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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 81 188 it is the complementary color RGB 170 174 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 81 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 85 81 188: RGB 90 81 183, RGB 107 99 202, RGB 124 117 221, RGB 141 135 240 and RGB 158 153 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 81 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 85 81 188: RGB 85 81 188, RGB 68 63 169, RGB 51 45 150, RGB 34 27 131 and RGB 17 9 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 57 / 0 / 26

HEX #5551BC

RGB 85 81 188

HSL 242.24, 0.44%, 0.53%

LAB 40.32, 31.95, -56.11

 

Complementary color

CMYK 2 / 0 / 61 / 32

HEX #AAAE43

RGB 170 174 67

HSL 62.24, 0.44%, 0.47%

LAB 68.91, -15.55, 52.81

 

CMYK 51 / 56 / 0 / 28

HEX #5A51B7

RGB 90 81 183

HSL 245.29, 0.41%, 0.52%

LAB 40.37, 31.39, -53.08

 

CMYK 47 / 51 / 0 / 21

HEX #6B63CA

RGB 107 99 202

HSL 244.66, 0.49%, 0.59%

LAB 47.38, 29.96, -52.76

 

CMYK 44 / 47 / 0 / 13

HEX #7C75DD

RGB 124 117 221

HSL 244.04, 0.6%, 0.66%

LAB 54.27, 28.72, -52.47

 

CMYK 41 / 44 / 0 / 6

HEX #8D87F0

RGB 141 135 240

HSL 243.43, 0.78%, 0.74%

LAB 61.03, 27.64, -52.23

 

CMYK 38 / 40 / 0 / 0

HEX #9E99FF

RGB 158 153 255

HSL 242.94, 1%, 0.8%

LAB 67.48, 25.61, -50.15

 

CMYK 55 / 57 / 0 / 26

HEX #5551BC

RGB 85 81 188

HSL 242.24, 0.44%, 0.53%

LAB 40.32, 31.95, -56.11

 

CMYK 60 / 63 / 0 / 34

HEX #443FA9

RGB 68 63 169

HSL 242.83, 0.46%, 0.45%

LAB 33.24, 33.78, -56.43

 

CMYK 66 / 70 / 0 / 41

HEX #332D96

RGB 51 45 150

HSL 243.43, 0.54%, 0.38%

LAB 26.11, 35.87, -56.62

 

CMYK 74 / 79 / 0 / 49

HEX #221B83

RGB 34 27 131

HSL 244.04, 0.66%, 0.31%

LAB 19.07, 38.03, -56.43

 

CMYK 85 / 92 / 0 / 56

HEX #110970

RGB 17 9 112

HSL 244.66, 0.85%, 0.24%

LAB 12.51, 39.46, -55.15

 

CMYK 55 / 57 / 0 / 26

HEX #5551BC

RGB 85 81 188

HSL 242.24, 0.44%, 0.53%

LAB 40.32, 31.95, -56.11

 

CMYK 45 / 56 / 0 / 27

HEX #6752BB

RGB 103 82 187

HSL 252, 0.44%, 0.53%

LAB 42.01, 34.84, -52.73

 

CMYK 35 / 56 / 0 / 27

HEX #7952BB

RGB 121 82 187

HSL 262.29, 0.44%, 0.53%

LAB 43.78, 39.08, -49.78

 

CMYK 26 / 56 / 0 / 27

HEX #8A52BB

RGB 138 82 187

HSL 272, 0.44%, 0.53%

LAB 45.67, 43.34, -46.66

 

CMYK 17 / 56 / 0 / 27

HEX #9C52BB

RGB 156 82 187

HSL 282.29, 0.44%, 0.53%

LAB 47.87, 48.02, -43.02

 

CMYK 55 / 57 / 0 / 26

HEX #5551BC

RGB 85 81 188

HSL 242.24, 0.44%, 0.53%

LAB 40.32, 31.95, -56.11

 

CMYK 55 / 57 / 0 / 6

HEX #6C67EF

RGB 108 103 239

HSL 242.21, 0.81%, 0.67%

LAB 50.83, 39.06, -68.17

 

CMYK 54 / 57 / 0 / 86

HEX #100F23

RGB 16 15 35

HSL 243, 0.4%, 0.1%

LAB 5.18, 5.86, -13.12

 

CMYK 55 / 57 / 0 / 66

HEX #272556

RGB 39 37 86

HSL 242.45, 0.4%, 0.24%

LAB 17.58, 16.33, -29.56

 

CMYK 55 / 57 / 0 / 46

HEX #3E3B89

RGB 62 59 137

HSL 242.31, 0.4%, 0.38%

LAB 29.31, 24.44, -43.35

 

CMYK 55 / 57 / 0 / 26

HEX #5551BC

RGB 85 81 188

HSL 242.24, 0.44%, 0.53%

LAB 40.32, 31.95, -56.11

 

CMYK 0 / 56 / 13 / 27

HEX #BB52A3

RGB 187 82 163

HSL 313.71, 0.44%, 0.53%

LAB 50.97, 52.22, -23.82

 

CMYK 35 / 0 / 56 / 27

HEX #79BB52

RGB 121 187 82

HSL 97.71, 0.44%, 0.53%

LAB 69.62, -39.65, 45.93

 

CMYK 55 / 57 / 0 / 26

HEX #5551BC

RGB 85 81 188

HSL 242.24, 0.44%, 0.53%

LAB 40.32, 31.95, -56.11

 

CMYK 0 / 55 / 56 / 27

HEX #BB5552

RGB 187 85 82

HSL 1.71, 0.44%, 0.53%

LAB 49.09, 40.91, 21.81

 

CMYK 56 / 0 / 55 / 27

HEX #52BB55

RGB 82 187 85

HSL 121.71, 0.44%, 0.53%

LAB 68.01, -51.05, 42.2

 

CMYK 55 / 57 / 0 / 26

HEX #5551BC

RGB 85 81 188

HSL 242.24, 0.44%, 0.53%

LAB 40.32, 31.95, -56.11

 

CMYK 0 / 56 / 13 / 27

HEX #BB52A3

RGB 187 82 163

HSL 313.71, 0.44%, 0.53%

LAB 50.97, 52.22, -23.82

 

CMYK 2 / 0 / 56 / 27

HEX #B8BB52

RGB 184 187 82

HSL 61.71, 0.44%, 0.53%

LAB 73.77, -15.18, 51.78

 

CMYK 56 / 0 / 43 / 27

HEX #52BB6B

RGB 82 187 107

HSL 134.29, 0.44%, 0.53%

LAB 68.31, -47.8, 31.56

 

CMYK 55 / 57 / 0 / 26

HEX #5551BC

RGB 85 81 188

HSL 242.24, 0.44%, 0.53%

LAB 40.32, 31.95, -56.11

 

CMYK 0 / 56 / 30 / 27

HEX #BB5283

RGB 187 82 131

HSL 332, 0.44%, 0.53%

LAB 49.78, 47.58, -6.61

 

CMYK 2 / 0 / 56 / 27

HEX #B8BB52

RGB 184 187 82

HSL 61.71, 0.44%, 0.53%

LAB 73.77, -15.18, 51.78

 

CMYK 56 / 0 / 26 / 27

HEX #52BB8A

RGB 82 187 138

HSL 152, 0.44%, 0.53%

LAB 68.87, -41.94, 15.84

 

Description

Color code: RGB 85 81 188 | qconv.com Color code: RGB 85 81 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 81 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 81 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 57 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 57% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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