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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 180.4 200.4 it is the complementary color RGB 168 74.6 54.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 180.4 200.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 180.4 200.4 shade: RGB 92 180.4 195.4, RGB 109 198.4 214.4, RGB 126 216.4 233.4, RGB 143 234.4 252.4 and RGB 160 252.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 180.4 200.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 180.4 200.4 shade: RGB 87 180.4 200.4, RGB 70 162.4 181.4, RGB 53 144.4 162.4, RGB 36 126.4 143.4 and RGB 19 108.4 124.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 180.4 200.4 shade: RGB 86 180 200, RGB 86 149 200, RGB 86 118 200, RGB 86 87 200 and RGB 115 86 200

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 180.4 200.4 shade: RGB 86 180 200, RGB 86 149 200, RGB 86 118 200, RGB 86 87 200 and RGB 86 86 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 180.4 200.4 shade matches the following richer shades: RGB 86 180 200, RGB 67 192 218, RGB 49 203 236 and RGB 31 215 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 180.4 200.4 shade: RGB 86 180 200, RGB 104 168 182, RGB 122 156 164, RGB 140 145 146 and RGB 158 133 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 180.4 200.4 shade: RGB 86 200 158, RGB 86 200 189, RGB 86 181 200, RGB 86 150 200 and RGB 86 120 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 180.4 200.4 shade: RGB 50 135 153, RGB 60 163 184, RGB 86 180 200, RGB 117 194 210 and RGB 148 207 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 180.4 200.4 shade: RGB 87 180.4 200.4, RGB 128 86 200 and RGB 200 173 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 180.4 200.4 shade: RGB 87 180.4 200.4, RGB 200 86 181 and RGB 181 200 86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 180.4 200.4 shade: RGB 87 180.4 200.4, RGB 128 86 200, RGB 200 105 86 and RGB 158 200 86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 180.4 200.4 shade: RGB 87 180.4 200.4, RGB 162 86 200, RGB 200 105 86 and RGB 124 200 86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 10 / 0 / 21

HEX #57B4C8

RGB 87 180.4 200.4

HSL 190.58, 0.51%, 0.56%

LAB 68.77, -21.92, -18.54

 

Complementary color

CMYK 0 / 56 / 68 / 34

HEX #A84A36

RGB 168 74.6 54.6

HSL 10.58, 0.51%, 0.44%

LAB 43.62, 37, 30.38

 

CMYK 53 / 8 / 0 / 23

HEX #5CB4C3

RGB 92 180.4 195.4

HSL 188.7, 0.46%, 0.56%

LAB 68.78, -22.32, -15.75

 

CMYK 49 / 7 / 0 / 16

HEX #6DC6D6

RGB 109 198.4 214.4

HSL 189.11, 0.56%, 0.63%

LAB 75.26, -22.53, -16.28

 

CMYK 46 / 7 / 0 / 8

HEX #7ED8E9

RGB 126 216.4 233.4

HSL 189.5, 0.71%, 0.7%

LAB 81.65, -22.67, -16.78

 

CMYK 43 / 7 / 0 / 1

HEX #8FEAFC

RGB 143 234.4 252.4

HSL 189.87, 0.95%, 0.78%

LAB 87.95, -22.76, -17.25

 

CMYK 37 / 1 / 0 / 0

HEX #A0FCFF

RGB 160 252.4 255

HSL 181.64, 1%, 0.81%

LAB 93.7, -26.77, -9.94

 

CMYK 57 / 10 / 0 / 21

HEX #57B4C8

RGB 87 180.4 200.4

HSL 190.58, 0.51%, 0.56%

LAB 68.77, -21.92, -18.54

 

CMYK 61 / 10 / 0 / 29

HEX #46A2B5

RGB 70 162.4 181.4

HSL 190.23, 0.44%, 0.49%

LAB 62.2, -21.48, -18

 

CMYK 67 / 11 / 0 / 36

HEX #3590A2

RGB 53 144.4 162.4

HSL 189.87, 0.51%, 0.42%

LAB 55.53, -20.87, -17.41

 

CMYK 75 / 12 / 0 / 44

HEX #247E8F

RGB 36 126.4 143.4

HSL 189.5, 0.6%, 0.35%

LAB 48.75, -20, -16.75

 

CMYK 85 / 13 / 0 / 51

HEX #136C7C

RGB 19 108.4 124.4

HSL 189.11, 0.74%, 0.28%

LAB 41.87, -18.72, -15.98

 

