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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 55 64 it is the complementary color RGB 168 200 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 55 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 87 55 64: RGB 92 55 59, RGB 109 73 78, RGB 126 91 97, RGB 143 109 116 and RGB 160 127 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 55 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 87 55 64: RGB 87 55 64, RGB 70 37 45, RGB 53 19 26, RGB 36 1 7 and RGB 19 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 26 / 66

HEX #573740

RGB 87 55 64

HSL 343.13, 0.23%, 0.28%

LAB 27.1, 15.74, 0.32

 

Complementary color

CMYK 16 / 0 / 5 / 22

HEX #A8C8BF

RGB 168 200 191

HSL 163.13, 0.23%, 0.72%

LAB 78.11, -12.49, 0.91

 

CMYK 0 / 40 / 36 / 64

HEX #5C373B

RGB 92 55 59

HSL 353.51, 0.25%, 0.29%

LAB 27.64, 17.1, 4.49

 

CMYK 0 / 33 / 28 / 57

HEX #6D494E

RGB 109 73 78

HSL 351.67, 0.2%, 0.36%

LAB 35.14, 16.14, 3.26

 

CMYK 0 / 28 / 23 / 51

HEX #7E5B61

RGB 126 91 97

HSL 349.71, 0.16%, 0.43%

LAB 42.43, 15.32, 2.23

 

CMYK 0 / 24 / 19 / 44

HEX #8F6D74

RGB 143 109 116

HSL 347.65, 0.13%, 0.49%

LAB 49.54, 14.63, 1.33

 

CMYK 0 / 21 / 16 / 37

HEX #A07F87

RGB 160 127 135

HSL 345.45, 0.15%, 0.56%

LAB 56.49, 14.03, 0.52

 

CMYK 0 / 37 / 26 / 66

HEX #573740

RGB 87 55 64

HSL 343.13, 0.23%, 0.28%

LAB 27.1, 15.74, 0.32

 

CMYK 0 / 47 / 36 / 73

HEX #46252D

RGB 70 37 45

HSL 345.45, 0.31%, 0.21%

LAB 19.29, 16.76, 1.57

 

CMYK 0 / 64 / 51 / 79

HEX #35131A

RGB 53 19 26

HSL 347.65, 0.47%, 0.14%

LAB 11.26, 17.92, 3.39

 

CMYK 0 / 97 / 81 / 86

HEX #240107

RGB 36 1 7

HSL 349.71, 0.95%, 0.07%

LAB 3.72, 15.77, 2.99

 

CMYK 0 / 100 / 100 / 93

HEX #130000

RGB 19 0 0

HSL 0, 1%, 0.04%

LAB 1.25, 5.61, 1.98

 

CMYK 0 / 37 / 26 / 66

HEX #573740

RGB 87 55 64

HSL 343.13, 0.23%, 0.28%

LAB 27.1, 15.74, 0.32

 

CMYK 0 / 38 / 33 / 66

HEX #57363A

RGB 87 54 58

HSL 352.73, 0.23%, 0.28%

LAB 26.65, 15.4, 3.65

 

CMYK 0 / 36 / 38 / 66

HEX #573836

RGB 87 56 54

HSL 3.64, 0.23%, 0.28%

LAB 27.08, 13.53, 6.9

 

CMYK 0 / 29 / 38 / 66

HEX #573E36

RGB 87 62 54

HSL 14.55, 0.23%, 0.28%

LAB 28.74, 9.7, 9.22

 

CMYK 0 / 23 / 38 / 66

HEX #574336

RGB 87 67 54

HSL 23.64, 0.23%, 0.28%

LAB 30.17, 6.52, 11.19

 

CMYK 0 / 37 / 26 / 66

HEX #573740

RGB 87 55 64

HSL 343.13, 0.23%, 0.28%

LAB 27.1, 15.74, 0.32

 

CMYK 0 / 37 / 26 / 46

HEX #8A5766

RGB 138 87 102

HSL 342.35, 0.23%, 0.44%

LAB 43.03, 23.28, 0.22

 

CMYK 0 / 37 / 26 / 26

HEX #BD778B

RGB 189 119 139

HSL 342.86, 0.35%, 0.6%

LAB 57.92, 30.1, 0.69

 

CMYK 0 / 37 / 26 / 6

HEX #F098B1

RGB 240 152 177

HSL 342.95, 0.75%, 0.77%

LAB 72.33, 36.16, 0.92

 

CMYK 0 / 36 / 28 / 86

HEX #24171A

RGB 36 23 26

HSL 346.15, 0.22%, 0.12%

LAB 9.5, 7.16, 0.5

 

CMYK 0 / 37 / 26 / 66

HEX #573740

RGB 87 55 64

HSL 343.13, 0.23%, 0.28%

LAB 27.1, 15.74, 0.32

 

CMYK 0 / 2 / 38 / 66

HEX #575536

RGB 87 85 54

HSL 56.36, 0.23%, 0.28%

LAB 35.58, -4.61, 18.4

 

CMYK 38 / 11 / 0 / 66

HEX #364D57

RGB 54 77 87

HSL 198.18, 0.23%, 0.28%

LAB 31.3, -5.96, -8.73

 

CMYK 0 / 37 / 26 / 66

HEX #573740

RGB 87 55 64

HSL 343.13, 0.23%, 0.28%

LAB 27.1, 15.74, 0.32

 

CMYK 26 / 0 / 38 / 66

HEX #405736

RGB 64 87 54

HSL 101.82, 0.23%, 0.28%

LAB 34.34, -15.83, 16.43

 

CMYK 38 / 26 / 0 / 66

HEX #364057

RGB 54 64 87

HSL 221.82, 0.23%, 0.28%

LAB 27.13, 2.38, -15.09

 

CMYK 0 / 37 / 26 / 66

HEX #573740

RGB 87 55 64

HSL 343.13, 0.23%, 0.28%

LAB 27.1, 15.74, 0.32

 

CMYK 0 / 2 / 38 / 66

HEX #575536

RGB 87 85 54

HSL 56.36, 0.23%, 0.28%

LAB 35.58, -4.61, 18.4

 

CMYK 38 / 0 / 10 / 66

HEX #36574E

RGB 54 87 78

HSL 163.64, 0.23%, 0.28%

LAB 34.29, -14.39, 1.41

 

CMYK 38 / 34 / 0 / 66

HEX #363957

RGB 54 57 87

HSL 234.55, 0.23%, 0.28%

LAB 24.95, 7.09, -18.47

 

CMYK 0 / 37 / 26 / 66

HEX #573740

RGB 87 55 64

HSL 343.13, 0.23%, 0.28%

LAB 27.1, 15.74, 0.32

 

CMYK 8 / 0 / 38 / 66

HEX #505736

RGB 80 87 54

HSL 72.73, 0.23%, 0.28%

LAB 35.57, -8.97, 18.28

 

CMYK 38 / 0 / 10 / 66

HEX #36574E

RGB 54 87 78

HSL 163.64, 0.23%, 0.28%

LAB 34.29, -14.39, 1.41

 

CMYK 29 / 38 / 0 / 66

HEX #3E3657

RGB 62 54 87

HSL 254.55, 0.23%, 0.28%

LAB 24.8, 11.82, -18.65

 

Description

Color code: RGB 87 55 64 | qconv.com Color code: RGB 87 55 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 55 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 55 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 26 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 26% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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