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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 35 100 it is the complementary color RGB 168 220 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 35 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 87 35 100: RGB 92 35 95, RGB 109 53 114, RGB 126 71 133, RGB 143 89 152 and RGB 160 107 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 35 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 87 35 100: RGB 87 35 100, RGB 70 17 81, RGB 53 0 62, RGB 36 0 43 and RGB 19 0 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 65 / 0 / 61

HEX #572364

RGB 87 35 100

HSL 288, 0.48%, 0.26%

LAB 24.16, 34.8, -27.96

 

Complementary color

CMYK 24 / 0 / 30 / 14

HEX #A8DC9B

RGB 168 220 155

HSL 108, 0.48%, 0.74%

LAB 82.85, -28.85, 26.66

 

CMYK 3 / 63 / 0 / 63

HEX #5C235F

RGB 92 35 95

HSL 297, 0.46%, 0.25%

LAB 24.65, 35.16, -23.86

 

CMYK 4 / 54 / 0 / 55

HEX #6D3572

RGB 109 53 114

HSL 295.08, 0.37%, 0.33%

LAB 31.83, 34.62, -24.61

 

CMYK 5 / 47 / 0 / 48

HEX #7E4785

RGB 126 71 133

HSL 293.23, 0.3%, 0.4%

LAB 38.96, 33.85, -25.12

 

CMYK 6 / 41 / 0 / 40

HEX #8F5998

RGB 143 89 152

HSL 291.43, 0.26%, 0.47%

LAB 45.98, 33.04, -25.51

 

CMYK 6 / 37 / 0 / 33

HEX #A06BAB

RGB 160 107 171

HSL 289.69, 0.28%, 0.55%

LAB 52.87, 32.25, -25.84

 

CMYK 13 / 65 / 0 / 61

HEX #572364

RGB 87 35 100

HSL 288, 0.48%, 0.26%

LAB 24.16, 34.8, -27.96

 

CMYK 14 / 79 / 0 / 68

HEX #461151

RGB 70 17 81

HSL 289.69, 0.65%, 0.19%

LAB 16.97, 34.8, -26.93

 

CMYK 15 / 100 / 0 / 76

HEX #35003E

RGB 53 0 62

HSL 291.29, 1%, 0.12%

LAB 9.83, 34.05, -25.35

 

CMYK 16 / 100 / 0 / 83

HEX #24002B

RGB 36 0 43

HSL 290.23, 1%, 0.08%

LAB 4.96, 24.88, -19.38

 

CMYK 21 / 100 / 0 / 91

HEX #130018

RGB 19 0 24

HSL 287.5, 1%, 0.05%

LAB 1.85, 9.8, -9.41

 

CMYK 13 / 65 / 0 / 61

HEX #572364

RGB 87 35 100

HSL 288, 0.48%, 0.26%

LAB 24.16, 34.8, -27.96

 

CMYK 2 / 65 / 0 / 62

HEX #602262

RGB 96 34 98

HSL 298.13, 0.48%, 0.26%

LAB 25.3, 37.4, -24.75

 

CMYK 0 / 65 / 9 / 62

HEX #622259

RGB 98 34 89

HSL 308.44, 0.48%, 0.26%

LAB 25.14, 36.28, -19.06

 

CMYK 0 / 65 / 19 / 62

HEX #62224F

RGB 98 34 79

HSL 317.81, 0.48%, 0.26%

LAB 24.66, 34.54, -13.17

 

CMYK 0 / 65 / 31 / 62

HEX #622244

RGB 98 34 68

HSL 328.13, 0.48%, 0.26%

LAB 24.19, 32.83, -6.48

 

CMYK 13 / 65 / 0 / 61

HEX #572364

RGB 87 35 100

HSL 288, 0.48%, 0.26%

LAB 24.16, 34.8, -27.96

 

CMYK 13 / 65 / 0 / 41

HEX #833597

RGB 131 53 151

HSL 287.76, 0.48%, 0.4%

LAB 37.13, 48.34, -38.95

 

CMYK 13 / 65 / 0 / 21

HEX #B047CA

RGB 176 71 202

HSL 288.09, 0.55%, 0.54%

LAB 49.5, 61.19, -48.95

 

CMYK 13 / 65 / 0 / 1

HEX #DC59FD

RGB 220 89 253

HSL 287.93, 0.98%, 0.67%

LAB 61.18, 73.15, -58.67

 

CMYK 12 / 65 / 0 / 81

HEX #2B1131

RGB 43 17 49

HSL 288.75, 0.48%, 0.13%

LAB 10.08, 19.65, -15.66

 

CMYK 13 / 65 / 0 / 61

HEX #572364

RGB 87 35 100

HSL 288, 0.48%, 0.26%

LAB 24.16, 34.8, -27.96

 

CMYK 0 / 65 / 65 / 62

HEX #622222

RGB 98 34 34

HSL 0, 0.48%, 0.26%

LAB 23.19, 29.03, 15.27

 

CMYK 65 / 0 / 40 / 62

HEX #22623B

RGB 34 98 59

HSL 143.44, 0.48%, 0.26%

LAB 36.73, -30.23, 16.34

 

CMYK 13 / 65 / 0 / 61

HEX #572364

RGB 87 35 100

HSL 288, 0.48%, 0.26%

LAB 24.16, 34.8, -27.96

 

CMYK 0 / 13 / 65 / 62

HEX #625522

RGB 98 85 34

HSL 47.81, 0.48%, 0.26%

LAB 36.38, -1.55, 31.01

 

CMYK 65 / 0 / 13 / 62

HEX #226255

RGB 34 98 85

HSL 167.81, 0.48%, 0.26%

LAB 37.36, -23.78, 1.39

 

CMYK 13 / 65 / 0 / 61

HEX #572364

RGB 87 35 100

HSL 288, 0.48%, 0.26%

LAB 24.16, 34.8, -27.96

 

CMYK 0 / 65 / 65 / 62

HEX #622222

RGB 98 34 34

HSL 0, 0.48%, 0.26%

LAB 23.19, 29.03, 15.27

 

CMYK 52 / 0 / 65 / 62

HEX #2F6222

RGB 47 98 34

HSL 107.81, 0.48%, 0.26%

LAB 36.85, -30.61, 30.5

 

CMYK 65 / 0 / 0 / 62

HEX #226262

RGB 34 98 98

HSL 180, 0.48%, 0.26%

LAB 37.77, -19.88, -6.02

 

CMYK 13 / 65 / 0 / 61

HEX #572364

RGB 87 35 100

HSL 288, 0.48%, 0.26%

LAB 24.16, 34.8, -27.96

 

CMYK 0 / 46 / 65 / 62

HEX #623522

RGB 98 53 34

HSL 17.81, 0.48%, 0.26%

LAB 27.46, 18.18, 20.62

 

CMYK 52 / 0 / 65 / 62

HEX #2F6222

RGB 47 98 34

HSL 107.81, 0.48%, 0.26%

LAB 36.85, -30.61, 30.5

 

CMYK 65 / 19 / 0 / 62

HEX #224F62

RGB 34 79 98

HSL 197.81, 0.48%, 0.26%

LAB 31.38, -8.97, -15.7

 

Description

Color code: RGB 87 35 100 | qconv.com Color code: RGB 87 35 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 35 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 35 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 65 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 65% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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