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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 164 232 it is the complementary color RGB 168 91 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 164 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 87 164 232: RGB 92 164 227, RGB 109 182 246, RGB 126 200 255, RGB 143 218 255 and RGB 160 236 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 164 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 87 164 232: RGB 87 164 232, RGB 70 146 213, RGB 53 128 194, RGB 36 110 175 and RGB 19 92 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 29 / 0 / 9

HEX #57A4E8

RGB 87 164 232

HSL 208.14, 0.76%, 0.63%

LAB 65.28, -3.35, -41.31

 

Complementary color

CMYK 0 / 46 / 86 / 34

HEX #A85B17

RGB 168 91 23

HSL 28.14, 0.76%, 0.37%

LAB 46.8, 26.92, 49.13

 

CMYK 59 / 28 / 0 / 11

HEX #5CA4E3

RGB 92 164 227

HSL 208, 0.71%, 0.63%

LAB 65.26, -4.03, -38.58

 

CMYK 56 / 26 / 0 / 4

HEX #6DB6F6

RGB 109 182 246

HSL 208.03, 0.88%, 0.7%

LAB 71.8, -4.79, -38.7

 

CMYK 51 / 22 / 0 / 0

HEX #7EC8FF

RGB 126 200 255

HSL 205.58, 1%, 0.75%

LAB 77.85, -8.29, -34.09

 

CMYK 44 / 15 / 0 / 0

HEX #8FDAFF

RGB 143 218 255

HSL 199.82, 1%, 0.78%

LAB 83.55, -13.83, -25.29

 

CMYK 37 / 7 / 0 / 0

HEX #A0ECFF

RGB 160 236 255

HSL 192, 1%, 0.81%

LAB 89.24, -18.75, -16.59

 

CMYK 63 / 29 / 0 / 9

HEX #57A4E8

RGB 87 164 232

HSL 208.14, 0.76%, 0.63%

LAB 65.28, -3.35, -41.31

 

CMYK 67 / 31 / 0 / 16

HEX #4692D5

RGB 70 146 213

HSL 208.11, 0.63%, 0.55%

LAB 58.66, -2.25, -41.21

 

CMYK 73 / 34 / 0 / 24

HEX #3580C2

RGB 53 128 194

HSL 208.09, 0.57%, 0.48%

LAB 51.94, -0.87, -41.09

 

CMYK 79 / 37 / 0 / 31

HEX #246EAF

RGB 36 110 175

HSL 208.06, 0.66%, 0.41%

LAB 45.11, 0.9, -40.96

 

CMYK 88 / 41 / 0 / 39

HEX #135C9C

RGB 19 92 156

HSL 208.03, 0.78%, 0.34%

LAB 38.19, 3.24, -40.77

 

CMYK 63 / 29 / 0 / 9

HEX #57A4E8

RGB 87 164 232

HSL 208.14, 0.76%, 0.63%

LAB 65.28, -3.35, -41.31

 

CMYK 62 / 39 / 0 / 9

HEX #588DE8

RGB 88 141 232

HSL 217.92, 0.76%, 0.63%

LAB 58.93, 10.18, -51.33

 

CMYK 62 / 50 / 0 / 9

HEX #5875E8

RGB 88 117 232

HSL 227.92, 0.76%, 0.63%

LAB 52.53, 24.74, -61.56

 

CMYK 62 / 60 / 0 / 9

HEX #585DE8

RGB 88 93 232

HSL 237.92, 0.76%, 0.63%

LAB 46.62, 39.42, -71.14

 

CMYK 53 / 62 / 0 / 9

HEX #6C58E8

RGB 108 88 232

HSL 248.33, 0.76%, 0.63%

LAB 46.97, 45.67, -70.51

 

CMYK 63 / 29 / 0 / 9

HEX #57A4E8

RGB 87 164 232

HSL 208.14, 0.76%, 0.63%

LAB 65.28, -3.35, -41.31

 

CMYK 61 / 29 / 0 / 89

HEX #0B141C

RGB 11 20 28

HSL 208.24, 0.44%, 0.08%

LAB 5.92, -1.03, -6.64

 

CMYK 62 / 29 / 0 / 69

HEX #1E384F

RGB 30 56 79

HSL 208.16, 0.45%, 0.21%

LAB 22.55, -2.03, -17.06

 

CMYK 62 / 29 / 0 / 49

HEX #315C82

RGB 49 92 130

HSL 208.15, 0.45%, 0.35%

LAB 37.7, -2.52, -25.75

 

CMYK 62 / 29 / 0 / 29

HEX #4480B5

RGB 68 128 181

HSL 208.14, 0.45%, 0.49%

LAB 51.84, -2.95, -33.76

 

CMYK 63 / 29 / 0 / 9

HEX #57A4E8

RGB 87 164 232

HSL 208.14, 0.76%, 0.63%

LAB 65.28, -3.35, -41.31

 

CMYK 21 / 62 / 0 / 9

HEX #B858E8

RGB 184 88 232

HSL 280, 0.76%, 0.63%

LAB 55.07, 61.44, -57.02

 

CMYK 4 / 0 / 62 / 9

HEX #DEE858

RGB 222 232 88

HSL 64.17, 0.76%, 0.63%

LAB 88.9, -21.47, 66.59

 

CMYK 63 / 29 / 0 / 9

HEX #57A4E8

RGB 87 164 232

HSL 208.14, 0.76%, 0.63%

LAB 65.28, -3.35, -41.31

 

CMYK 0 / 62 / 29 / 9

HEX #E858A5

RGB 232 88 165

HSL 327.92, 0.76%, 0.63%

LAB 58.84, 62.92, -12.38

 

CMYK 29 / 0 / 62 / 9

HEX #A5E858

RGB 165 232 88

HSL 87.92, 0.76%, 0.63%

LAB 85.21, -43.3, 61.53

 

CMYK 63 / 29 / 0 / 9

HEX #57A4E8

RGB 87 164 232

HSL 208.14, 0.76%, 0.63%

LAB 65.28, -3.35, -41.31

 

CMYK 21 / 62 / 0 / 9

HEX #B858E8

RGB 184 88 232

HSL 280, 0.76%, 0.63%

LAB 55.07, 61.44, -57.02

 

CMYK 0 / 33 / 62 / 9

HEX #E89B58

RGB 232 155 88

HSL 27.92, 0.76%, 0.63%

LAB 70.39, 22.36, 46.25

 

CMYK 41 / 0 / 62 / 9

HEX #88E858

RGB 136 232 88

HSL 100, 0.76%, 0.63%

LAB 83.78, -53.02, 59.56

 

CMYK 63 / 29 / 0 / 9

HEX #57A4E8

RGB 87 164 232

HSL 208.14, 0.76%, 0.63%

LAB 65.28, -3.35, -41.31

 

CMYK 2 / 62 / 0 / 9

HEX #E358E8

RGB 227 88 232

HSL 297.92, 0.76%, 0.63%

LAB 60.9, 71.44, -47.39

 

CMYK 0 / 33 / 62 / 9

HEX #E89B58

RGB 232 155 88

HSL 27.92, 0.76%, 0.63%

LAB 70.39, 22.36, 46.25

 

CMYK 60 / 0 / 62 / 9

HEX #5DE858

RGB 93 232 88

HSL 117.92, 0.76%, 0.63%

LAB 82.24, -64.62, 57.41

 

Description

Color code: RGB 87 164 232 | qconv.com Color code: RGB 87 164 232 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 164 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 164 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 29 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 29% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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