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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 58 174 it is the complementary color RGB 171 197 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 58 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 84 58 174: RGB 89 58 169, RGB 106 76 188, RGB 123 94 207, RGB 140 112 226 and RGB 157 130 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 58 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 84 58 174: RGB 84 58 174, RGB 67 40 155, RGB 50 22 136, RGB 33 4 117 and RGB 16 0 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 67 / 0 / 32

HEX #543AAE

RGB 84 58 174

HSL 253.45, 0.5%, 0.45%

LAB 33.91, 41.2, -58.26

 

Complementary color

CMYK 13 / 0 / 59 / 23

HEX #ABC551

RGB 171 197 81

HSL 73.45, 0.5%, 0.55%

LAB 75.57, -25.55, 53.98

 

CMYK 47 / 66 / 0 / 34

HEX #593AA9

RGB 89 58 169

HSL 256.76, 0.49%, 0.45%

LAB 34.01, 40.68, -55.08

 

CMYK 44 / 60 / 0 / 26

HEX #6A4CBC

RGB 106 76 188

HSL 256.07, 0.46%, 0.52%

LAB 41, 39.33, -54.93

 

CMYK 41 / 55 / 0 / 19

HEX #7B5ECF

RGB 123 94 207

HSL 255.4, 0.54%, 0.59%

LAB 47.91, 38.06, -54.71

 

CMYK 38 / 50 / 0 / 11

HEX #8C70E2

RGB 140 112 226

HSL 254.74, 0.66%, 0.66%

LAB 54.71, 36.9, -54.49

 

CMYK 36 / 47 / 0 / 4

HEX #9D82F5

RGB 157 130 245

HSL 254.09, 0.85%, 0.74%

LAB 61.42, 35.84, -54.29

 

CMYK 52 / 67 / 0 / 32

HEX #543AAE

RGB 84 58 174

HSL 253.45, 0.5%, 0.45%

LAB 33.91, 41.2, -58.26

 

CMYK 57 / 74 / 0 / 39

HEX #43289B

RGB 67 40 155

HSL 254.09, 0.59%, 0.38%

LAB 26.95, 42.66, -58.24

 

CMYK 63 / 84 / 0 / 47

HEX #321688

RGB 50 22 136

HSL 254.74, 0.72%, 0.31%

LAB 20.16, 43.73, -57.72

 

CMYK 72 / 97 / 0 / 54

HEX #210475

RGB 33 4 117

HSL 255.4, 0.93%, 0.24%

LAB 13.79, 43.76, -56.22

 

CMYK 84 / 100 / 0 / 62

HEX #100062

RGB 16 0 98

HSL 249.8, 1%, 0.19%

LAB 8.92, 39.63, -51.89

 

CMYK 52 / 67 / 0 / 32

HEX #543AAE

RGB 84 58 174

HSL 253.45, 0.5%, 0.45%

LAB 33.91, 41.2, -58.26

 

CMYK 41 / 67 / 0 / 33

HEX #6539AC

RGB 101 57 172

HSL 262.96, 0.5%, 0.45%

LAB 35.34, 44.47, -54.66

 

CMYK 30 / 67 / 0 / 33

HEX #7839AC

RGB 120 57 172

HSL 272.87, 0.5%, 0.45%

LAB 37.66, 48.51, -50.8

 

CMYK 19 / 67 / 0 / 33

HEX #8B39AC

RGB 139 57 172

HSL 282.78, 0.5%, 0.45%

LAB 40.24, 52.79, -46.52

 

CMYK 8 / 67 / 0 / 33

HEX #9E39AC

RGB 158 57 172

HSL 292.7, 0.5%, 0.45%

LAB 43.02, 57.21, -41.9

 

CMYK 52 / 67 / 0 / 32

HEX #543AAE

RGB 84 58 174

HSL 253.45, 0.5%, 0.45%

LAB 33.91, 41.2, -58.26

 

CMYK 52 / 67 / 0 / 12

HEX #6D4BE1

RGB 109 75 225

HSL 253.6, 0.71%, 0.59%

LAB 43.83, 51.03, -71.65

 

CMYK 52 / 67 / 0 / 92

HEX #0A0715

RGB 10 7 21

HSL 252.86, 0.5%, 0.05%

LAB 2.44, 3.25, -6.43

 

CMYK 51 / 67 / 0 / 72

HEX #231848

RGB 35 24 72

HSL 253.75, 0.5%, 0.19%

LAB 12.47, 19.55, -28.27

 

CMYK 52 / 67 / 0 / 52

HEX #3B297B

RGB 59 41 123

HSL 253.17, 0.5%, 0.32%

LAB 23.49, 30.75, -44.02

 

CMYK 52 / 67 / 0 / 32

HEX #543AAE

RGB 84 58 174

HSL 253.45, 0.5%, 0.45%

LAB 33.91, 41.2, -58.26

 

CMYK 0 / 67 / 28 / 33

HEX #AC397C

RGB 172 57 124

HSL 325.04, 0.5%, 0.45%

LAB 42.99, 53.25, -12.81

 

CMYK 55 / 0 / 67 / 33

HEX #4EAC39

RGB 78 172 57

HSL 109.04, 0.5%, 0.45%

LAB 62.86, -49.46, 49

 

CMYK 52 / 67 / 0 / 32

HEX #543AAE

RGB 84 58 174

HSL 253.45, 0.5%, 0.45%

LAB 33.91, 41.2, -58.26

 

CMYK 0 / 52 / 67 / 33

HEX #AC5239

RGB 172 82 57

HSL 13.04, 0.5%, 0.45%

LAB 45.77, 34.9, 31.73

 

CMYK 67 / 0 / 52 / 33

HEX #39AC52

RGB 57 172 82

HSL 133.04, 0.5%, 0.45%

LAB 62.49, -51.4, 36.81

 

CMYK 52 / 67 / 0 / 32

HEX #543AAE

RGB 84 58 174

HSL 253.45, 0.5%, 0.45%

LAB 33.91, 41.2, -58.26

 

CMYK 0 / 67 / 28 / 33

HEX #AC397C

RGB 172 57 124

HSL 325.04, 0.5%, 0.45%

LAB 42.99, 53.25, -12.81

 

CMYK 15 / 0 / 67 / 33

HEX #93AC39

RGB 147 172 57

HSL 73.04, 0.5%, 0.45%

LAB 66.52, -24.91, 53.98

 

CMYK 67 / 0 / 39 / 33

HEX #39AC69

RGB 57 172 105

HSL 145.04, 0.5%, 0.45%

LAB 62.84, -47.52, 25.31

 

CMYK 52 / 67 / 0 / 32

HEX #543AAE

RGB 84 58 174

HSL 253.45, 0.5%, 0.45%

LAB 33.91, 41.2, -58.26

 

CMYK 0 / 67 / 48 / 33

HEX #AC3959

RGB 172 57 89

HSL 343.3, 0.5%, 0.45%

LAB 41.87, 49.32, 7.26

 

CMYK 15 / 0 / 67 / 33

HEX #93AC39

RGB 147 172 57

HSL 73.04, 0.5%, 0.45%

LAB 66.52, -24.91, 53.98

 

CMYK 67 / 0 / 19 / 33

HEX #39AC8B

RGB 57 172 139

HSL 162.78, 0.5%, 0.45%

LAB 63.54, -40.09, 7.67

 

Description

Color code: RGB 84 58 174 | qconv.com Color code: RGB 84 58 174 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 58 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 58 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 67 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 67% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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