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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 35 86 it is the complementary color RGB 171 220 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 35 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 84 35 86: RGB 89 35 81, RGB 106 53 100, RGB 123 71 119, RGB 140 89 138 and RGB 157 107 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 35 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 84 35 86: RGB 84 35 86, RGB 67 17 67, RGB 50 0 48, RGB 33 0 29 and RGB 16 0 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 59 / 0 / 66

HEX #542356

RGB 84 35 86

HSL 297.65, 0.42%, 0.24%

LAB 22.86, 30.9, -20.82

 

Complementary color

CMYK 22 / 0 / 23 / 14

HEX #ABDCA9

RGB 171 220 169

HSL 117.65, 0.42%, 0.76%

LAB 83.29, -25.56, 20.01

 

CMYK 0 / 61 / 9 / 65

HEX #592351

RGB 89 35 81

HSL 308.89, 0.44%, 0.24%

LAB 23.41, 31.49, -16.57

 

CMYK 0 / 50 / 6 / 58

HEX #6A3564

RGB 106 53 100

HSL 306.79, 0.33%, 0.31%

LAB 30.71, 30.83, -17.47

 

CMYK 0 / 42 / 3 / 52

HEX #7B4777

RGB 123 71 119

HSL 304.62, 0.27%, 0.38%

LAB 37.93, 30.03, -18.12

 

CMYK 0 / 36 / 1 / 45

HEX #8C598A

RGB 140 89 138

HSL 302.35, 0.22%, 0.45%

LAB 45.02, 29.21, -18.64

 

CMYK 0 / 32 / 0 / 38

HEX #9D6B9D

RGB 157 107 157

HSL 300, 0.2%, 0.52%

LAB 51.97, 28.44, -19.09

 

CMYK 2 / 59 / 0 / 66

HEX #542356

RGB 84 35 86

HSL 297.65, 0.42%, 0.24%

LAB 22.86, 30.9, -20.82

 

CMYK 0 / 75 / 0 / 74

HEX #431143

RGB 67 17 67

HSL 300, 0.6%, 0.16%

LAB 15.48, 31.09, -19.69

 

CMYK 0 / 100 / 4 / 80

HEX #320030

RGB 50 0 48

HSL 302.4, 1%, 0.1%

LAB 8.05, 30.79, -18.06

 

CMYK 0 / 100 / 12 / 87

HEX #21001D

RGB 33 0 29

HSL 307.27, 1%, 0.06%

LAB 3.72, 18.73, -10.47

 

CMYK 0 / 100 / 38 / 94

HEX #10000A

RGB 16 0 10

HSL 322.5, 1%, 0.03%

LAB 1.19, 5.86, -2.21

 

CMYK 2 / 59 / 0 / 66

HEX #542356

RGB 84 35 86

HSL 297.65, 0.42%, 0.24%

LAB 22.86, 30.9, -20.82

 

CMYK 0 / 59 / 7 / 66

HEX #562350

RGB 86 35 80

HSL 307.06, 0.42%, 0.24%

LAB 22.86, 30.32, -16.78

 

CMYK 0 / 59 / 16 / 66

HEX #562348

RGB 86 35 72

HSL 316.47, 0.42%, 0.24%

LAB 22.47, 28.83, -11.99

 

CMYK 0 / 59 / 27 / 66

HEX #56233F

RGB 86 35 63

HSL 327.06, 0.42%, 0.24%

LAB 22.09, 27.29, -6.45

 

CMYK 0 / 59 / 36 / 66

HEX #562337

RGB 86 35 55

HSL 336.47, 0.42%, 0.24%

LAB 21.79, 26.07, -1.4

 

CMYK 2 / 59 / 0 / 66

HEX #542356

RGB 84 35 86

HSL 297.65, 0.42%, 0.24%

LAB 22.86, 30.9, -20.82

 

CMYK 2 / 59 / 0 / 46

HEX #863889

RGB 134 56 137

HSL 297.78, 0.42%, 0.38%

LAB 37.3, 44.94, -30.09

 

CMYK 2 / 59 / 0 / 26

HEX #B84DBC

RGB 184 77 188

HSL 297.84, 0.45%, 0.52%

LAB 50.84, 57.91, -38.66

 

CMYK 3 / 59 / 0 / 6

HEX #E961EF

RGB 233 97 239

HSL 297.46, 0.82%, 0.66%

LAB 63.43, 70.36, -47.24

 

CMYK 3 / 60 / 0 / 86

HEX #220E23

RGB 34 14 35

HSL 297.14, 0.43%, 0.1%

LAB 7.01, 14.62, -10.13

 

CMYK 2 / 59 / 0 / 66

HEX #542356

RGB 84 35 86

HSL 297.65, 0.42%, 0.24%

LAB 22.86, 30.9, -20.82

 

CMYK 0 / 50 / 59 / 66

HEX #562B23

RGB 86 43 35

HSL 9.41, 0.42%, 0.24%

LAB 23.09, 18.91, 14.07

 

CMYK 59 / 0 / 27 / 66

HEX #23563F

RGB 35 86 63

HSL 152.94, 0.42%, 0.24%

LAB 32.64, -23.33, 8.32

 

CMYK 2 / 59 / 0 / 66

HEX #542356

RGB 84 35 86

HSL 297.65, 0.42%, 0.24%

LAB 22.86, 30.9, -20.82

 

CMYK 0 / 2 / 59 / 66

HEX #565423

RGB 86 84 35

HSL 57.65, 0.42%, 0.24%

LAB 34.88, -6.68, 28.46

 

CMYK 59 / 0 / 2 / 66

HEX #235654

RGB 35 86 84

HSL 177.65, 0.42%, 0.24%

LAB 33.25, -17.48, -4.01

 

CMYK 2 / 59 / 0 / 66

HEX #542356

RGB 84 35 86

HSL 297.65, 0.42%, 0.24%

LAB 22.86, 30.9, -20.82

 

CMYK 0 / 50 / 59 / 66

HEX #562B23

RGB 86 43 35

HSL 9.41, 0.42%, 0.24%

LAB 23.09, 18.91, 14.07

 

CMYK 56 / 0 / 59 / 66

HEX #265623

RGB 38 86 35

HSL 116.47, 0.42%, 0.24%

LAB 32.23, -27.96, 24.52

 

CMYK 59 / 8 / 0 / 66

HEX #234F56

RGB 35 79 86

HSL 188.24, 0.42%, 0.24%

LAB 30.93, -12.85, -8.75

 

CMYK 2 / 59 / 0 / 66

HEX #542356

RGB 84 35 86

HSL 297.65, 0.42%, 0.24%

LAB 22.86, 30.9, -20.82

 

CMYK 0 / 33 / 59 / 66

HEX #563A23

RGB 86 58 35

HSL 27.06, 0.42%, 0.24%

LAB 27.09, 9.45, 19.16

 

CMYK 56 / 0 / 59 / 66

HEX #265623

RGB 38 86 35

HSL 116.47, 0.42%, 0.24%

LAB 32.23, -27.96, 24.52

 

CMYK 59 / 27 / 0 / 66

HEX #233F56

RGB 35 63 86

HSL 207.06, 0.42%, 0.24%

LAB 25.52, -2.88, -17.03

 

Description

Color code: RGB 84 35 86 | qconv.com Color code: RGB 84 35 86 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 35 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 35 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 59 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 59% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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