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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 216.4 233.4 it is the complementary color RGB 129 38.6 21.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 216.4 233.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 216.4 233.4 shade: RGB 131 216.4 228.4, RGB 148 234.4 247.4, RGB 165 252.4 255, RGB 182 255 255 and RGB 199 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 216.4 233.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 216.4 233.4 shade: RGB 126 216.4 233.4, RGB 109 198.4 214.4, RGB 92 180.4 195.4, RGB 75 162.4 176.4 and RGB 58 144.4 157.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 216.4 233.4 shade: RGB 124 216 233, RGB 124 186 233, RGB 124 157 233, RGB 124 128 233 and RGB 150 124 233

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 216.4 233.4 shade: RGB 124 216 233, RGB 124 186 233, RGB 124 157 233, RGB 124 128 233 and RGB 124 124 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 216.4 233.4 shade matches the following richer shades: RGB 124 216 233 and RGB 112 224 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 216.4 233.4 shade: RGB 124 216 233, RGB 137 207 220, RGB 149 199 208, RGB 161 190 196 and RGB 174 182 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 216.4 233.4 shade: RGB 124 233 191, RGB 124 233 220, RGB 124 217 233, RGB 124 188 233 and RGB 124 159 233

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 216.4 233.4 shade: RGB 54 194 221, RGB 89 205 227, RGB 124 216 233, RGB 159 226 239 and RGB 195 237 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 216.4 233.4 shade: RGB 126 216.4 233.4, RGB 162 124 233 and RGB 233 206 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 216.4 233.4 shade: RGB 126 216.4 233.4, RGB 233 124 217 and RGB 217 233 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 216.4 233.4 shade: RGB 126 216.4 233.4, RGB 162 124 233, RGB 233 140 124 and RGB 195 233 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 216.4 233.4 shade: RGB 126 216.4 233.4, RGB 195 124 233, RGB 233 140 124 and RGB 162 233 124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 7 / 0 / 8

HEX #7ED8E9

RGB 126 216.4 233.4

HSL 189.5, 0.71%, 0.7%

LAB 81.65, -22.67, -16.78

 

Complementary color

CMYK 0 / 70 / 83 / 49

HEX #812615

RGB 129 38.6 21.6

HSL 9.5, 0.71%, 0.3%

LAB 29.78, 37.96, 32.04

 

CMYK 43 / 5 / 0 / 10

HEX #83D8E4

RGB 131 216.4 228.4

HSL 187.39, 0.65%, 0.7%

LAB 81.71, -22.78, -14.01

 

CMYK 40 / 5 / 0 / 3

HEX #94EAF7

RGB 148 234.4 247.4

HSL 187.85, 0.87%, 0.78%

LAB 88.02, -22.81, -14.51

 

CMYK 35 / 1 / 0 / 0

HEX #A5FCFF

RGB 165 252.4 255

HSL 181.73, 1%, 0.82%

LAB 93.92, -25.51, -9.58

 

CMYK 29 / 0 / 0 / 0

HEX #B6FFFF

RGB 182 255 255

HSL 180, 1%, 0.86%

LAB 95.45, -22.28, -7.23

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 46 / 7 / 0 / 8

HEX #7ED8E9

RGB 126 216.4 233.4

HSL 189.5, 0.71%, 0.7%

LAB 81.65, -22.67, -16.78

 

CMYK 49 / 7 / 0 / 16

HEX #6DC6D6

RGB 109 198.4 214.4

HSL 189.11, 0.56%, 0.63%

LAB 75.26, -22.53, -16.28

 

CMYK 53 / 8 / 0 / 23

HEX #5CB4C3

RGB 92 180.4 195.4

HSL 188.7, 0.46%, 0.56%

LAB 68.78, -22.32, -15.75

 

CMYK 57 / 8 / 0 / 31

HEX #4BA2B0

RGB 75 162.4 176.4

HSL 188.28, 0.4%, 0.49%

LAB 62.19, -22.03, -15.19

 

CMYK 63 / 8 / 0 / 38

HEX #3A909D

RGB 58 144.4 157.4

HSL 187.85, 0.46%, 0.42%

LAB 55.5, -21.59, -14.58

 

