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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 255 40 it is the complementary color RGB 168 0 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 255 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 87 255 40: RGB 92 255 35, RGB 109 255 54, RGB 126 255 73, RGB 143 255 92 and RGB 160 255 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 255 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 87 255 40: RGB 87 255 40, RGB 70 237 21, RGB 53 219 2, RGB 36 201 0 and RGB 19 183 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 84 / 0

HEX #57FF28

RGB 87 255 40

HSL 106.88, 1%, 0.58%

LAB 88.78, -76.72, 79.42

 

Complementary color

CMYK 22 / 100 / 0 / 16

HEX #A800D7

RGB 168 0 215

HSL 286.88, 1%, 0.42%

LAB 43.11, 79.54, -66.79

 

CMYK 64 / 0 / 86 / 0

HEX #5CFF23

RGB 92 255 35

HSL 104.45, 1%, 0.57%

LAB 88.88, -75.9, 80.56

 

CMYK 57 / 0 / 79 / 0

HEX #6DFF36

RGB 109 255 54

HSL 103.58, 1%, 0.61%

LAB 89.41, -71.32, 76.82

 

CMYK 51 / 0 / 71 / 0

HEX #7EFF49

RGB 126 255 73

HSL 102.53, 1%, 0.64%

LAB 90.06, -65.84, 71.78

 

CMYK 44 / 0 / 64 / 0

HEX #8FFF5C

RGB 143 255 92

HSL 101.23, 1%, 0.68%

LAB 90.84, -59.55, 65.75

 

CMYK 37 / 0 / 56 / 0

HEX #A0FF6F

RGB 160 255 111

HSL 99.58, 1%, 0.72%

LAB 91.75, -52.56, 59.03

 

CMYK 66 / 0 / 84 / 0

HEX #57FF28

RGB 87 255 40

HSL 106.88, 1%, 0.58%

LAB 88.78, -76.72, 79.42

 

CMYK 70 / 0 / 91 / 7

HEX #46ED15

RGB 70 237 21

HSL 106.39, 0.86%, 0.51%

LAB 82.87, -74.95, 77.53

 

CMYK 76 / 0 / 99 / 14

HEX #35DB02

RGB 53 219 2

HSL 105.9, 0.98%, 0.43%

LAB 76.94, -72.67, 74.52

 

CMYK 82 / 0 / 100 / 21

HEX #24C900

RGB 36 201 0

HSL 109.25, 1%, 0.39%

LAB 70.97, -69.69, 69.85

 

CMYK 90 / 0 / 100 / 28

HEX #13B700

RGB 19 183 0

HSL 113.77, 1%, 0.36%

LAB 64.97, -66.17, 64.97

 

CMYK 66 / 0 / 84 / 0

HEX #57FF28

RGB 87 255 40

HSL 106.88, 1%, 0.58%

LAB 88.78, -76.72, 79.42

 

CMYK 78 / 0 / 84 / 0

HEX #37FF28

RGB 55 255 40

HSL 115.81, 1%, 0.58%

LAB 88.2, -81.71, 78.69

 

CMYK 84 / 0 / 76 / 0

HEX #28FF3E

RGB 40 255 62

HSL 126.14, 1%, 0.58%

LAB 88.12, -82.07, 72.81

 

CMYK 84 / 0 / 62 / 0

HEX #28FF61

RGB 40 255 97

HSL 135.91, 1%, 0.58%

LAB 88.37, -78.98, 60.28

 

CMYK 84 / 0 / 48 / 0

HEX #28FF85

RGB 40 255 133

HSL 145.95, 1%, 0.58%

LAB 88.76, -74.18, 44.6

 

CMYK 66 / 0 / 84 / 0

HEX #57FF28

RGB 87 255 40

HSL 106.88, 1%, 0.58%

LAB 88.78, -76.72, 79.42

 

CMYK 67 / 0 / 84 / 80

HEX #113308

RGB 17 51 8

HSL 107.44, 0.73%, 0.12%

LAB 17.94, -22.03, 21.83

 

CMYK 66 / 0 / 84 / 60

HEX #236610

RGB 35 102 16

HSL 106.74, 0.73%, 0.23%

LAB 37.66, -37.44, 38.8

 

CMYK 66 / 0 / 84 / 40

HEX #349918

RGB 52 153 24

HSL 106.98, 0.73%, 0.35%

LAB 55.66, -51.46, 53.24

 

CMYK 66 / 0 / 84 / 20

HEX #46CC20

RGB 70 204 32

HSL 106.74, 0.73%, 0.46%

LAB 72.62, -64.31, 66.69

 

CMYK 66 / 0 / 84 / 0

HEX #57FF28

RGB 87 255 40

HSL 106.88, 1%, 0.58%

LAB 88.78, -76.72, 79.42

 

CMYK 84 / 0 / 3 / 0

HEX #28FFF7

RGB 40 255 247

HSL 177.77, 1%, 0.58%

LAB 91.09, -48.97, -10

 

CMYK 0 / 84 / 31 / 0

HEX #FF28B0

RGB 255 40 176

HSL 322.05, 1%, 0.58%

LAB 57.95, 84.42, -19.74

 

CMYK 66 / 0 / 84 / 0

HEX #57FF28

RGB 87 255 40

HSL 106.88, 1%, 0.58%

LAB 88.78, -76.72, 79.42

 

CMYK 84 / 65 / 0 / 0

HEX #285AFF

RGB 40 90 255

HSL 226.05, 1%, 0.58%

LAB 45.61, 44.11, -85.76

 

CMYK 0 / 84 / 65 / 0

HEX #FF285A

RGB 255 40 90

HSL 346.05, 1%, 0.58%

LAB 55.6, 77.71, 27.82

 

CMYK 66 / 0 / 84 / 0

HEX #57FF28

RGB 87 255 40

HSL 106.88, 1%, 0.58%

LAB 88.78, -76.72, 79.42

 

CMYK 84 / 0 / 3 / 0

HEX #28FFF7

RGB 40 255 247

HSL 177.77, 1%, 0.58%

LAB 91.09, -48.97, -10

 

CMYK 20 / 84 / 0 / 0

HEX #CD28FF

RGB 205 40 255

HSL 286.05, 1%, 0.58%

LAB 53.73, 86.21, -71.88

 

CMYK 0 / 84 / 82 / 0

HEX #FF282F

RGB 255 40 47

HSL 358.05, 1%, 0.58%

LAB 55.05, 76.11, 51.44

 

CMYK 66 / 0 / 84 / 0

HEX #57FF28

RGB 87 255 40

HSL 106.88, 1%, 0.58%

LAB 88.78, -76.72, 79.42

 

CMYK 84 / 23 / 0 / 0

HEX #28C5FF

RGB 40 197 255

HSL 196.19, 1%, 0.58%

LAB 74.57, -19.21, -39.37

 

CMYK 20 / 84 / 0 / 0

HEX #CD28FF

RGB 205 40 255

HSL 286.05, 1%, 0.58%

LAB 53.73, 86.21, -71.88

 

CMYK 0 / 62 / 84 / 0

HEX #FF6128

RGB 255 97 40

HSL 15.91, 1%, 0.58%

LAB 61.62, 57.69, 60.48

 

Description

Color code: RGB 87 255 40 | qconv.com Color code: RGB 87 255 40 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 255 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 255 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 84 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 84% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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