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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 86 194 170 it is the complementary color RGB 169 61 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 86 194 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 86 194 170: RGB 91 194 165, RGB 108 212 184, RGB 125 230 203, RGB 142 248 222 and RGB 159 255 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 86 194 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 86 194 170: RGB 86 194 170, RGB 69 176 151, RGB 52 158 132, RGB 35 140 113 and RGB 18 122 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 12 / 24

HEX #56C2AA

RGB 86 194 170

HSL 166.67, 0.47%, 0.55%

LAB 71.87, -36.86, 2.72

 

Complementary color

CMYK 0 / 64 / 50 / 34

HEX #A93D55

RGB 169 61 85

HSL 346.67, 0.47%, 0.45%

LAB 41.89, 46.23, 9.7

 

CMYK 53 / 0 / 15 / 24

HEX #5BC2A5

RGB 91 194 165

HSL 163.11, 0.46%, 0.56%

LAB 71.91, -36.99, 5.52

 

CMYK 49 / 0 / 13 / 17

HEX #6CD4B8

RGB 108 212 184

HSL 163.85, 0.55%, 0.63%

LAB 78.31, -36.93, 4.59

 

CMYK 46 / 0 / 12 / 10

HEX #7DE6CB

RGB 125 230 203

HSL 164.57, 0.68%, 0.7%

LAB 84.62, -36.83, 3.72

 

CMYK 43 / 0 / 10 / 3

HEX #8EF8DE

RGB 142 248 222

HSL 165.28, 0.88%, 0.76%

LAB 90.85, -36.7, 2.9

 

CMYK 38 / 0 / 5 / 0

HEX #9FFFF1

RGB 159 255 241

HSL 171.25, 1%, 0.81%

LAB 93.99, -31.46, -2.28

 

CMYK 56 / 0 / 12 / 24

HEX #56C2AA

RGB 86 194 170

HSL 166.67, 0.47%, 0.55%

LAB 71.87, -36.86, 2.72

 

CMYK 61 / 0 / 14 / 31

HEX #45B097

RGB 69 176 151

HSL 165.98, 0.44%, 0.48%

LAB 65.4, -36.74, 3.72

 

CMYK 67 / 0 / 16 / 38

HEX #349E84

RGB 52 158 132

HSL 165.28, 0.5%, 0.41%

LAB 58.83, -36.46, 4.83

 

CMYK 75 / 0 / 19 / 45

HEX #238C71

RGB 35 140 113

HSL 164.57, 0.6%, 0.34%

LAB 52.18, -35.93, 6.08

 

CMYK 85 / 0 / 23 / 52

HEX #127A5E

RGB 18 122 94

HSL 163.85, 0.74%, 0.27%

LAB 45.44, -34.99, 7.52

 

CMYK 56 / 0 / 12 / 24

HEX #56C2AA

RGB 86 194 170

HSL 166.67, 0.47%, 0.55%

LAB 71.87, -36.86, 2.72

 

CMYK 56 / 0 / 4 / 24

HEX #56C2BA

RGB 86 194 186

HSL 175.56, 0.47%, 0.55%

LAB 72.3, -32.8, -5.36

 

CMYK 56 / 6 / 0 / 24

HEX #56B7C2

RGB 86 183 194

HSL 186.11, 0.47%, 0.55%

LAB 69.28, -25.26, -14.24

 

CMYK 56 / 15 / 0 / 24

HEX #56A5C2

RGB 86 165 194

HSL 196.11, 0.47%, 0.55%

LAB 63.99, -15.96, -22.28

 

CMYK 56 / 24 / 0 / 24

HEX #5693C2

RGB 86 147 194

HSL 206.11, 0.47%, 0.55%

LAB 58.73, -6.06, -30.37

 

CMYK 56 / 0 / 12 / 24

HEX #56C2AA

RGB 86 194 170

HSL 166.67, 0.47%, 0.55%

LAB 71.87, -36.86, 2.72

 

CMYK 56 / 0 / 12 / 4

HEX #6DF5D7

RGB 109 245 215

HSL 166.76, 0.87%, 0.69%

LAB 88.67, -44.26, 3.23

 

CMYK 56 / 0 / 12 / 84

HEX #122924

RGB 18 41 36

HSL 166.96, 0.39%, 0.12%

LAB 14.63, -10.63, 0.47

 

CMYK 55 / 0 / 12 / 64

HEX #295C51

RGB 41 92 81

HSL 167.06, 0.38%, 0.26%

LAB 35.44, -20.16, 1.12

 

CMYK 56 / 0 / 13 / 44

HEX #3F8F7D

RGB 63 143 125

HSL 166.5, 0.39%, 0.4%

LAB 54.22, -29.07, 2.19

 

CMYK 56 / 0 / 12 / 24

HEX #56C2AA

RGB 86 194 170

HSL 166.67, 0.47%, 0.55%

LAB 71.87, -36.86, 2.72

 

CMYK 56 / 54 / 0 / 24

HEX #5659C2

RGB 86 89 194

HSL 238.33, 0.47%, 0.55%

LAB 42.79, 29.12, -55.61

 

CMYK 0 / 36 / 56 / 24

HEX #C27D56

RGB 194 125 86

HSL 21.67, 0.47%, 0.55%

LAB 58.8, 22.74, 32.2

 

CMYK 56 / 0 / 12 / 24

HEX #56C2AA

RGB 86 194 170

HSL 166.67, 0.47%, 0.55%

LAB 71.87, -36.86, 2.72

 

CMYK 13 / 56 / 0 / 24

HEX #A956C2

RGB 169 86 194

HSL 286.11, 0.47%, 0.55%

LAB 50.67, 50.88, -42.53

 

CMYK 0 / 13 / 56 / 24

HEX #C2A956

RGB 194 169 86

HSL 46.11, 0.47%, 0.55%

LAB 69.84, -1.27, 45.59

 

CMYK 56 / 0 / 12 / 24

HEX #56C2AA

RGB 86 194 170

HSL 166.67, 0.47%, 0.55%

LAB 71.87, -36.86, 2.72

 

CMYK 56 / 54 / 0 / 24

HEX #5659C2

RGB 86 89 194

HSL 238.33, 0.47%, 0.55%

LAB 42.79, 29.12, -55.61

 

CMYK 0 / 56 / 43 / 24

HEX #C2566F

RGB 194 86 111

HSL 346.11, 0.47%, 0.55%

LAB 51, 45.63, 7.29

 

CMYK 0 / 2 / 56 / 24

HEX #C2BE56

RGB 194 190 86

HSL 57.78, 0.47%, 0.55%

LAB 75.43, -12.23, 52.05

 

CMYK 56 / 0 / 12 / 24

HEX #56C2AA

RGB 86 194 170

HSL 166.67, 0.47%, 0.55%

LAB 71.87, -36.86, 2.72

 

CMYK 41 / 56 / 0 / 24

HEX #7356C2

RGB 115 86 194

HSL 256.11, 0.47%, 0.55%

LAB 44.51, 37.24, -52.72

 

CMYK 0 / 56 / 43 / 24

HEX #C2566F

RGB 194 86 111

HSL 346.11, 0.47%, 0.55%

LAB 51, 45.63, 7.29

 

CMYK 15 / 0 / 56 / 24

HEX #A5C256

RGB 165 194 86

HSL 76.11, 0.47%, 0.55%

LAB 74.35, -26.06, 50.24

 

Description

Color code: RGB 86 194 170 | qconv.com Color code: RGB 86 194 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 194 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 194 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 12 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 12% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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