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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88 24 131 it is the complementary color RGB 167 231 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88 24 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 88 24 131: RGB 93 24 126, RGB 110 42 145, RGB 127 60 164, RGB 144 78 183 and RGB 161 96 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88 24 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 88 24 131: RGB 88 24 131, RGB 71 6 112, RGB 54 0 93, RGB 37 0 74 and RGB 20 0 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 82 / 0 / 49

HEX #581883

RGB 88 24 131

HSL 275.89, 0.69%, 0.3%

LAB 24.85, 47.07, -46.7

 

Complementary color

CMYK 28 / 0 / 46 / 9

HEX #A7E77C

RGB 167 231 124

HSL 95.89, 0.69%, 0.7%

LAB 85.41, -38.54, 45.54

 

CMYK 26 / 81 / 0 / 51

HEX #5D187E

RGB 93 24 126

HSL 280.59, 0.68%, 0.29%

LAB 25.22, 46.86, -42.91

 

CMYK 24 / 71 / 0 / 43

HEX #6E2A91

RGB 110 42 145

HSL 279.61, 0.55%, 0.37%

LAB 31.84, 47.17, -43.92

 

CMYK 23 / 63 / 0 / 36

HEX #7F3CA4

RGB 127 60 164

HSL 278.65, 0.46%, 0.44%

LAB 38.59, 46.78, -44.47

 

CMYK 21 / 57 / 0 / 28

HEX #904EB7

RGB 144 78 183

HSL 277.71, 0.42%, 0.51%

LAB 45.35, 46.09, -44.78

 

CMYK 20 / 52 / 0 / 21

HEX #A160CA

RGB 161 96 202

HSL 276.79, 0.5%, 0.58%

LAB 52.07, 45.28, -44.97

 

CMYK 33 / 82 / 0 / 49

HEX #581883

RGB 88 24 131

HSL 275.89, 0.69%, 0.3%

LAB 24.85, 47.07, -46.7

 

CMYK 37 / 95 / 0 / 56

HEX #470670

RGB 71 6 112

HSL 276.79, 0.9%, 0.23%

LAB 18.54, 45.55, -44.98

 

CMYK 42 / 100 / 0 / 64

HEX #36005D

RGB 54 0 93

HSL 274.84, 1%, 0.18%

LAB 13.07, 40.98, -41.52

 

CMYK 50 / 100 / 0 / 71

HEX #25004A

RGB 37 0 74

HSL 270, 1%, 0.15%

LAB 8.02, 34.49, -36.93

 

CMYK 64 / 100 / 0 / 78

HEX #140037

RGB 20 0 55

HSL 261.82, 1%, 0.11%

LAB 3.83, 23.26, -30.26

 

CMYK 33 / 82 / 0 / 49

HEX #581883

RGB 88 24 131

HSL 275.89, 0.69%, 0.3%

LAB 24.85, 47.07, -46.7

 

CMYK 21 / 82 / 0 / 49

HEX #661781

RGB 102 23 129

HSL 284.72, 0.7%, 0.3%

LAB 26.8, 49.57, -42.17

 

CMYK 7 / 82 / 0 / 49

HEX #781781

RGB 120 23 129

HSL 294.91, 0.7%, 0.3%

LAB 29.89, 53.14, -37.04

 

CMYK 0 / 82 / 7 / 49

HEX #811778

RGB 129 23 120

HSL 305.09, 0.7%, 0.3%

LAB 30.96, 53.52, -29.56

 

CMYK 0 / 82 / 21 / 49

HEX #811766

RGB 129 23 102

HSL 315.28, 0.7%, 0.3%

LAB 30.01, 50.82, -19.55

 

CMYK 33 / 82 / 0 / 49

HEX #581883

RGB 88 24 131

HSL 275.89, 0.69%, 0.3%

LAB 24.85, 47.07, -46.7

 

CMYK 33 / 82 / 0 / 29

HEX #7A21B6

RGB 122 33 182

HSL 275.84, 0.69%, 0.42%

LAB 35.21, 61.06, -60.71

 

CMYK 33 / 82 / 0 / 9

HEX #9D2BE9

RGB 157 43 233

HSL 276, 0.81%, 0.54%

LAB 45.33, 74.09, -73.51

 

CMYK 34 / 83 / 0 / 89

HEX #13051D

RGB 19 5 29

HSL 275, 0.71%, 0.07%

LAB 3.03, 9.24, -11.67

 

CMYK 33 / 81 / 0 / 69

HEX #360F50

RGB 54 15 80

HSL 276, 0.68%, 0.19%

LAB 13.86, 31.74, -31.42

 

CMYK 33 / 82 / 0 / 49

HEX #581883

RGB 88 24 131

HSL 275.89, 0.69%, 0.3%

LAB 24.85, 47.07, -46.7

 

CMYK 0 / 82 / 64 / 49

HEX #81172E

RGB 129 23 46

HSL 346.98, 0.7%, 0.3%

LAB 28.05, 44.99, 14.73

 

CMYK 82 / 0 / 67 / 49

HEX #17812B

RGB 23 129 43

HSL 131.32, 0.7%, 0.3%

LAB 47.05, -46.95, 37.42

 

CMYK 33 / 82 / 0 / 49

HEX #581883

RGB 88 24 131

HSL 275.89, 0.69%, 0.3%

LAB 24.85, 47.07, -46.7

 

CMYK 0 / 34 / 82 / 49

HEX #815517

RGB 129 85 23

HSL 35.09, 0.7%, 0.3%

LAB 39.96, 12.77, 41.03

 

CMYK 82 / 0 / 34 / 49

HEX #178155

RGB 23 129 85

HSL 155.09, 0.7%, 0.3%

LAB 47.67, -39.65, 15.88

 

CMYK 33 / 82 / 0 / 49

HEX #581883

RGB 88 24 131

HSL 275.89, 0.69%, 0.3%

LAB 24.85, 47.07, -46.7

 

CMYK 0 / 82 / 64 / 49

HEX #81172E

RGB 129 23 46

HSL 346.98, 0.7%, 0.3%

LAB 28.05, 44.99, 14.73

 

CMYK 48 / 0 / 82 / 49

HEX #438117

RGB 67 129 23

HSL 95.09, 0.7%, 0.3%

LAB 48.2, -38.21, 46.87

 

CMYK 82 / 0 / 18 / 49

HEX #17816A

RGB 23 129 106

HSL 166.98, 0.7%, 0.3%

LAB 48.16, -34.35, 4.36

 

CMYK 33 / 82 / 0 / 49

HEX #581883

RGB 88 24 131

HSL 275.89, 0.69%, 0.3%

LAB 24.85, 47.07, -46.7

 

CMYK 0 / 75 / 82 / 49

HEX #812017

RGB 129 32 23

HSL 5.09, 0.7%, 0.3%

LAB 28.8, 40.73, 30.28

 

CMYK 48 / 0 / 82 / 49

HEX #438117

RGB 67 129 23

HSL 95.09, 0.7%, 0.3%

LAB 48.2, -38.21, 46.87

 

CMYK 82 / 7 / 0 / 49

HEX #177881

RGB 23 120 129

HSL 185.09, 0.7%, 0.3%

LAB 45.91, -22.94, -12.58

 

Description

Color code: RGB 88 24 131 | qconv.com Color code: RGB 88 24 131 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 24 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 24 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 82 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 82% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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