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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88 72 67 it is the complementary color RGB 167 183 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88 72 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 88 72 67: RGB 93 72 62, RGB 110 90 81, RGB 127 108 100, RGB 144 126 119 and RGB 161 144 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88 72 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 88 72 67: RGB 88 72 67, RGB 71 54 48, RGB 54 36 29, RGB 37 18 10 and RGB 20 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 24 / 65

HEX #584843

RGB 88 72 67

HSL 14.29, 0.14%, 0.3%

LAB 32.07, 5.88, 5.54

 

Complementary color

CMYK 11 / 3 / 0 / 26

HEX #A7B7BC

RGB 167 183 188

HSL 194.29, 0.14%, 0.7%

LAB 73.36, -4.49, -4.43

 

CMYK 0 / 23 / 33 / 64

HEX #5D483E

RGB 93 72 62

HSL 19.35, 0.2%, 0.3%

LAB 32.5, 7.3, 9.41

 

CMYK 0 / 18 / 26 / 57

HEX #6E5A51

RGB 110 90 81

HSL 18.62, 0.15%, 0.37%

LAB 39.95, 6.65, 8.26

 

CMYK 0 / 15 / 21 / 50

HEX #7F6C64

RGB 127 108 100

HSL 17.78, 0.12%, 0.45%

LAB 47.18, 6.12, 7.25

 

CMYK 0 / 13 / 17 / 44

HEX #907E77

RGB 144 126 119

HSL 16.8, 0.1%, 0.52%

LAB 54.22, 5.67, 6.33

 

CMYK 0 / 11 / 14 / 37

HEX #A1908A

RGB 161 144 138

HSL 15.65, 0.11%, 0.59%

LAB 61.1, 5.29, 5.49

 

CMYK 0 / 18 / 24 / 65

HEX #584843

RGB 88 72 67

HSL 14.29, 0.14%, 0.3%

LAB 32.07, 5.88, 5.54

 

CMYK 0 / 24 / 32 / 72

HEX #473630

RGB 71 54 48

HSL 15.65, 0.19%, 0.23%

LAB 24.29, 6.54, 6.67

 

CMYK 0 / 33 / 46 / 79

HEX #36241D

RGB 54 36 29

HSL 16.8, 0.3%, 0.16%

LAB 16.18, 7.45, 8.08

 

CMYK 0 / 51 / 73 / 85

HEX #25120A

RGB 37 18 10

HSL 17.78, 0.57%, 0.09%

LAB 7.66, 8.81, 7.54

 

CMYK 0 / 100 / 100 / 92

HEX #140000

RGB 20 0 0

HSL 0, 1%, 0.04%

LAB 1.34, 6.03, 2.12

 

CMYK 0 / 18 / 24 / 65

HEX #584843

RGB 88 72 67

HSL 14.29, 0.14%, 0.3%

LAB 32.07, 5.88, 5.54

 

CMYK 0 / 15 / 25 / 66

HEX #574A41

RGB 87 74 65

HSL 24.55, 0.14%, 0.3%

LAB 32.49, 3.84, 7.4

 

CMYK 0 / 11 / 25 / 66

HEX #574D41

RGB 87 77 65

HSL 32.73, 0.14%, 0.3%

LAB 33.38, 1.97, 8.65

 

CMYK 0 / 7 / 25 / 66

HEX #575141

RGB 87 81 65

HSL 43.64, 0.14%, 0.3%

LAB 34.59, -0.51, 10.32

 

CMYK 0 / 2 / 25 / 66

HEX #575541

RGB 87 85 65

HSL 54.55, 0.14%, 0.3%

LAB 35.8, -2.95, 11.99

 

CMYK 0 / 18 / 24 / 65

HEX #584843

RGB 88 72 67

HSL 14.29, 0.14%, 0.3%

LAB 32.07, 5.88, 5.54

 

CMYK 0 / 18 / 24 / 45

HEX #8B726A

RGB 139 114 106

HSL 14.55, 0.13%, 0.48%

LAB 50.17, 8.48, 8.11

 

CMYK 0 / 18 / 24 / 25

HEX #BE9B91

RGB 190 155 145

HSL 13.33, 0.26%, 0.66%

LAB 66.85, 11.45, 10.13

 

CMYK 0 / 18 / 24 / 5

HEX #F1C5B7

RGB 241 197 183

HSL 14.48, 0.67%, 0.83%

LAB 82.94, 13.57, 12.9

 

CMYK 0 / 19 / 24 / 85

HEX #251E1C

RGB 37 30 28

HSL 13.33, 0.14%, 0.13%

LAB 12, 2.96, 2.62

 

CMYK 0 / 18 / 24 / 65

HEX #584843

RGB 88 72 67

HSL 14.29, 0.14%, 0.3%

LAB 32.07, 5.88, 5.54

 

CMYK 11 / 0 / 25 / 66

HEX #4D5741

RGB 77 87 65

HSL 87.27, 0.14%, 0.3%

LAB 35.55, -8.47, 11.51

 

CMYK 25 / 21 / 0 / 66

HEX #414557

RGB 65 69 87

HSL 229.09, 0.14%, 0.3%

LAB 29.58, 2.92, -11.25

 

CMYK 0 / 18 / 24 / 65

HEX #584843

RGB 88 72 67

HSL 14.29, 0.14%, 0.3%

LAB 32.07, 5.88, 5.54

 

CMYK 25 / 0 / 20 / 66

HEX #415746

RGB 65 87 70

HSL 133.64, 0.14%, 0.3%

LAB 34.77, -12.34, 7.18

 

CMYK 20 / 25 / 0 / 66

HEX #464157

RGB 70 65 87

HSL 253.64, 0.14%, 0.3%

LAB 28.83, 7.36, -12.36

 

CMYK 0 / 18 / 24 / 65

HEX #584843

RGB 88 72 67

HSL 14.29, 0.14%, 0.3%

LAB 32.07, 5.88, 5.54

 

CMYK 11 / 0 / 25 / 66

HEX #4D5741

RGB 77 87 65

HSL 87.27, 0.14%, 0.3%

LAB 35.55, -8.47, 11.51

 

CMYK 25 / 6 / 0 / 66

HEX #415257

RGB 65 82 87

HSL 193.64, 0.14%, 0.3%

LAB 33.66, -5.3, -5.11

 

CMYK 14 / 25 / 0 / 66

HEX #4B4157

RGB 75 65 87

HSL 267.27, 0.14%, 0.3%

LAB 29.32, 9.24, -11.56

 

CMYK 0 / 18 / 24 / 65

HEX #584843

RGB 88 72 67

HSL 14.29, 0.14%, 0.3%

LAB 32.07, 5.88, 5.54

 

CMYK 18 / 0 / 25 / 66

HEX #475741

RGB 71 87 65

HSL 103.64, 0.14%, 0.3%

LAB 35.08, -10.97, 10.78

 

CMYK 25 / 6 / 0 / 66

HEX #415257

RGB 65 82 87

HSL 193.64, 0.14%, 0.3%

LAB 33.66, -5.3, -5.11

 

CMYK 7 / 25 / 0 / 66

HEX #514157

RGB 81 65 87

HSL 283.64, 0.14%, 0.3%

LAB 29.96, 11.54, -10.54

 

Description

Color code: RGB 88 72 67 | qconv.com Color code: RGB 88 72 67 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 72 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 72 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 24 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 24% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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