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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88 57 27 it is the complementary color RGB 167 198 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88 57 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 88 57 27: RGB 93 57 22, RGB 110 75 41, RGB 127 93 60, RGB 144 111 79 and RGB 161 129 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88 57 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 88 57 27: RGB 88 57 27, RGB 71 39 8, RGB 54 21 0, RGB 37 3 0 and RGB 20 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 69 / 65

HEX #58391B

RGB 88 57 27

HSL 29.51, 0.53%, 0.23%

LAB 26.96, 10.36, 23.91

 

Complementary color

CMYK 27 / 13 / 0 / 11

HEX #A7C6E4

RGB 167 198 228

HSL 209.51, 0.53%, 0.77%

LAB 78.58, -3.69, -18.31

 

CMYK 0 / 39 / 76 / 64

HEX #5D3916

RGB 93 57 22

HSL 29.58, 0.62%, 0.23%

LAB 27.6, 12.48, 27.65

 

CMYK 0 / 32 / 63 / 57

HEX #6E4B29

RGB 110 75 41

HSL 29.57, 0.46%, 0.3%

LAB 35.02, 10.88, 25.94

 

CMYK 0 / 27 / 53 / 50

HEX #7F5D3C

RGB 127 93 60

HSL 29.55, 0.36%, 0.37%

LAB 42.26, 9.65, 24.3

 

CMYK 0 / 23 / 45 / 44

HEX #906F4F

RGB 144 111 79

HSL 29.54, 0.29%, 0.44%

LAB 49.33, 8.68, 22.81

 

CMYK 0 / 20 / 39 / 37

HEX #A18162

RGB 161 129 98

HSL 29.52, 0.25%, 0.51%

LAB 56.25, 7.89, 21.47

 

CMYK 0 / 35 / 69 / 65

HEX #58391B

RGB 88 57 27

HSL 29.51, 0.53%, 0.23%

LAB 26.96, 10.36, 23.91

 

CMYK 0 / 45 / 89 / 72

HEX #472708

RGB 71 39 8

HSL 29.52, 0.8%, 0.15%

LAB 19.26, 12.25, 24.7

 

CMYK 0 / 61 / 100 / 79

HEX #361500

RGB 54 21 0

HSL 23.33, 1%, 0.11%

LAB 11.42, 14.83, 17.39

 

CMYK 0 / 92 / 100 / 85

HEX #250300

RGB 37 3 0

HSL 4.86, 1%, 0.07%

LAB 4.14, 14.74, 6.47

 

CMYK 0 / 100 / 100 / 92

HEX #140000

RGB 20 0 0

HSL 0, 1%, 0.04%

LAB 1.34, 6.03, 2.12

 

CMYK 0 / 35 / 69 / 65

HEX #58391B

RGB 88 57 27

HSL 29.51, 0.53%, 0.23%

LAB 26.96, 10.36, 23.91

 

CMYK 0 / 25 / 70 / 65

HEX #59431B

RGB 89 67 27

HSL 38.71, 0.53%, 0.23%

LAB 29.95, 4.54, 27.32

 

CMYK 0 / 12 / 70 / 65

HEX #594E1B

RGB 89 78 27

HSL 49.35, 0.53%, 0.23%

LAB 33.25, -2.27, 30.91

 

CMYK 0 / 1 / 70 / 65

HEX #59581B

RGB 89 88 27

HSL 59.03, 0.53%, 0.23%

LAB 36.33, -8.22, 34.17

 

CMYK 10 / 0 / 70 / 65

HEX #50591B

RGB 80 89 27

HSL 68.71, 0.53%, 0.23%

LAB 35.85, -13.12, 33.42

 

CMYK 0 / 35 / 69 / 65

HEX #58391B

RGB 88 57 27

HSL 29.51, 0.53%, 0.23%

LAB 26.96, 10.36, 23.91

 

CMYK 0 / 35 / 69 / 45

HEX #8B5A2B

RGB 139 90 43

HSL 29.38, 0.53%, 0.36%

LAB 42.73, 15.5, 34.69

 

CMYK 0 / 35 / 69 / 25

HEX #BE7B3A

RGB 190 123 58

HSL 29.55, 0.53%, 0.49%

LAB 57.48, 20.2, 45.16

 

CMYK 0 / 35 / 69 / 5

HEX #F19C4A

RGB 241 156 74

HSL 29.46, 0.86%, 0.62%

LAB 71.54, 24.7, 54.59

 

CMYK 0 / 35 / 70 / 85

HEX #25180B

RGB 37 24 11

HSL 30, 0.54%, 0.09%

LAB 9.57, 4.58, 9.88

 

CMYK 0 / 35 / 69 / 65

HEX #58391B

RGB 88 57 27

HSL 29.51, 0.53%, 0.23%

LAB 26.96, 10.36, 23.91

 

CMYK 47 / 0 / 70 / 65

HEX #2F591B

RGB 47 89 27

HSL 100.65, 0.53%, 0.23%

LAB 33.62, -27.26, 30.37

 

CMYK 64 / 70 / 0 / 65

HEX #201B59

RGB 32 27 89

HSL 244.84, 0.53%, 0.23%

LAB 14.47, 22.92, -36.65

 

CMYK 0 / 35 / 69 / 65

HEX #58391B

RGB 88 57 27

HSL 29.51, 0.53%, 0.23%

LAB 26.96, 10.36, 23.91

 

CMYK 70 / 0 / 36 / 65

HEX #1B5939

RGB 27 89 57

HSL 149.03, 0.53%, 0.23%

LAB 33.29, -28.13, 12.89

 

CMYK 36 / 70 / 0 / 65

HEX #391B59

RGB 57 27 89

HSL 269.03, 0.53%, 0.23%

LAB 17.34, 28.47, -31.85

 

CMYK 0 / 35 / 69 / 65

HEX #58391B

RGB 88 57 27

HSL 29.51, 0.53%, 0.23%

LAB 26.96, 10.36, 23.91

 

CMYK 47 / 0 / 70 / 65

HEX #2F591B

RGB 47 89 27

HSL 100.65, 0.53%, 0.23%

LAB 33.62, -27.26, 30.37

 

CMYK 70 / 34 / 0 / 65

HEX #1B3B59

RGB 27 59 89

HSL 209.03, 0.53%, 0.23%

LAB 23.94, -0.91, -21.48

 

CMYK 21 / 70 / 0 / 65

HEX #461B59

RGB 70 27 89

HSL 281.61, 0.53%, 0.23%

LAB 19.25, 31.83, -28.68

 

CMYK 0 / 35 / 69 / 65

HEX #58391B

RGB 88 57 27

HSL 29.51, 0.53%, 0.23%

LAB 26.96, 10.36, 23.91

 

CMYK 69 / 0 / 70 / 65

HEX #1C591B

RGB 28 89 27

HSL 119.03, 0.53%, 0.23%

LAB 32.86, -33.13, 29.31

 

CMYK 70 / 34 / 0 / 65

HEX #1B3B59

RGB 27 59 89

HSL 209.03, 0.53%, 0.23%

LAB 23.94, -0.91, -21.48

 

CMYK 1 / 70 / 0 / 65

HEX #581B59

RGB 88 27 89

HSL 299.03, 0.53%, 0.23%

LAB 22.23, 36.7, -23.76

 

Description

Color code: RGB 88 57 27 | qconv.com Color code: RGB 88 57 27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 57 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 57 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 69 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 69% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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