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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B257AF it is the complementary color #4DA850. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B257AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B257AF shade: #B757AA, #C869BD, #D97BD0, #EA8DE3 and #FB9FF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B257AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B257AF shade: #B257AF, #A1459C, #903389, #7F2176 and #6E0F63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B257AF shade: #B257AF, #B25796, #B2577E, #B25766 and #B25757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B257AF shade: #B257AF, #9C57B2, #8457B2, #6C57B2 and #5757B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B257AF shade matches the following richer shades: #B257AF, #C644C1, #D930D4 and #ED1CE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B257AF shade: #B257AF, #9E6B9C, #8A7F8A, #769377 and #63A765

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B257AF shade: #8357B2, #9B57B2, #B257B0, #B25798 and #B25780

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B257AF shade: #7D3A7B, #994797, #B257AF, #BF74BC and #CC90CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B257AF shade: #B257AF, #B26B57 and #57B28F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B257AF shade: #B257AF, #B0B257 and #57B0B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B257AF shade: #B257AF, #B26B57, #57B259 and #579EB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B257AF shade: #B257AF, #B28657, #57B259 and #5783B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 2 / 30

HEX #B257AF

RGB 178 87 175

HSL 301.98, 0.37%, 0.52%

LAB 51.12, 49.22, -30.71

 

Complementary color

CMYK 54 / 0 / 52 / 34

HEX #4DA850

RGB 77 168 80

HSL 121.98, 0.37%, 0.48%

LAB 61.79, -45.49, 37.09

 

CMYK 0 / 52 / 7 / 28

HEX #B757AA

RGB 183 87 170

HSL 308.13, 0.4%, 0.53%

LAB 51.59, 49.8, -27

 

CMYK 0 / 48 / 5 / 22

HEX #C869BD

RGB 200 105 189

HSL 306.95, 0.46%, 0.6%

LAB 58.09, 49.17, -27.75

 

CMYK 0 / 43 / 4 / 15

HEX #D97BD0

RGB 217 123 208

HSL 305.74, 0.55%, 0.67%

LAB 64.54, 48.46, -28.37

 

CMYK 0 / 40 / 3 / 8

HEX #EA8DE3

RGB 234 141 227

HSL 304.52, 0.69%, 0.74%

LAB 70.93, 47.73, -28.9

 

CMYK 0 / 37 / 2 / 2

HEX #FB9FF6

RGB 251 159 246

HSL 303.26, 0.92%, 0.8%

LAB 77.26, 47.01, -29.37

 

CMYK 0 / 51 / 2 / 30

HEX #B257AF

RGB 178 87 175

HSL 301.98, 0.37%, 0.52%

LAB 51.12, 49.22, -30.71

 

CMYK 0 / 57 / 3 / 37

HEX #A1459C

RGB 161 69 156

HSL 303.26, 0.4%, 0.45%

LAB 44.57, 49.73, -29.91

 

CMYK 0 / 65 / 5 / 44

HEX #903389

RGB 144 51 137

HSL 304.52, 0.48%, 0.38%

LAB 38.03, 49.94, -28.84

 

CMYK 0 / 74 / 7 / 50

HEX #7F2176

RGB 127 33 118

HSL 305.74, 0.59%, 0.31%

LAB 31.6, 49.56, -27.32

 

CMYK 0 / 86 / 10 / 57

HEX #6E0F63

RGB 110 15 99

HSL 306.95, 0.76%, 0.25%

LAB 25.43, 48.05, -25.03

 

CMYK 0 / 51 / 2 / 30

HEX #B257AF

RGB 178 87 175

HSL 301.98, 0.37%, 0.52%

LAB 51.12, 49.22, -30.71

 

CMYK 0 / 51 / 16 / 30

HEX #B25796

RGB 178 87 150

HSL 318.46, 0.37%, 0.52%

LAB 50.08, 44.97, -17.62

 

CMYK 0 / 51 / 29 / 30

HEX #B2577E

RGB 178 87 126

HSL 334.29, 0.37%, 0.52%

LAB 49.24, 41.43, -4.57

 

