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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 113 233 it is the complementary color RGB 170 142 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 113 233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 85 113 233: RGB 90 113 228, RGB 107 131 247, RGB 124 149 255, RGB 141 167 255 and RGB 158 185 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 113 233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 85 113 233: RGB 85 113 233, RGB 68 95 214, RGB 51 77 195, RGB 34 59 176 and RGB 17 41 157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 52 / 0 / 9

HEX #5571E9

RGB 85 113 233

HSL 228.65, 0.77%, 0.62%

LAB 51.41, 27.04, -63.94

 

Complementary color

CMYK 0 / 16 / 87 / 33

HEX #AA8E16

RGB 170 142 22

HSL 48.65, 0.77%, 0.38%

LAB 59.84, -0.7, 60.3

 

CMYK 61 / 50 / 0 / 11

HEX #5A71E4

RGB 90 113 228

HSL 230, 0.72%, 0.62%

LAB 51.37, 26.21, -61.19

 

CMYK 57 / 47 / 0 / 3

HEX #6B83F7

RGB 107 131 247

HSL 229.71, 0.9%, 0.69%

LAB 58.11, 24.63, -60.89

 

CMYK 51 / 42 / 0 / 0

HEX #7C95FF

RGB 124 149 255

HSL 228.55, 1%, 0.74%

LAB 64.16, 19.92, -55.56

 

CMYK 45 / 35 / 0 / 0

HEX #8DA7FF

RGB 141 167 255

HSL 226.32, 1%, 0.78%

LAB 69.84, 13.41, -46.52

 

CMYK 38 / 27 / 0 / 0

HEX #9EB9FF

RGB 158 185 255

HSL 223.3, 1%, 0.81%

LAB 75.57, 7.59, -37.49

 

CMYK 64 / 52 / 0 / 9

HEX #5571E9

RGB 85 113 233

HSL 228.65, 0.77%, 0.62%

LAB 51.41, 27.04, -63.94

 

CMYK 68 / 56 / 0 / 16

HEX #445FD6

RGB 68 95 214

HSL 228.9, 0.64%, 0.55%

LAB 44.62, 29.09, -64.23

 

CMYK 74 / 61 / 0 / 24

HEX #334DC3

RGB 51 77 195

HSL 229.17, 0.59%, 0.48%

LAB 37.76, 31.53, -64.47

 

CMYK 81 / 66 / 0 / 31

HEX #223BB0

RGB 34 59 176

HSL 229.44, 0.68%, 0.41%

LAB 30.88, 34.43, -64.54

 

CMYK 89 / 74 / 0 / 38

HEX #11299D

RGB 17 41 157

HSL 229.71, 0.8%, 0.34%

LAB 24.13, 37.71, -64.23

 

CMYK 64 / 52 / 0 / 9

HEX #5571E9

RGB 85 113 233

HSL 228.65, 0.77%, 0.62%

LAB 51.41, 27.04, -63.94

 

CMYK 64 / 62 / 0 / 9

HEX #5358E8

RGB 83 88 232

HSL 237.99, 0.76%, 0.62%

LAB 45.14, 41.68, -73.56

 

CMYK 56 / 64 / 0 / 9

HEX #6753E8

RGB 103 83 232

HSL 248.05, 0.76%, 0.62%

LAB 45.49, 47.66, -72.93

 

CMYK 45 / 64 / 0 / 9

HEX #8053E8

RGB 128 83 232

HSL 258.12, 0.76%, 0.62%

LAB 47.75, 52.09, -69.15

 

CMYK 34 / 64 / 0 / 9

HEX #9953E8

RGB 153 83 232

HSL 268.19, 0.76%, 0.62%

LAB 50.43, 57.06, -64.68

 

CMYK 64 / 52 / 0 / 9

HEX #5571E9

RGB 85 113 233

HSL 228.65, 0.77%, 0.62%

LAB 51.41, 27.04, -63.94

 

CMYK 62 / 52 / 0 / 89

HEX #0B0E1D

RGB 11 14 29

HSL 230, 0.45%, 0.08%

LAB 4.28, 2.72, -9.87

 

CMYK 64 / 51 / 0 / 69

HEX #1D2750

RGB 29 39 80

HSL 228.24, 0.47%, 0.21%

LAB 16.95, 10.17, -26.58

 

CMYK 63 / 51 / 0 / 49

HEX #304083

RGB 48 64 131

HSL 228.43, 0.46%, 0.35%

LAB 29.24, 16.04, -39.78

 

CMYK 64 / 52 / 0 / 29

HEX #4258B6

RGB 66 88 182

HSL 228.62, 0.47%, 0.49%

LAB 40.43, 21.93, -52.48

 

CMYK 64 / 52 / 0 / 9

HEX #5571E9

RGB 85 113 233

HSL 228.65, 0.77%, 0.62%

LAB 51.41, 27.04, -63.94

 

CMYK 0 / 64 / 0 / 9

HEX #E853E8

RGB 232 83 232

HSL 300, 0.76%, 0.62%

LAB 60.93, 74.54, -47.3

 

CMYK 25 / 0 / 64 / 9

HEX #ADE853

RGB 173 232 83

HSL 83.76, 0.76%, 0.62%

LAB 85.62, -40.79, 64.13

 

CMYK 64 / 52 / 0 / 9

HEX #5571E9

RGB 85 113 233

HSL 228.65, 0.77%, 0.62%

LAB 51.41, 27.04, -63.94

 

CMYK 0 / 64 / 51 / 9

HEX #E85371

RGB 232 83 113

HSL 347.92, 0.76%, 0.62%

LAB 56.62, 59.65, 14.86

 

CMYK 51 / 0 / 64 / 9

HEX #71E853

RGB 113 232 83

HSL 107.92, 0.76%, 0.62%

LAB 82.83, -60.17, 60.31

 

CMYK 64 / 52 / 0 / 9

HEX #5571E9

RGB 85 113 233

HSL 228.65, 0.77%, 0.62%

LAB 51.41, 27.04, -63.94

 

CMYK 0 / 64 / 0 / 9

HEX #E853E8

RGB 232 83 232

HSL 300, 0.76%, 0.62%

LAB 60.93, 74.54, -47.3

 

CMYK 0 / 13 / 64 / 9

HEX #E8CA53

RGB 232 202 83

HSL 47.92, 0.76%, 0.62%

LAB 81.85, -2.7, 61.39

 

CMYK 64 / 0 / 64 / 9

HEX #53E853

RGB 83 232 83

HSL 120, 0.76%, 0.62%

LAB 81.93, -67.25, 59.07

 

CMYK 64 / 52 / 0 / 9

HEX #5571E9

RGB 85 113 233

HSL 228.65, 0.77%, 0.62%

LAB 51.41, 27.04, -63.94

 

CMYK 0 / 64 / 19 / 9

HEX #E853BB

RGB 232 83 187

HSL 318.12, 0.76%, 0.62%

LAB 58.91, 67.8, -24.96

 

CMYK 0 / 13 / 64 / 9

HEX #E8CA53

RGB 232 202 83

HSL 47.92, 0.76%, 0.62%

LAB 81.85, -2.7, 61.39

 

CMYK 64 / 0 / 45 / 9

HEX #53E880

RGB 83 232 128

HSL 138.12, 0.76%, 0.62%

LAB 82.44, -61.47, 39.14

 

Description

Color code: RGB 85 113 233 | qconv.com Color code: RGB 85 113 233 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 113 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 113 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 52 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 52% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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