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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85.7 128.6 178 it is the complementary color RGB 169.3 126.4 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85.7 128.6 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85.7 128.6 178 shade: RGB 90.7 128.6 173, RGB 107.7 146.6 192, RGB 124.7 164.6 211, RGB 141.7 182.6 230 and RGB 158.7 200.6 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85.7 128.6 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85.7 128.6 178 shade: RGB 85.7 128.6 178, RGB 68.7 110.6 159, RGB 51.7 92.6 140, RGB 34.7 74.6 121 and RGB 17.7 56.6 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85.7 128.6 178 shade: RGB 87 129 178, RGB 87 105 178, RGB 94 87 178, RGB 118 87 178 and RGB 143 87 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85.7 128.6 178 shade: RGB 87 129 178, RGB 87 105 178 and RGB 87 87 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85.7 128.6 178 shade matches the following richer shades: RGB 87 129 178, RGB 68 128 198, RGB 48 127 217 and RGB 28 125 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85.7 128.6 178 shade: RGB 87 129 178, RGB 107 131 158, RGB 127 132 138, RGB 147 134 118 and RGB 167 135 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85.7 128.6 178 shade: RGB 87 178 178, RGB 87 154 178, RGB 87 130 178, RGB 87 105 178 and RGB 93 87 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85.7 128.6 178 shade: RGB 58 89 125, RGB 71 109 153, RGB 87 129 178, RGB 116 151 191 and RGB 144 172 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85.7 128.6 178 shade: RGB 85.7 128.6 178, RGB 154 87 178 and RGB 166 178 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85.7 128.6 178 shade: RGB 85.7 128.6 178, RGB 178 87 130 and RGB 130 178 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85.7 128.6 178 shade: RGB 85.7 128.6 178, RGB 154 87 178, RGB 178 136 87 and RGB 111 178 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85.7 128.6 178 shade: RGB 85.7 128.6 178, RGB 178 87 175, RGB 178 136 87 and RGB 87 178 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 28 / 0 / 30

HEX #5580B2

RGB 85.7 128.6 178

HSL 212.11, 0.37%, 0.52%

LAB 52.7, -0.51, -30.63

 

Complementary color

CMYK 0 / 25 / 55 / 34

HEX #A97E4D

RGB 169.3 126.4 77

HSL 32.11, 0.37%, 0.48%

LAB 56.12, 10.7, 33.13

 

CMYK 48 / 26 / 0 / 32

HEX #5A80AD

RGB 90.7 128.6 173

HSL 212.37, 0.33%, 0.52%

LAB 52.75, -0.82, -27.65

 

CMYK 44 / 24 / 0 / 25

HEX #6B92C0

RGB 107.7 146.6 192

HSL 212.31, 0.4%, 0.59%

LAB 59.63, -1.29, -27.76

 

CMYK 41 / 22 / 0 / 17

HEX #7CA4D3

RGB 124.7 164.6 211

HSL 212.26, 0.5%, 0.66%

LAB 66.37, -1.67, -27.9

 

CMYK 38 / 21 / 0 / 10

HEX #8DB6E6

RGB 141.7 182.6 230

HSL 212.21, 0.64%, 0.73%

LAB 72.98, -1.99, -28.06

 

CMYK 36 / 19 / 0 / 2

HEX #9EC8F9

RGB 158.7 200.6 249

HSL 212.16, 0.88%, 0.8%

LAB 79.48, -2.27, -28.24

 

CMYK 52 / 28 / 0 / 30

HEX #5580B2

RGB 85.7 128.6 178

HSL 212.11, 0.37%, 0.52%

LAB 52.7, -0.51, -30.63

 

CMYK 57 / 30 / 0 / 38

HEX #446E9F

RGB 68.7 110.6 159

HSL 212.16, 0.4%, 0.45%

LAB 45.69, 0.23, -30.58

 

CMYK 63 / 34 / 0 / 45

HEX #335C8C

RGB 51.7 92.6 140

HSL 212.21, 0.46%, 0.38%

LAB 38.51, 1.21, -30.56

 

CMYK 71 / 38 / 0 / 53

HEX #224A79

RGB 34.7 74.6 121

HSL 212.26, 0.55%, 0.31%

LAB 31.14, 2.57, -30.56

 