CMYK 47 / 7 / 0 / 9

HEX #7CD8E9

RGB 124 216 233

HSL 189.36, 0.71%, 0.7%

LAB 81.45, -23.03, -16.88

 

CMYK 47 / 20 / 0 / 9

HEX #7CBAE9

RGB 124 186 233

HSL 205.87, 0.71%, 0.7%

LAB 73.08, -7.47, -29.62

 

CMYK 47 / 33 / 0 / 9

HEX #7C9DE9

RGB 124 157 233

HSL 221.83, 0.71%, 0.7%

LAB 65.19, 8.71, -41.88

 

CMYK 47 / 45 / 0 / 9

HEX #7C80E9

RGB 124 128 233

HSL 237.8, 0.71%, 0.7%

LAB 57.66, 25.7, -53.78

 

CMYK 36 / 47 / 0 / 9

HEX #967CE9

RGB 150 124 233

HSL 254.31, 0.71%, 0.7%

LAB 58.77, 34.35, -51.88

 

CMYK 47 / 7 / 0 / 9

HEX #7CD8E9

RGB 124 216 233

HSL 189.36, 0.71%, 0.7%

LAB 81.45, -23.03, -16.88

 

CMYK 47 / 20 / 0 / 9

HEX #7CBAE9

RGB 124 186 233

HSL 205.87, 0.71%, 0.7%

LAB 73.08, -7.47, -29.62

 

CMYK 47 / 33 / 0 / 9

HEX #7C9DE9

RGB 124 157 233

HSL 221.83, 0.71%, 0.7%

LAB 65.19, 8.71, -41.88

 

CMYK 47 / 45 / 0 / 9

HEX #7C80E9

RGB 124 128 233

HSL 237.8, 0.71%, 0.7%

LAB 57.66, 25.7, -53.78

 

CMYK 47 / 47 / 0 / 9

HEX #7C7CE9

RGB 124 124 233

HSL 240, 0.71%, 0.7%

LAB 56.67, 28.07, -55.36

 

CMYK 47 / 7 / 0 / 9

HEX #7CD8E9

RGB 124 216 233

HSL 189.36, 0.71%, 0.7%

LAB 81.45, -23.03, -16.88

 

CMYK 54 / 9 / 0 / 4

HEX #70E0F5

RGB 112 224 245

HSL 189.47, 0.87%, 0.7%

LAB 83.63, -26.28, -20

 

CMYK 47 / 7 / 0 / 9

HEX #7CD8E9

RGB 124 216 233

HSL 189.36, 0.71%, 0.7%

LAB 81.45, -23.03, -16.88

 

CMYK 38 / 6 / 0 / 14

HEX #89CFDC

RGB 137 207 220

HSL 189.4, 0.54%, 0.7%

LAB 79.11, -18.66, -13.4

 

CMYK 28 / 4 / 0 / 18

HEX #95C7D0

RGB 149 199 208

HSL 189.15, 0.39%, 0.7%

LAB 77.16, -14.15, -9.79

 

CMYK 18 / 3 / 0 / 23

HEX #A1BEC4

RGB 161 190 196

HSL 190.29, 0.23%, 0.7%

LAB 75.07, -8.48, -6.31

 

CMYK 5 / 1 / 0 / 28

HEX #AEB6B7

RGB 174 182 183

HSL 186.67, 0.06%, 0.7%

LAB 73.46, -2.58, -1.48

 

CMYK 47 / 0 / 18 / 9

HEX #7CE9BF

RGB 124 233 191

HSL 156.88, 0.71%, 0.7%

LAB 85.16, -41.06, 10.79

 

CMYK 47 / 0 / 6 / 9

HEX #7CE9DC

RGB 124 233 220

HSL 172.84, 0.71%, 0.7%

LAB 85.87, -34.48, -3.41

 

CMYK 47 / 7 / 0 / 9

HEX #7CD9E9

RGB 124 217 233

HSL 188.81, 0.71%, 0.7%

LAB 81.73, -23.52, -16.46

 

CMYK 47 / 19 / 0 / 9

HEX #7CBCE9

RGB 124 188 233

HSL 204.77, 0.71%, 0.7%

LAB 73.63, -8.55, -28.77

 