CMYK 57 / 10 / 0 / 22

HEX #56B4C8

RGB 86 180 200

HSL 190.53, 0.51%, 0.56%

LAB 68.6, -22.03, -18.58

 

CMYK 57 / 26 / 0 / 22

HEX #5695C8

RGB 86 149 200

HSL 206.84, 0.51%, 0.56%

LAB 59.57, -5.31, -32.45

 

CMYK 57 / 41 / 0 / 22

HEX #5676C8

RGB 86 118 200

HSL 223.16, 0.51%, 0.56%

LAB 50.81, 13.05, -46.22

 

CMYK 57 / 57 / 0 / 22

HEX #5657C8

RGB 86 87 200

HSL 239.47, 0.51%, 0.56%

LAB 42.71, 32.31, -59.22

 

CMYK 43 / 57 / 0 / 22

HEX #7356C8

RGB 115 86 200

HSL 255.26, 0.51%, 0.56%

LAB 44.9, 38.92, -55.56

 

CMYK 57 / 10 / 0 / 22

HEX #56B4C8

RGB 86 180 200

HSL 190.53, 0.51%, 0.56%

LAB 68.6, -22.03, -18.58

 

CMYK 57 / 26 / 0 / 22

HEX #5695C8

RGB 86 149 200

HSL 206.84, 0.51%, 0.56%

LAB 59.57, -5.31, -32.45

 

CMYK 57 / 41 / 0 / 22

HEX #5676C8

RGB 86 118 200

HSL 223.16, 0.51%, 0.56%

LAB 50.81, 13.05, -46.22

 

CMYK 57 / 57 / 0 / 22

HEX #5657C8

RGB 86 87 200

HSL 239.47, 0.51%, 0.56%

LAB 42.71, 32.31, -59.22

 

CMYK 57 / 57 / 0 / 22

HEX #5656C8

RGB 86 86 200

HSL 240, 0.51%, 0.56%

LAB 42.47, 32.93, -59.62

 

CMYK 57 / 10 / 0 / 22

HEX #56B4C8

RGB 86 180 200

HSL 190.53, 0.51%, 0.56%

LAB 68.6, -22.03, -18.58

 

CMYK 69 / 12 / 0 / 15

HEX #43C0DA

RGB 67 192 218

HSL 190.33, 0.67%, 0.56%

LAB 72.2, -25.86, -23

 

CMYK 79 / 14 / 0 / 7

HEX #31CBEC

RGB 49 203 236

HSL 190.59, 0.83%, 0.56%

LAB 75.71, -27.74, -27.4

 

CMYK 88 / 15 / 0 / 0

HEX #1FD7FE

RGB 31 215 254

HSL 190.49, 0.99%, 0.56%

LAB 79.64, -29.14, -31.01

 

CMYK 57 / 10 / 0 / 22

HEX #56B4C8

RGB 86 180 200

HSL 190.53, 0.51%, 0.56%

LAB 68.6, -22.03, -18.58

 

CMYK 43 / 8 / 0 / 29

HEX #68A8B6

RGB 104 168 182

HSL 190.77, 0.35%, 0.56%

LAB 65.22, -16.78, -13.64

 

CMYK 26 / 5 / 0 / 36

HEX #7A9CA4

RGB 122 156 164

HSL 191.43, 0.19%, 0.56%

LAB 62.16, -9.8, -8.02

 

CMYK 4 / 1 / 0 / 43

HEX #8C9192

RGB 140 145 146

HSL 190, 0.03%, 0.56%

LAB 59.8, -1.61, -1.17

 

CMYK 0 / 16 / 20 / 38

HEX #9E857F

RGB 158 133 127

HSL 11.61, 0.14%, 0.56%

LAB 57.63, 8.51, 6.77

 

CMYK 57 / 0 / 21 / 22

HEX #56C89E

RGB 86 200 158

HSL 157.89, 0.51%, 0.56%

LAB 73.39, -42.36, 11.4

 

CMYK 57 / 0 / 5 / 22

HEX #56C8BD

RGB 86 200 189

HSL 174.21, 0.51%, 0.56%

LAB 74.16, -34.83, -4.24

 

CMYK 57 / 10 / 0 / 22

HEX #56B5C8

RGB 86 181 200

HSL 190, 0.51%, 0.56%

LAB 68.89, -22.54, -18.13

 

