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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 86 54 14 it is the complementary color RGB 169 201 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 86 54 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 86 54 14: RGB 91 54 9, RGB 108 72 28, RGB 125 90 47, RGB 142 108 66 and RGB 159 126 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 86 54 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 86 54 14: RGB 86 54 14, RGB 69 36 0, RGB 52 18 0, RGB 35 0 0 and RGB 18 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 84 / 66

HEX #56360E

RGB 86 54 14

HSL 33.33, 0.72%, 0.2%

LAB 25.71, 10.47, 29.52

Complementary color

CMYK 30 / 17 / 0 / 5

HEX #A9C9F1

RGB 169 201 241

HSL 213.33, 0.72%, 0.8%

LAB 79.93, -1.63, -23.22

 

CMYK 0 / 41 / 90 / 64

HEX #5B3609

RGB 91 54 9

HSL 32.93, 0.82%, 0.2%

LAB 26.4, 12.77, 32.62

 

CMYK 0 / 33 / 74 / 58

HEX #6C481C

RGB 108 72 28

HSL 33, 0.59%, 0.27%

LAB 33.79, 10.83, 31.65

 

CMYK 0 / 28 / 62 / 51

HEX #7D5A2F

RGB 125 90 47

HSL 33.08, 0.45%, 0.34%

LAB 41.02, 9.35, 30.12

 

CMYK 0 / 24 / 54 / 44

HEX #8E6C42

RGB 142 108 66

HSL 33.16, 0.37%, 0.41%

LAB 48.09, 8.18, 28.57

 

CMYK 0 / 21 / 47 / 38

HEX #9F7E55

RGB 159 126 85

HSL 33.24, 0.3%, 0.48%

LAB 55.02, 7.25, 27.12

 

CMYK 0 / 37 / 84 / 66

HEX #56360E

RGB 86 54 14

HSL 33.33, 0.72%, 0.2%

LAB 25.71, 10.47, 29.52

 

CMYK 0 / 48 / 100 / 73

HEX #452400

RGB 69 36 0

HSL 31.3, 1%, 0.14%

LAB 18.04, 12.77, 26.45

 

CMYK 0 / 65 / 100 / 80

HEX #341200

RGB 52 18 0

HSL 20.77, 1%, 0.1%

LAB 10.28, 15.73, 15.74

 

CMYK 0 / 100 / 100 / 86

HEX #230000

RGB 35 0 0

HSL 0, 1%, 0.07%

LAB 3.23, 14.48, 5.1

 

CMYK 0 / 100 / 100 / 93

HEX #120000

RGB 18 0 0

HSL 0, 1%, 0.04%

LAB 1.16, 5.21, 1.84

 

CMYK 0 / 37 / 84 / 66

HEX #56360E

RGB 86 54 14

HSL 33.33, 0.72%, 0.2%

LAB 25.71, 10.47, 29.52

 

CMYK 0 / 24 / 84 / 66

HEX #57420E

RGB 87 66 14

HSL 42.74, 0.72%, 0.2%

LAB 29.3, 3.37, 32.97

 

CMYK 0 / 9 / 84 / 66

HEX #574F0E

RGB 87 79 14

HSL 53.42, 0.72%, 0.2%

LAB 33.24, -4.63, 36.6

 

CMYK 3 / 0 / 84 / 66

HEX #54570E

RGB 84 87 14

HSL 62.47, 0.72%, 0.2%

LAB 35.46, -10.82, 38.51

 

CMYK 18 / 0 / 84 / 66

HEX #47570E

RGB 71 87 14

HSL 73.15, 0.72%, 0.2%

LAB 34.37, -17.08, 37.1

 

CMYK 0 / 37 / 84 / 66

HEX #56360E

RGB 86 54 14

HSL 33.33, 0.72%, 0.2%

LAB 25.71, 10.47, 29.52

 

CMYK 0 / 37 / 84 / 46

HEX #895616

RGB 137 86 22

HSL 33.39, 0.72%, 0.31%

LAB 41.27, 15.89, 43.01

 

CMYK 0 / 37 / 84 / 26

HEX #BC761F

RGB 188 118 31

HSL 33.25, 0.72%, 0.43%

LAB 55.83, 20.93, 55.05

 

CMYK 0 / 37 / 84 / 6

HEX #EF9627

RGB 239 150 39

HSL 33.3, 0.86%, 0.55%

LAB 69.69, 25.67, 66.75

 

CMYK 0 / 37 / 83 / 86

HEX #231606

RGB 35 22 6

HSL 33.1, 0.71%, 0.08%

LAB 8.52, 4.35, 10.38

 

CMYK 0 / 37 / 84 / 66

HEX #56360E

RGB 86 54 14

HSL 33.33, 0.72%, 0.2%

LAB 25.71, 10.47, 29.52

 

CMYK 63 / 0 / 84 / 66

HEX #20570E

RGB 32 87 14

HSL 105.21, 0.72%, 0.2%

LAB 32.16, -32.46, 34.23

 

CMYK 71 / 84 / 0 / 66

HEX #190E57

RGB 25 14 87

HSL 249.04, 0.72%, 0.2%

LAB 10.62, 29.41, -41.64

 

CMYK 0 / 37 / 84 / 66

HEX #56360E

RGB 86 54 14

HSL 33.33, 0.72%, 0.2%

LAB 25.71, 10.47, 29.52

 

CMYK 84 / 0 / 38 / 66

HEX #0E5736

RGB 14 87 54

HSL 152.88, 0.72%, 0.2%

LAB 32.2, -30.24, 13.2

 

CMYK 38 / 84 / 0 / 66

HEX #360E57

RGB 54 14 87

HSL 272.88, 0.72%, 0.2%

LAB 14.32, 34.02, -35.42

 

CMYK 0 / 37 / 84 / 66

HEX #56360E

RGB 86 54 14

HSL 33.33, 0.72%, 0.2%

LAB 25.71, 10.47, 29.52

 

CMYK 63 / 0 / 84 / 66

HEX #20570E

RGB 32 87 14

HSL 105.21, 0.72%, 0.2%

LAB 32.16, -32.46, 34.23

 

CMYK 84 / 46 / 0 / 66

HEX #0E2F57

RGB 14 47 87

HSL 212.88, 0.72%, 0.2%

LAB 19.29, 4.47, -27.58

 

CMYK 21 / 84 / 0 / 66

HEX #450E57

RGB 69 14 87

HSL 285.21, 0.72%, 0.2%

LAB 16.83, 37.08, -31.24

 

CMYK 0 / 37 / 84 / 66

HEX #56360E

RGB 86 54 14

HSL 33.33, 0.72%, 0.2%

LAB 25.71, 10.47, 29.52

 

CMYK 84 / 0 / 80 / 66

HEX #0E5711

RGB 14 87 17

HSL 122.47, 0.72%, 0.2%

LAB 31.69, -36.26, 32.47

 

CMYK 84 / 46 / 0 / 66

HEX #0E2F57

RGB 14 47 87

HSL 212.88, 0.72%, 0.2%

LAB 19.29, 4.47, -27.58

 

CMYK 0 / 84 / 3 / 66

HEX #570E54

RGB 87 14 84

HSL 302.47, 0.72%, 0.2%

LAB 19.97, 40.55, -24.01

 

Description

Color code: RGB 86 54 14 | qconv.com Color code: RGB 86 54 14 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 54 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 54 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 84 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 84% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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