CMYK 83 / 45 / 0 / 60

HEX #113866

RGB 17.7 56.6 102

HSL 212.31, 0.7%, 0.23%

LAB 23.58, 4.55, -30.55

 

CMYK 51 / 28 / 0 / 30

HEX #5781B2

RGB 87 129 178

HSL 212.31, 0.37%, 0.52%

LAB 52.88, -0.43, -30.34

 

CMYK 51 / 41 / 0 / 30

HEX #5769B2

RGB 87 105 178

HSL 228.13, 0.37%, 0.52%

LAB 46.1, 14.13, -41

 

CMYK 47 / 51 / 0 / 30

HEX #5E57B2

RGB 94 87 178

HSL 244.62, 0.37%, 0.52%

LAB 41.86, 27.02, -47.73

 

CMYK 34 / 51 / 0 / 30

HEX #7657B2

RGB 118 87 178

HSL 260.44, 0.37%, 0.52%

LAB 44.06, 33.02, -44.08

 

CMYK 20 / 51 / 0 / 30

HEX #8F57B2

RGB 143 87 178

HSL 276.92, 0.37%, 0.52%

LAB 46.8, 39.84, -39.56

 

CMYK 51 / 28 / 0 / 30

HEX #5781B2

RGB 87 129 178

HSL 212.31, 0.37%, 0.52%

LAB 52.88, -0.43, -30.34

 

CMYK 51 / 41 / 0 / 30

HEX #5769B2

RGB 87 105 178

HSL 228.13, 0.37%, 0.52%

LAB 46.1, 14.13, -41

 

CMYK 51 / 51 / 0 / 30

HEX #5757B2

RGB 87 87 178

HSL 240, 0.37%, 0.52%

LAB 41.31, 25.42, -48.65

 

CMYK 51 / 28 / 0 / 30

HEX #5781B2

RGB 87 129 178

HSL 212.31, 0.37%, 0.52%

LAB 52.88, -0.43, -30.34

 

CMYK 66 / 35 / 0 / 22

HEX #4480C6

RGB 68 128 198

HSL 212.31, 0.53%, 0.52%

LAB 52.67, 2.87, -42.19

 

CMYK 78 / 41 / 0 / 15

HEX #307FD9

RGB 48 127 217

HSL 211.95, 0.69%, 0.52%

LAB 52.75, 7.53, -52.87

 

CMYK 88 / 47 / 0 / 7

HEX #1C7DED

RGB 28 125 237

HSL 212.15, 0.85%, 0.52%

LAB 52.98, 14.69, -63.74

 

CMYK 51 / 28 / 0 / 30

HEX #5781B2

RGB 87 129 178

HSL 212.31, 0.37%, 0.52%

LAB 52.88, -0.43, -30.34

 

CMYK 32 / 17 / 0 / 38

HEX #6B839E

RGB 107 131 158

HSL 211.76, 0.21%, 0.52%

LAB 53.84, -1.92, -17.22

 

CMYK 8 / 4 / 0 / 46

HEX #7F848A

RGB 127 132 138

HSL 212.73, 0.04%, 0.52%

LAB 54.92, -0.6, -3.87

 

CMYK 0 / 9 / 20 / 42

HEX #938676

RGB 147 134 118

HSL 33.1, 0.12%, 0.52%

LAB 56.65, 2.14, 10.39

 

CMYK 0 / 19 / 41 / 35

HEX #A78763

RGB 167 135 99

HSL 31.76, 0.28%, 0.52%

LAB 58.46, 7.15, 23.96

 

CMYK 51 / 0 / 0 / 30

HEX #57B2B2

RGB 87 178 178

HSL 180, 0.37%, 0.52%

LAB 67.34, -26.97, -8.32

 

CMYK 51 / 13 / 0 / 30

HEX #579AB2

RGB 87 154 178

HSL 195.82, 0.37%, 0.52%

LAB 60.21, -14.55, -19.06

 

CMYK 51 / 27 / 0 / 30

HEX #5782B2

RGB 87 130 178

HSL 211.65, 0.37%, 0.52%

LAB 53.17, -1.02, -29.89

 

CMYK 51 / 41 / 0 / 30

HEX #5769B2

RGB 87 105 178

HSL 228.13, 0.37%, 0.52%

LAB 46.1, 14.13, -41

 

