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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 174 116 it is the complementary color RGB 168 81 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 174 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 87 174 116: RGB 92 174 111, RGB 109 192 130, RGB 126 210 149, RGB 143 228 168 and RGB 160 246 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 174 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 87 174 116: RGB 87 174 116, RGB 70 156 97, RGB 53 138 78, RGB 36 120 59 and RGB 19 102 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 33 / 32

HEX #57AE74

RGB 87 174 116

HSL 140, 0.35%, 0.51%

LAB 64.61, -39.45, 21.93

 

Complementary color

CMYK 0 / 52 / 17 / 34

HEX #A8518B

RGB 168 81 139

HSL 320, 0.35%, 0.49%

LAB 47.07, 43.07, -15.78

 

CMYK 47 / 0 / 36 / 32

HEX #5CAE6F

RGB 92 174 111

HSL 133.9, 0.34%, 0.52%

LAB 64.72, -39, 24.8

 

CMYK 43 / 0 / 32 / 25

HEX #6DC082

RGB 109 192 130

HSL 135.18, 0.4%, 0.59%

LAB 71.26, -38.78, 23.57

 

CMYK 40 / 0 / 29 / 18

HEX #7ED295

RGB 126 210 149

HSL 136.43, 0.48%, 0.66%

LAB 77.7, -38.53, 22.42

 

CMYK 37 / 0 / 26 / 11

HEX #8FE4A8

RGB 143 228 168

HSL 137.65, 0.61%, 0.73%

LAB 84.05, -38.27, 21.35

 

CMYK 35 / 0 / 24 / 4

HEX #A0F6BB

RGB 160 246 187

HSL 138.84, 0.83%, 0.8%

LAB 90.31, -38.01, 20.33

 

CMYK 50 / 0 / 33 / 32

HEX #57AE74

RGB 87 174 116

HSL 140, 0.35%, 0.51%

LAB 64.61, -39.45, 21.93

 

CMYK 55 / 0 / 38 / 39

HEX #469C61

RGB 70 156 97

HSL 138.84, 0.38%, 0.44%

LAB 57.98, -39.56, 23.25

 

CMYK 62 / 0 / 43 / 46

HEX #358A4E

RGB 53 138 78

HSL 137.65, 0.45%, 0.37%

LAB 51.25, -39.51, 24.7

 

CMYK 70 / 0 / 51 / 53

HEX #24783B

RGB 36 120 59

HSL 136.43, 0.54%, 0.31%

LAB 44.41, -39.15, 26.27

 

CMYK 81 / 0 / 61 / 60

HEX #136628

RGB 19 102 40

HSL 135.18, 0.69%, 0.24%

LAB 37.47, -38.23, 27.92

 

CMYK 50 / 0 / 33 / 32

HEX #57AE74

RGB 87 174 116

HSL 140, 0.35%, 0.51%

LAB 64.61, -39.45, 21.93

 

CMYK 50 / 0 / 25 / 32

HEX #56AD82

RGB 86 173 130

HSL 150.34, 0.35%, 0.51%

LAB 64.55, -36.46, 14.19

 

CMYK 50 / 0 / 17 / 32

HEX #56AD90

RGB 86 173 144

HSL 160, 0.35%, 0.51%

LAB 64.87, -33.35, 6.91

 

CMYK 50 / 0 / 8 / 32

HEX #56AD9F

RGB 86 173 159

HSL 170.34, 0.35%, 0.51%

LAB 65.25, -29.71, -0.86

 

CMYK 50 / 0 / 0 / 32

HEX #56ADAD

RGB 86 173 173

HSL 180, 0.35%, 0.51%

LAB 65.66, -26.05, -8.06

 

CMYK 50 / 0 / 33 / 32

HEX #57AE74

RGB 87 174 116

HSL 140, 0.35%, 0.51%

LAB 64.61, -39.45, 21.93

 

CMYK 50 / 0 / 33 / 12

HEX #71E196

RGB 113 225 150

HSL 139.82, 0.65%, 0.66%

LAB 81.6, -48.38, 27.12

 

CMYK 48 / 0 / 33 / 92

HEX #0B150E

RGB 11 21 14

HSL 138, 0.31%, 0.06%

LAB 5.77, -5, 2.61

 

CMYK 50 / 0 / 33 / 72

HEX #244830

RGB 36 72 48

HSL 140, 0.33%, 0.21%

LAB 27.36, -19.32, 10.48

 

CMYK 50 / 0 / 33 / 52

HEX #3E7B52

RGB 62 123 82

HSL 139.67, 0.33%, 0.36%

LAB 46.71, -29.69, 16.48

 

CMYK 50 / 0 / 33 / 32

HEX #57AE74

RGB 87 174 116

HSL 140, 0.35%, 0.51%

LAB 64.61, -39.45, 21.93

 

CMYK 50 / 27 / 0 / 32

HEX #567FAD

RGB 86 127 173

HSL 211.72, 0.35%, 0.51%

LAB 52.03, -1.05, -28.78

 

CMYK 0 / 50 / 47 / 32

HEX #AD565C

RGB 173 86 92

HSL 355.86, 0.35%, 0.51%

LAB 47.38, 36.07, 13.16

 

CMYK 50 / 0 / 33 / 32

HEX #57AE74

RGB 87 174 116

HSL 140, 0.35%, 0.51%

LAB 64.61, -39.45, 21.93

 

CMYK 34 / 50 / 0 / 32

HEX #7356AD

RGB 115 86 173

HSL 260, 0.35%, 0.51%

LAB 43.24, 31.48, -42.48

 

CMYK 0 / 34 / 50 / 32

HEX #AD7356

RGB 173 115 86

HSL 20, 0.35%, 0.51%

LAB 53.83, 19.54, 25.33

 

CMYK 50 / 0 / 33 / 32

HEX #57AE74

RGB 87 174 116

HSL 140, 0.35%, 0.51%

LAB 64.61, -39.45, 21.93

 

CMYK 50 / 27 / 0 / 32

HEX #567FAD

RGB 86 127 173

HSL 211.72, 0.35%, 0.51%

LAB 52.03, -1.05, -28.78

 

CMYK 0 / 50 / 17 / 32

HEX #AD5690

RGB 173 86 144

HSL 320, 0.35%, 0.51%

LAB 48.95, 42.93, -15.84

 

CMYK 0 / 24 / 50 / 32

HEX #AD8456

RGB 173 132 86

HSL 31.72, 0.35%, 0.51%

LAB 58.09, 9.99, 30.8

 

CMYK 50 / 0 / 33 / 32

HEX #57AE74

RGB 87 174 116

HSL 140, 0.35%, 0.51%

LAB 64.61, -39.45, 21.93

 

CMYK 50 / 42 / 0 / 32

HEX #5664AD

RGB 86 100 173

HSL 230.34, 0.35%, 0.51%

LAB 44.39, 15.42, -40.79

 

CMYK 0 / 50 / 17 / 32

HEX #AD5690

RGB 173 86 144

HSL 320, 0.35%, 0.51%

LAB 48.95, 42.93, -15.84

 

CMYK 0 / 8 / 50 / 32

HEX #AD9F56

RGB 173 159 86

HSL 50.34, 0.35%, 0.51%

LAB 65.24, -4.86, 39.65

 

Description

Color code: RGB 87 174 116 | qconv.com Color code: RGB 87 174 116 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 174 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 174 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 33 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 33% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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