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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 98 168 it is the complementary color RGB 170 157 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 98 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 85 98 168: RGB 90 98 163, RGB 107 116 182, RGB 124 134 201, RGB 141 152 220 and RGB 158 170 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 98 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 85 98 168: RGB 85 98 168, RGB 68 80 149, RGB 51 62 130, RGB 34 44 111 and RGB 17 26 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 42 / 0 / 34

HEX #5562A8

RGB 85 98 168

HSL 230.6, 0.33%, 0.5%

LAB 43.5, 14.83, -39.27

 

Complementary color

CMYK 0 / 8 / 49 / 33

HEX #AA9D57

RGB 170 157 87

HSL 50.6, 0.33%, 0.5%

LAB 64.44, -4.96, 38.1

 

CMYK 45 / 40 / 0 / 36

HEX #5A62A3

RGB 90 98 163

HSL 233.42, 0.29%, 0.5%

LAB 43.59, 14.53, -36.16

 

CMYK 41 / 36 / 0 / 29

HEX #6B74B6

RGB 107 116 182

HSL 232.8, 0.34%, 0.57%

LAB 50.68, 13.66, -36

 

CMYK 38 / 33 / 0 / 21

HEX #7C86C9

RGB 124 134 201

HSL 232.21, 0.42%, 0.64%

LAB 57.61, 12.94, -35.91

 

CMYK 36 / 31 / 0 / 14

HEX #8D98DC

RGB 141 152 220

HSL 231.65, 0.53%, 0.71%

LAB 64.39, 12.31, -35.86

 

CMYK 34 / 29 / 0 / 6

HEX #9EAAEF

RGB 158 170 239

HSL 231.11, 0.72%, 0.78%

LAB 71.04, 11.76, -35.86

 

CMYK 49 / 42 / 0 / 34

HEX #5562A8

RGB 85 98 168

HSL 230.6, 0.33%, 0.5%

LAB 43.5, 14.83, -39.27

 

CMYK 54 / 46 / 0 / 42

HEX #445095

RGB 68 80 149

HSL 231.11, 0.37%, 0.43%

LAB 36.25, 16.06, -39.53

 

CMYK 61 / 52 / 0 / 49

HEX #333E82

RGB 51 62 130

HSL 231.65, 0.44%, 0.35%

LAB 28.8, 17.64, -39.86

 

CMYK 69 / 60 / 0 / 56

HEX #222C6F

RGB 34 44 111

HSL 232.21, 0.53%, 0.28%

LAB 21.17, 19.73, -40.21

 

CMYK 82 / 72 / 0 / 64

HEX #111A5C

RGB 17 26 92

HSL 232.8, 0.69%, 0.21%

LAB 13.42, 22.54, -40.43

 

CMYK 49 / 42 / 0 / 34

HEX #5562A8

RGB 85 98 168

HSL 230.6, 0.33%, 0.5%

LAB 43.5, 14.83, -39.27

 

CMYK 50 / 50 / 0 / 34

HEX #5555A9

RGB 85 85 169

HSL 240, 0.33%, 0.5%

LAB 40.07, 23.36, -45.33

 

CMYK 41 / 50 / 0 / 34

HEX #6355A9

RGB 99 85 169

HSL 250, 0.33%, 0.5%

LAB 41.24, 26.78, -43.39

 

CMYK 33 / 50 / 0 / 34

HEX #7155A9

RGB 113 85 169

HSL 260, 0.33%, 0.5%

LAB 42.57, 30.47, -41.19

 

CMYK 25 / 50 / 0 / 34

HEX #7F55A9

RGB 127 85 169

HSL 270, 0.33%, 0.5%

LAB 44.05, 34.34, -38.75

 

CMYK 49 / 42 / 0 / 34

HEX #5562A8

RGB 85 98 168

HSL 230.6, 0.33%, 0.5%

LAB 43.5, 14.83, -39.27

 

CMYK 49 / 42 / 0 / 14

HEX #6F80DB

RGB 111 128 219

HSL 230.56, 0.6%, 0.65%

LAB 56.02, 18.5, -48.61

 

CMYK 47 / 40 / 0 / 94

HEX #08090F

RGB 8 9 15

HSL 231.43, 0.3%, 0.05%

LAB 2.54, 0.68, -2.64

 

CMYK 50 / 41 / 0 / 74

HEX #212742

RGB 33 39 66

HSL 229.09, 0.33%, 0.19%

LAB 16.34, 5.96, -17.94

 

CMYK 50 / 42 / 0 / 54

HEX #3B4475

RGB 59 68 117

HSL 230.69, 0.33%, 0.35%

LAB 30.27, 10.93, -29.33

 

CMYK 49 / 42 / 0 / 34

HEX #5562A8

RGB 85 98 168

HSL 230.6, 0.33%, 0.5%

LAB 43.5, 14.83, -39.27

 

CMYK 0 / 50 / 2 / 34

HEX #A955A6

RGB 169 85 166

HSL 302.14, 0.33%, 0.5%

LAB 49.11, 45.96, -28.66

 

CMYK 21 / 0 / 50 / 34

HEX #85A955

RGB 133 169 85

HSL 85.71, 0.33%, 0.5%

LAB 64.98, -26.56, 39.11

 

CMYK 49 / 42 / 0 / 34

HEX #5562A8

RGB 85 98 168

HSL 230.6, 0.33%, 0.5%

LAB 43.5, 14.83, -39.27

 

CMYK 0 / 50 / 41 / 34

HEX #A95563

RGB 169 85 99

HSL 350, 0.33%, 0.5%

LAB 46.75, 35.86, 7.96

 

CMYK 41 / 0 / 50 / 34

HEX #63A955

RGB 99 169 85

HSL 110, 0.33%, 0.5%

LAB 63.08, -38.72, 36.36

 

CMYK 49 / 42 / 0 / 34

HEX #5562A8

RGB 85 98 168

HSL 230.6, 0.33%, 0.5%

LAB 43.5, 14.83, -39.27

 

CMYK 0 / 50 / 2 / 34

HEX #A955A6

RGB 169 85 166

HSL 302.14, 0.33%, 0.5%

LAB 49.11, 45.96, -28.66

 

CMYK 0 / 8 / 50 / 34

HEX #A99B55

RGB 169 155 85

HSL 50, 0.33%, 0.5%

LAB 63.78, -4.5, 38.3

 

CMYK 50 / 0 / 48 / 34

HEX #55A958

RGB 85 169 88

HSL 122.14, 0.33%, 0.5%

LAB 62.52, -42.56, 34

 

CMYK 49 / 42 / 0 / 34

HEX #5562A8

RGB 85 98 168

HSL 230.6, 0.33%, 0.5%

LAB 43.5, 14.83, -39.27

 

CMYK 0 / 50 / 17 / 34

HEX #A9558D

RGB 169 85 141

HSL 320, 0.33%, 0.5%

LAB 48.08, 41.66, -15.43

 

CMYK 0 / 8 / 50 / 34

HEX #A99B55

RGB 169 155 85

HSL 50, 0.33%, 0.5%

LAB 63.78, -4.5, 38.3

 

CMYK 50 / 0 / 33 / 34

HEX #55A971

RGB 85 169 113

HSL 140, 0.33%, 0.5%

LAB 62.93, -38.34, 21.27

 

Description

Color code: RGB 85 98 168 | qconv.com Color code: RGB 85 98 168 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 98 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 98 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 42 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 42% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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