CMYK 48 / 51 / 0 / 30

HEX #5D57B2

RGB 93 87 178

HSL 243.96, 0.37%, 0.52%

LAB 41.78, 26.79, -47.87

 

CMYK 54 / 29 / 0 / 51

HEX #3A597D

RGB 58 89 125

HSL 212.24, 0.37%, 0.36%

LAB 36.98, -0.29, -23.78

 

CMYK 54 / 29 / 0 / 40

HEX #476D99

RGB 71 109 153

HSL 212.2, 0.37%, 0.44%

LAB 45.05, -0.24, -28.02

 

CMYK 51 / 28 / 0 / 30

HEX #5781B2

RGB 87 129 178

HSL 212.31, 0.37%, 0.52%

LAB 52.88, -0.43, -30.34

 

CMYK 39 / 21 / 0 / 25

HEX #7497BF

RGB 116 151 191

HSL 212, 0.37%, 0.6%

LAB 61.31, -1.86, -24.56

 

CMYK 29 / 16 / 0 / 20

HEX #90ACCC

RGB 144 172 204

HSL 212, 0.37%, 0.68%

LAB 69.32, -2.18, -19.42

 

CMYK 52 / 28 / 0 / 30

HEX #5580B2

RGB 85.7 128.6 178

HSL 212.11, 0.37%, 0.52%

LAB 52.7, -0.51, -30.63

 

CMYK 13 / 51 / 0 / 30

HEX #9A57B2

RGB 154 87 178

HSL 284.18, 0.37%, 0.52%

LAB 48.13, 42.93, -37.37

 

CMYK 7 / 0 / 51 / 30

HEX #A6B257

RGB 166 178 87

HSL 67.91, 0.37%, 0.52%

LAB 69.92, -17.63, 44.61

 

CMYK 52 / 28 / 0 / 30

HEX #5580B2

RGB 85.7 128.6 178

HSL 212.11, 0.37%, 0.52%

LAB 52.7, -0.51, -30.63

 

CMYK 0 / 51 / 27 / 30

HEX #B25782

RGB 178 87 130

HSL 331.65, 0.37%, 0.52%

LAB 49.37, 41.98, -6.78

 

CMYK 27 / 0 / 51 / 30

HEX #82B257

RGB 130 178 87

HSL 91.65, 0.37%, 0.52%

LAB 67.48, -31.78, 41.11

 

CMYK 52 / 28 / 0 / 30

HEX #5580B2

RGB 85.7 128.6 178

HSL 212.11, 0.37%, 0.52%

LAB 52.7, -0.51, -30.63

 

CMYK 13 / 51 / 0 / 30

HEX #9A57B2

RGB 154 87 178

HSL 284.18, 0.37%, 0.52%

LAB 48.13, 42.93, -37.37

 

CMYK 0 / 24 / 51 / 30

HEX #B28857

RGB 178 136 87

HSL 32.31, 0.37%, 0.52%

LAB 59.67, 9.98, 32.36

 

CMYK 38 / 0 / 51 / 30

HEX #6FB257

RGB 111 178 87

HSL 104.18, 0.37%, 0.52%

LAB 66.45, -38.5, 39.62

 

CMYK 52 / 28 / 0 / 30

HEX #5580B2

RGB 85.7 128.6 178

HSL 212.11, 0.37%, 0.52%

LAB 52.7, -0.51, -30.63

 

CMYK 0 / 51 / 2 / 30

HEX #B257AF

RGB 178 87 175

HSL 301.98, 0.37%, 0.52%

LAB 51.12, 49.22, -30.71

 

CMYK 0 / 24 / 51 / 30

HEX #B28857

RGB 178 136 87

HSL 32.31, 0.37%, 0.52%

LAB 59.67, 9.98, 32.36

 

CMYK 51 / 0 / 49 / 30

HEX #57B25A

RGB 87 178 90

HSL 121.98, 0.37%, 0.52%

LAB 65.44, -45.46, 36.64

 

Description

Color code: RGB 85.7 128.6 178 | qconv.com Color code: RGB 85.7 128.6 178 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85.7 red, 128.6 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85.7 128.6 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 28 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 28% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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