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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 130 249 it is the complementary color RGB 170 125 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 130 249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 85 130 249: RGB 90 130 244, RGB 107 148 255, RGB 124 166 255, RGB 141 184 255 and RGB 158 202 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 130 249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 85 130 249: RGB 85 130 249, RGB 68 112 230, RGB 51 94 211, RGB 34 76 192 and RGB 17 58 173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 48 / 0 / 2

HEX #5582F9

RGB 85 130 249

HSL 223.54, 0.93%, 0.65%

LAB 56.82, 22.07, -64.13

 

Complementary color

CMYK 0 / 26 / 96 / 33

HEX #AA7D06

RGB 170 125 6

HSL 43.54, 0.93%, 0.35%

LAB 55.3, 8.44, 60

 

CMYK 63 / 47 / 0 / 4

HEX #5A82F4

RGB 90 130 244

HSL 224.42, 0.88%, 0.65%

LAB 56.75, 21.18, -61.46

 

CMYK 58 / 42 / 0 / 0

HEX #6B94FF

RGB 107 148 255

HSL 223.38, 1%, 0.71%

LAB 62.95, 17.07, -57.55

 

CMYK 51 / 35 / 0 / 0

HEX #7CA6FF

RGB 124 166 255

HSL 220.76, 1%, 0.74%

LAB 68.59, 10.08, -48.55

 

CMYK 45 / 28 / 0 / 0

HEX #8DB8FF

RGB 141 184 255

HSL 217.37, 1%, 0.78%

LAB 74.29, 3.86, -39.55

 

CMYK 38 / 21 / 0 / 0

HEX #9ECAFF

RGB 158 202 255

HSL 212.78, 1%, 0.81%

LAB 80.03, -1.67, -30.61

 

CMYK 66 / 48 / 0 / 2

HEX #5582F9

RGB 85 130 249

HSL 223.54, 0.93%, 0.65%

LAB 56.82, 22.07, -64.13

 

CMYK 70 / 51 / 0 / 10

HEX #4470E6

RGB 68 112 230

HSL 223.7, 0.76%, 0.58%

LAB 50.13, 24.07, -64.36

 

CMYK 76 / 55 / 0 / 17

HEX #335ED3

RGB 51 94 211

HSL 223.88, 0.65%, 0.51%

LAB 43.38, 26.47, -64.56

 

CMYK 82 / 60 / 0 / 25

HEX #224CC0

RGB 34 76 192

HSL 224.05, 0.7%, 0.44%

LAB 36.58, 29.36, -64.66

 

CMYK 90 / 66 / 0 / 32

HEX #113AAD

RGB 17 58 173

HSL 224.23, 0.82%, 0.37%

LAB 29.82, 32.8, -64.52

 

CMYK 66 / 48 / 0 / 2

HEX #5582F9

RGB 85 130 249

HSL 223.54, 0.93%, 0.65%

LAB 56.82, 22.07, -64.13

 

CMYK 67 / 59 / 0 / 3

HEX #5266F8

RGB 82 102 248

HSL 232.77, 0.92%, 0.65%

LAB 49.59, 38.41, -75.29

 

CMYK 63 / 67 / 0 / 3

HEX #5B52F8

RGB 91 82 248

HSL 243.25, 0.92%, 0.65%

LAB 45.68, 51.35, -81.64

 

CMYK 52 / 67 / 0 / 3

HEX #7652F8

RGB 118 82 248

HSL 253.01, 0.92%, 0.65%

LAB 47.83, 55.28, -78.04

 

CMYK 41 / 67 / 0 / 3

HEX #9252F8

RGB 146 82 248

HSL 263.13, 0.92%, 0.65%

LAB 50.6, 60.11, -73.42

 

CMYK 66 / 48 / 0 / 2

HEX #5582F9

RGB 85 130 249

HSL 223.54, 0.93%, 0.65%

LAB 56.82, 22.07, -64.13

 

CMYK 67 / 49 / 0 / 82

HEX #0F172D

RGB 15 23 45

HSL 224, 0.5%, 0.12%

LAB 8.16, 4.57, -15.97

 

CMYK 66 / 48 / 0 / 62

HEX #213260

RGB 33 50 96

HSL 223.81, 0.49%, 0.25%

LAB 21.76, 9.39, -29.51

 

CMYK 66 / 48 / 0 / 42

HEX #324D93

RGB 50 77 147

HSL 223.3, 0.49%, 0.39%

LAB 34.17, 13.6, -41.69

 

CMYK 66 / 48 / 0 / 22

HEX #4467C6

RGB 68 103 198

HSL 223.85, 0.53%, 0.52%

LAB 45.64, 18.35, -53.39

 

CMYK 66 / 48 / 0 / 2

HEX #5582F9

RGB 85 130 249

HSL 223.54, 0.93%, 0.65%

LAB 56.82, 22.07, -64.13

 

CMYK 6 / 67 / 0 / 3

HEX #EA52F8

RGB 234 82 248

HSL 294.94, 0.92%, 0.65%

LAB 61.92, 78, -54.61

 

CMYK 21 / 0 / 67 / 3

HEX #C4F852

RGB 196 248 82

HSL 78.8, 0.92%, 0.65%

LAB 91.45, -39.41, 71.05

 

CMYK 66 / 48 / 0 / 2

HEX #5582F9

RGB 85 130 249

HSL 223.54, 0.93%, 0.65%

LAB 56.82, 22.07, -64.13

 

CMYK 0 / 67 / 48 / 3

HEX #F85281

RGB 248 82 129

HSL 343.01, 0.92%, 0.65%

LAB 59.5, 66.24, 9.9

 

CMYK 48 / 0 / 67 / 3

HEX #81F852

RGB 129 248 82

HSL 103.01, 0.92%, 0.65%

LAB 88.17, -61.78, 66.61

 

CMYK 66 / 48 / 0 / 2

HEX #5582F9

RGB 85 130 249

HSL 223.54, 0.93%, 0.65%

LAB 56.82, 22.07, -64.13

 

CMYK 6 / 67 / 0 / 3

HEX #EA52F8

RGB 234 82 248

HSL 294.94, 0.92%, 0.65%

LAB 61.92, 78, -54.61

 

CMYK 0 / 19 / 67 / 3

HEX #F8C952

RGB 248 201 82

HSL 43.01, 0.92%, 0.65%

LAB 83.09, 4.45, 63.59

 

CMYK 61 / 0 / 67 / 3

HEX #60F852

RGB 96 248 82

HSL 114.94, 0.92%, 0.65%

LAB 87.11, -70.01, 65.17

 

CMYK 66 / 48 / 0 / 2

HEX #5582F9

RGB 85 130 249

HSL 223.54, 0.93%, 0.65%

LAB 56.82, 22.07, -64.13

 

CMYK 0 / 67 / 15 / 3

HEX #F852D4

RGB 248 82 212

HSL 313.01, 0.92%, 0.65%

LAB 62.29, 75.66, -33.76

 

CMYK 0 / 19 / 67 / 3

HEX #F8C952

RGB 248 201 82

HSL 43.01, 0.92%, 0.65%

LAB 83.09, 4.45, 63.59

 

CMYK 67 / 0 / 52 / 3

HEX #52F876

RGB 82 248 118

HSL 133.01, 0.92%, 0.65%

LAB 87.11, -68.77, 49.74

 

Description

Color code: RGB 85 130 249 | qconv.com Color code: RGB 85 130 249 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 130 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 130 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 48 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 48% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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