CMYK 47 / 32 / 0 / 9

HEX #7C9FE9

RGB 124 159 233

HSL 220.73, 0.71%, 0.7%

LAB 65.72, 7.56, -41.04

 

CMYK 76 / 12 / 0 / 13

HEX #36C2DD

RGB 54 194 221

HSL 189.7, 0.71%, 0.54%

LAB 72.62, -27.52, -24.02

 

CMYK 61 / 10 / 0 / 11

HEX #59CDE3

RGB 89 205 227

HSL 189.57, 0.71%, 0.62%

LAB 76.88, -26.23, -20.69

 

CMYK 47 / 7 / 0 / 9

HEX #7CD8E9

RGB 124 216 233

HSL 189.36, 0.71%, 0.7%

LAB 81.45, -23.03, -16.88

 

CMYK 33 / 5 / 0 / 6

HEX #9FE2EF

RGB 159 226 239

HSL 189.75, 0.71%, 0.78%

LAB 86, -17.84, -13.06

 

CMYK 20 / 3 / 0 / 4

HEX #C3EDF5

RGB 195 237 245

HSL 189.6, 0.71%, 0.86%

LAB 91.13, -11.79, -8.36

 

CMYK 46 / 7 / 0 / 8

HEX #7ED8E9

RGB 126 216.4 233.4

HSL 189.5, 0.71%, 0.7%

LAB 81.65, -22.67, -16.78

 

CMYK 30 / 47 / 0 / 9

HEX #A27CE9

RGB 162 124 233

HSL 260.92, 0.71%, 0.7%

LAB 59.87, 37.45, -50.07

 

CMYK 0 / 12 / 47 / 9

HEX #E9CE7C

RGB 233 206 124

HSL 45.14, 0.71%, 0.7%

LAB 83.4, -1.18, 44.07

 

CMYK 46 / 7 / 0 / 8

HEX #7ED8E9

RGB 126 216.4 233.4

HSL 189.5, 0.71%, 0.7%

LAB 81.65, -22.67, -16.78

 

CMYK 0 / 47 / 7 / 9

HEX #E97CD9

RGB 233 124 217

HSL 308.81, 0.71%, 0.7%

LAB 67.09, 54.27, -29.3

 

CMYK 7 / 0 / 47 / 9

HEX #D9E97C

RGB 217 233 124

HSL 68.81, 0.71%, 0.7%

LAB 89.15, -21.03, 50.85

 

CMYK 46 / 7 / 0 / 8

HEX #7ED8E9

RGB 126 216.4 233.4

HSL 189.5, 0.71%, 0.7%

LAB 81.65, -22.67, -16.78

 

CMYK 30 / 47 / 0 / 9

HEX #A27CE9

RGB 162 124 233

HSL 260.92, 0.71%, 0.7%

LAB 59.87, 37.45, -50.07

 

CMYK 0 / 40 / 47 / 9

HEX #E98C7C

RGB 233 140 124

HSL 8.81, 0.71%, 0.7%

LAB 67.68, 33.65, 23.7

 

CMYK 16 / 0 / 47 / 9

HEX #C3E97C

RGB 195 233 124

HSL 80.92, 0.71%, 0.7%

LAB 87.65, -29.39, 48.67

 

CMYK 46 / 7 / 0 / 8

HEX #7ED8E9

RGB 126 216.4 233.4

HSL 189.5, 0.71%, 0.7%

LAB 81.65, -22.67, -16.78

 

CMYK 16 / 47 / 0 / 9

HEX #C37CE9

RGB 195 124 233

HSL 279.08, 0.71%, 0.7%

LAB 63.26, 46.38, -44.49

 

CMYK 0 / 40 / 47 / 9

HEX #E98C7C

RGB 233 140 124

HSL 8.81, 0.71%, 0.7%

LAB 67.68, 33.65, 23.7

 

CMYK 30 / 0 / 47 / 9

HEX #A2E97C

RGB 162 233 124

HSL 99.08, 0.71%, 0.7%

LAB 85.71, -41.14, 45.85

 

Description

Color code: RGB 126 216.4 233.4 | qconv.com Color code: RGB 126 216.4 233.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 216.4 green and 233.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 216.4 233.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 7 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 7% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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