99

 

CMYK 45 / 0 / 88 / 66

HEX #2F560A

RGB 47 86 10

HSL 90.79, 0.79%, 0.19%

LAB 32.44, -27.18, 36.08

 

CMYK 0 / 13 / 88 / 65

HEX #584D0B

RGB 88 77 11

HSL 51.43, 0.78%, 0.19%

LAB 32.72, -3.04, 37.24

 

CMYK 0 / 12 / 88 / 45

HEX #8B7A11

RGB 139 122 17

HSL 51.64, 0.78%, 0.31%

LAB 51.21, -4.12, 53.2

 

CMYK 0 / 13 / 87 / 25

HEX #BEA618

RGB 190 166 24

HSL 51.33, 0.78%, 0.42%

LAB 68.23, -4.56, 67.43

 

CMYK 0 / 12 / 88 / 5

HEX #F1D31E

RGB 241 211 30

HSL 51.47, 0.88%, 0.53%

LAB 84.68, -5.52, 81.3

 

CMYK 0 / 14 / 86 / 85

HEX #252005

RGB 37 32 5

HSL 50.63, 0.76%, 0.08%

LAB 12.2, -1.78, 16

 

CMYK 0 / 13 / 88 / 65

HEX #584D0B

RGB 88 77 11

HSL 51.43, 0.78%, 0.19%

LAB 32.72, -3.04, 37.24

 

CMYK 88 / 0 / 84 / 66

HEX #0A560E

RGB 10 86 14

HSL 123.16, 0.79%, 0.19%

LAB 31.24, -36.74, 33.15

 

CMYK 49 / 88 / 0 / 66

HEX #2C0A56

RGB 44 10 86

HSL 266.84, 0.79%, 0.19%

LAB 12.12, 33.71, -38.41

 

CMYK 0 / 13 / 88 / 65

HEX #584D0B

RGB 88 77 11

HSL 51.43, 0.78%, 0.19%

LAB 32.72, -3.04, 37.24

 

CMYK 88 / 0 / 14 / 66

HEX #0A564A

RGB 10 86 74

HSL 170.53, 0.79%, 0.19%

LAB 32.29, -24.77, 0.83

 

CMYK 14 / 88 / 0 / 66

HEX #4A0A56

RGB 74 10 86

HSL 290.53, 0.79%, 0.19%

LAB 17.2, 39.26, -29.92

 

CMYK 0 / 13 / 88 / 65

HEX #584D0B

RGB 88 77 11

HSL 51.43, 0.78%, 0.19%

LAB 32.72, -3.04, 37.24

 

CMYK 88 / 0 / 84 / 66

HEX #0A560E

RGB 10 86 14

HSL 123.16, 0.79%, 0.19%

LAB 31.24, -36.74, 33.15

 

CMYK 88 / 76 / 0 / 66

HEX #0A1556

RGB 10 21 86

HSL 231.32, 0.79%, 0.19%

LAB 11.08, 22.96, -40.23

 

CMYK 0 / 88 / 5 / 66

HEX #560A52

RGB 86 10 82

HSL 303.16, 0.79%, 0.19%

LAB 19.24, 41.12, -23.82

 

CMYK 0 / 13 / 88 / 65

HEX #584D0B

RGB 88 77 11

HSL 51.43, 0.78%, 0.19%

LAB 32.72, -3.04, 37.24

 

CMYK 88 / 0 / 57 / 66

HEX #0A5625

RGB 10 86 37

HSL 141.32, 0.79%, 0.19%

LAB 31.47, -33.85, 22.3

 

CMYK 88 / 76 / 0 / 66

HEX #0A1556

RGB 10 21 86

HSL 231.32, 0.79%, 0.19%

LAB 11.08, 22.96, -40.23

 

CMYK 0 / 88 / 31 / 66

HEX #560A3B

RGB 86 10 59

HSL 321.32, 0.79%, 0.19%

LAB 17.97, 37.57, -9.92

 

Description

Color code: RGB 88 77 11 | qconv.com Color code: RGB 88 77 11 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 77 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 77 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 88 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 88% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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