CMYK 0 / 51 / 43 / 30

HEX #B25766

RGB 178 87 102

HSL 350.11, 0.37%, 0.52%

LAB 48.56, 38.47, 8.89

 

CMYK 0 / 51 / 51 / 30

HEX #B25757

RGB 178 87 87

HSL 0, 0.37%, 0.52%

LAB 48.22, 36.95, 17.43

 

CMYK 0 / 51 / 2 / 30

HEX #B257AF

RGB 178 87 175

HSL 301.98, 0.37%, 0.52%

LAB 51.12, 49.22, -30.71

 

CMYK 12 / 51 / 0 / 30

HEX #9C57B2

RGB 156 87 178

HSL 285.49, 0.37%, 0.52%

LAB 48.38, 43.5, -36.96

 

CMYK 26 / 51 / 0 / 30

HEX #8457B2

RGB 132 87 178

HSL 269.67, 0.37%, 0.52%

LAB 45.55, 36.79, -41.63

 

CMYK 39 / 51 / 0 / 30

HEX #6C57B2

RGB 108 87 178

HSL 253.85, 0.37%, 0.52%

LAB 43.09, 30.44, -45.69

 

CMYK 51 / 51 / 0 / 30

HEX #5757B2

RGB 87 87 178

HSL 240, 0.37%, 0.52%

LAB 41.31, 25.42, -48.65

 

CMYK 0 / 51 / 2 / 30

HEX #B257AF

RGB 178 87 175

HSL 301.98, 0.37%, 0.52%

LAB 51.12, 49.22, -30.71

 

CMYK 0 / 66 / 3 / 22

HEX #C644C1

RGB 198 68 193

HSL 302.31, 0.53%, 0.52%

LAB 51.83, 65.96, -39.86

 

CMYK 0 / 78 / 2 / 15

HEX #D930D4

RGB 217 48 212

HSL 301.78, 0.69%, 0.52%

LAB 53.62, 79.4, -47.73

 

CMYK 0 / 88 / 3 / 7

HEX #ED1CE6

RGB 237 28 230

HSL 302.01, 0.85%, 0.52%

LAB 56.63, 89.54, -52.95

 

CMYK 0 / 51 / 2 / 30

HEX #B257AF

RGB 178 87 175

HSL 301.98, 0.37%, 0.52%

LAB 51.12, 49.22, -30.71

 

CMYK 0 / 32 / 1 / 38

HEX #9E6B9C

RGB 158 107 156

HSL 302.35, 0.21%, 0.52%

LAB 52.05, 28.59, -18.38

 

CMYK 0 / 8 / 0 / 46

HEX #8A7F8A

RGB 138 127 138

HSL 300, 0.04%, 0.52%

LAB 54.47, 6.29, -4.43

 

CMYK 20 / 0 / 19 / 42

HEX #769377

RGB 118 147 119

HSL 122.07, 0.12%, 0.52%

LAB 58.09, -15.94, 11.52

 

CMYK 41 / 0 / 40 / 35

HEX #63A765

RGB 99 167 101

HSL 121.76, 0.28%, 0.52%

LAB 62.7, -35.46, 27.54

 

CMYK 26 / 51 / 0 / 30

HEX #8357B2

RGB 131 87 178

HSL 269.01, 0.37%, 0.52%

LAB 45.44, 36.52, -41.82

 

CMYK 13 / 51 / 0 / 30

HEX #9B57B2

RGB 155 87 178

HSL 284.84, 0.37%, 0.52%

LAB 48.26, 43.22, -37.17

 

CMYK 0 / 51 / 1 / 30

HEX #B257B0

RGB 178 87 176

HSL 301.32, 0.37%, 0.52%

LAB 51.17, 49.4, -31.22

 

CMYK 0 / 51 / 15 / 30

HEX #B25798

RGB 178 87 152

HSL 317.14, 0.37%, 0.52%

LAB 50.15, 45.29, -18.69

 