CMYK 57 / 25 / 0 / 22

HEX #5696C8

RGB 86 150 200

HSL 206.32, 0.51%, 0.56%

LAB 59.85, -5.87, -32.01

 

CMYK 57 / 40 / 0 / 22

HEX #5678C8

RGB 86 120 200

HSL 222.11, 0.51%, 0.56%

LAB 51.36, 11.83, -45.35

 

CMYK 67 / 12 / 0 / 40

HEX #328799

RGB 50 135 153

HSL 190.49, 0.51%, 0.4%

LAB 52.18, -19.37, -17.1

 

CMYK 67 / 11 / 0 / 28

HEX #3CA3B8

RGB 60 163 184

HSL 190.16, 0.51%, 0.48%

LAB 62.18, -22.67, -19.52

 

CMYK 57 / 10 / 0 / 22

HEX #56B4C8

RGB 86 180 200

HSL 190.53, 0.51%, 0.56%

LAB 68.6, -22.03, -18.58

 

CMYK 44 / 8 / 0 / 18

HEX #75C2D2

RGB 117 194 210

HSL 190.32, 0.51%, 0.64%

LAB 74.2, -19.62, -15.46

 

CMYK 33 / 6 / 0 / 14

HEX #94CFDC

RGB 148 207 220

HSL 190.83, 0.51%, 0.72%

LAB 79.66, -15.72, -12.5

 

CMYK 57 / 10 / 0 / 21

HEX #57B4C8

RGB 87 180.4 200.4

HSL 190.58, 0.51%, 0.56%

LAB 68.77, -21.92, -18.54

 

CMYK 36 / 57 / 0 / 22

HEX #8056C8

RGB 128 86 200

HSL 262.11, 0.51%, 0.56%

LAB 46.2, 41.92, -53.41

 

CMYK 0 / 14 / 57 / 22

HEX #C8AD56

RGB 200 173 86

HSL 45.79, 0.51%, 0.56%

LAB 71.45, -0.85, 47.61

 

CMYK 57 / 10 / 0 / 21

HEX #57B4C8

RGB 87 180.4 200.4

HSL 190.58, 0.51%, 0.56%

LAB 68.77, -21.92, -18.54

 

CMYK 0 / 57 / 10 / 22

HEX #C856B5

RGB 200 86 181

HSL 310, 0.51%, 0.56%

LAB 54.31, 56.96, -29

 

CMYK 10 / 0 / 57 / 22

HEX #B5C856

RGB 181 200 86

HSL 70, 0.51%, 0.56%

LAB 77.16, -22.58, 53.74

 

CMYK 57 / 10 / 0 / 21

HEX #57B4C8

RGB 87 180.4 200.4

HSL 190.58, 0.51%, 0.56%

LAB 68.77, -21.92, -18.54

 

CMYK 36 / 57 / 0 / 22

HEX #8056C8

RGB 128 86 200

HSL 262.11, 0.51%, 0.56%

LAB 46.2, 41.92, -53.41

 

CMYK 0 / 48 / 57 / 22

HEX #C86956

RGB 200 105 86

HSL 10, 0.51%, 0.56%

LAB 55.13, 35.92, 27.7

 

CMYK 21 / 0 / 57 / 22

HEX #9EC856

RGB 158 200 86

HSL 82.11, 0.51%, 0.56%

LAB 75.61, -31.64, 51.55

 

CMYK 57 / 10 / 0 / 21

HEX #57B4C8

RGB 87 180.4 200.4

HSL 190.58, 0.51%, 0.56%

LAB 68.77, -21.92, -18.54

 

CMYK 19 / 57 / 0 / 22

HEX #A256C8

RGB 162 86 200

HSL 280, 0.51%, 0.56%

LAB 50.11, 50.32, -46.94

 

CMYK 0 / 48 / 57 / 22

HEX #C86956

RGB 200 105 86

HSL 10, 0.51%, 0.56%

LAB 55.13, 35.92, 27.7

 

CMYK 38 / 0 / 57 / 22

HEX #7CC856

RGB 124 200 86

HSL 100, 0.51%, 0.56%

LAB 73.72, -43.85, 48.88

 

Description

Color code: RGB 87 180.4 200.4 | qconv.com Color code: RGB 87 180.4 200.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 180.4 green and 200.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 180.4 200.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 10 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 10% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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