CMYK 0 / 51 / 28 / 30

HEX #B25780

RGB 178 87 128

HSL 332.97, 0.37%, 0.52%

LAB 49.3, 41.7, -5.68

 

CMYK 0 / 54 / 2 / 51

HEX #7D3A7B

RGB 125 58 123

HSL 301.79, 0.37%, 0.36%

LAB 35.63, 38.64, -24.16

 

CMYK 0 / 54 / 1 / 40

HEX #994797

RGB 153 71 151

HSL 301.46, 0.37%, 0.44%

LAB 43.53, 45.58, -28.63

 

CMYK 0 / 51 / 2 / 30

HEX #B257AF

RGB 178 87 175

HSL 301.98, 0.37%, 0.52%

LAB 51.12, 49.22, -30.71

 

CMYK 0 / 39 / 2 / 25

HEX #BF74BC

RGB 191 116 188

HSL 302.4, 0.37%, 0.6%

LAB 59.16, 40.5, -25.63

 

CMYK 0 / 29 / 1 / 20

HEX #CC90CA

RGB 204 144 202

HSL 302, 0.37%, 0.68%

LAB 67.31, 32.13, -20.9

 

CMYK 0 / 51 / 2 / 30

HEX #B257AF

RGB 178 87 175

HSL 301.98, 0.37%, 0.52%

LAB 51.12, 49.22, -30.71

 

CMYK 0 / 40 / 51 / 30

HEX #B26B57

RGB 178 107 87

HSL 13.19, 0.37%, 0.52%

LAB 52.58, 26.17, 23.25

 

CMYK 51 / 0 / 20 / 30

HEX #57B28F

RGB 87 178 143

HSL 156.92, 0.37%, 0.52%

LAB 66.41, -35.65, 9.66

 

CMYK 0 / 51 / 2 / 30

HEX #B257AF

RGB 178 87 175

HSL 301.98, 0.37%, 0.52%

LAB 51.12, 49.22, -30.71

 

CMYK 1 / 0 / 51 / 30

HEX #B0B257

RGB 176 178 87

HSL 61.32, 0.37%, 0.52%

LAB 70.7, -13.49, 45.73

 

CMYK 51 / 1 / 0 / 30

HEX #57B0B2

RGB 87 176 178

HSL 181.32, 0.37%, 0.52%

LAB 66.74, -25.98, -9.21

 

CMYK 0 / 51 / 2 / 30

HEX #B257AF

RGB 178 87 175

HSL 301.98, 0.37%, 0.52%

LAB 51.12, 49.22, -30.71

 

CMYK 0 / 40 / 51 / 30

HEX #B26B57

RGB 178 107 87

HSL 13.19, 0.37%, 0.52%

LAB 52.58, 26.17, 23.25

 

CMYK 51 / 0 / 50 / 30

HEX #57B259

RGB 87 178 89

HSL 121.32, 0.37%, 0.52%

LAB 65.43, -45.6, 37.13

 

CMYK 51 / 11 / 0 / 30

HEX #579EB2

RGB 87 158 178

HSL 193.19, 0.37%, 0.52%

LAB 61.39, -16.7, -17.26

 

CMYK 0 / 51 / 2 / 30

HEX #B257AF

RGB 178 87 175

HSL 301.98, 0.37%, 0.52%

LAB 51.12, 49.22, -30.71

 

CMYK 0 / 25 / 51 / 30

HEX #B28657

RGB 178 134 87

HSL 30.99, 0.37%, 0.52%

LAB 59.16, 11.1, 31.72

 

CMYK 51 / 0 / 50 / 30

HEX #57B259

RGB 87 178 89

HSL 121.32, 0.37%, 0.52%

LAB 65.43, -45.6, 37.13

 

CMYK 51 / 26 / 0 / 30

HEX #5783B2

RGB 87 131 178

HSL 210.99, 0.37%, 0.52%

LAB 53.46, -1.61, -29.44

 

Description

Color code: HEX #B257AF | qconv.com Color code: HEX #B257AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 87 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 87 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 2 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 2% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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