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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 245 142 it is the complementary color RGB 171 10 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 245 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 84 245 142: RGB 89 245 137, RGB 106 255 156, RGB 123 255 175, RGB 140 255 194 and RGB 157 255 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 245 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 84 245 142: RGB 84 245 142, RGB 67 227 123, RGB 50 209 104, RGB 33 191 85 and RGB 16 173 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 42 / 4

HEX #54F58E

RGB 84 245 142

HSL 141.61, 0.89%, 0.65%

LAB 86.57, -63.75, 37.58

 

Complementary color

CMYK 0 / 94 / 34 / 33

HEX #AB0A71

RGB 171 10 113

HSL 321.61, 0.89%, 0.35%

LAB 37.96, 64.22, -13.63

 

CMYK 64 / 0 / 44 / 4

HEX #59F589

RGB 89 245 137

HSL 138.46, 0.89%, 0.65%

LAB 86.62, -63.66, 40.12

 

CMYK 58 / 0 / 39 / 0

HEX #6AFF9C

RGB 106 255 156

HSL 140.13, 1%, 0.71%

LAB 90.31, -60.9, 35.66

 

CMYK 52 / 0 / 31 / 0

HEX #7BFFAF

RGB 123 255 175

HSL 143.64, 1%, 0.74%

LAB 91.16, -53.82, 27.38

 

CMYK 45 / 0 / 24 / 0

HEX #8CFFC2

RGB 140 255 194

HSL 148.17, 1%, 0.77%

LAB 92.13, -46.12, 19.15

 

CMYK 38 / 0 / 16 / 0

HEX #9DFFD5

RGB 157 255 213

HSL 154.29, 1%, 0.81%

LAB 93.23, -37.94, 11.06

 

CMYK 66 / 0 / 42 / 4

HEX #54F58E

RGB 84 245 142

HSL 141.61, 0.89%, 0.65%

LAB 86.57, -63.75, 37.58

 

CMYK 70 / 0 / 46 / 11

HEX #43E37B

RGB 67 227 123

HSL 141, 0.74%, 0.58%

LAB 80.49, -63.23, 39.05

 

CMYK 76 / 0 / 50 / 18

HEX #32D168

RGB 50 209 104

HSL 140.38, 0.63%, 0.51%

LAB 74.37, -62.4, 40.58

 

CMYK 83 / 0 / 55 / 25

HEX #21BF55

RGB 33 191 85

HSL 139.75, 0.71%, 0.44%

LAB 68.2, -61.14, 42.16

 

CMYK 91 / 0 / 62 / 32

HEX #10AD42

RGB 16 173 66

HSL 139.11, 0.83%, 0.37%

LAB 61.99, -59.28, 43.72

 

CMYK 66 / 0 / 42 / 4

HEX #54F58E

RGB 84 245 142

HSL 141.61, 0.89%, 0.65%

LAB 86.57, -63.75, 37.58

 

CMYK 65 / 0 / 31 / 4

HEX #56F5A8

RGB 86 245 168

HSL 150.94, 0.89%, 0.65%

LAB 87.05, -58.7, 25.16

 

CMYK 65 / 0 / 21 / 4

HEX #56F5C2

RGB 86 245 194

HSL 160.75, 0.89%, 0.65%

LAB 87.57, -53.22, 12.5

 

CMYK 65 / 0 / 10 / 4

HEX #56F5DD

RGB 86 245 221

HSL 170.94, 0.89%, 0.65%

LAB 88.21, -46.79, -0.64

 

CMYK 65 / 1 / 0 / 4

HEX #56F2F5

RGB 86 242 245

HSL 181.13, 0.89%, 0.65%

LAB 88, -39.17, -13.49

 

CMYK 66 / 0 / 42 / 4

HEX #54F58E

RGB 84 245 142

HSL 141.61, 0.89%, 0.65%

LAB 86.57, -63.75, 37.58

 

CMYK 66 / 0 / 41 / 84

HEX #0E2918

RGB 14 41 24

HSL 142.22, 0.49%, 0.11%

LAB 14.09, -15.28, 8.11

 

CMYK 65 / 0 / 42 / 64

HEX #205C35

RGB 32 92 53

HSL 141, 0.48%, 0.24%

LAB 34.43, -29.23, 16.86

 

CMYK 66 / 0 / 42 / 44

HEX #318F53

RGB 49 143 83

HSL 141.7, 0.49%, 0.38%

LAB 52.86, -41.54, 24.04

 

CMYK 65 / 0 / 42 / 24

HEX #43C270

RGB 67 194 112

HSL 141.26, 0.51%, 0.51%

LAB 70.14, -52.94, 31.26

 

CMYK 66 / 0 / 42 / 4

HEX #54F58E

RGB 84 245 142

HSL 141.61, 0.89%, 0.65%

LAB 86.57, -63.75, 37.58

 

CMYK 65 / 36 / 0 / 4

HEX #569DF5

RGB 86 157 245

HSL 213.21, 0.89%, 0.65%

LAB 63.9, 4.77, -50.61

 

CMYK 0 / 65 / 62 / 4

HEX #F5565E

RGB 245 86 94

HSL 356.98, 0.89%, 0.65%

LAB 58.86, 61.18, 29.31

 

CMYK 66 / 0 / 42 / 4

HEX #54F58E

RGB 84 245 142

HSL 141.61, 0.89%, 0.65%

LAB 86.57, -63.75, 37.58

 

CMYK 42 / 65 / 0 / 4

HEX #8D56F5

RGB 141 86 245

HSL 260.75, 0.89%, 0.65%

LAB 50.58, 56.41, -71.79

 

CMYK 0 / 42 / 65 / 4

HEX #F58D56

RGB 245 141 86

HSL 20.75, 0.89%, 0.65%

LAB 68.85, 34.81, 45.87

 

CMYK 66 / 0 / 42 / 4

HEX #54F58E

RGB 84 245 142

HSL 141.61, 0.89%, 0.65%

LAB 86.57, -63.75, 37.58

 

CMYK 65 / 36 / 0 / 4

HEX #569DF5

RGB 86 157 245

HSL 213.21, 0.89%, 0.65%

LAB 63.9, 4.77, -50.61

 

CMYK 0 / 65 / 23 / 4

HEX #F556BD

RGB 245 86 189

HSL 321.13, 0.89%, 0.65%

LAB 61.43, 70.33, -22.06

 

CMYK 0 / 29 / 65 / 4

HEX #F5AD56

RGB 245 173 86

HSL 32.83, 0.89%, 0.65%

LAB 76.05, 18.05, 54.08

 

CMYK 66 / 0 / 42 / 4

HEX #54F58E

RGB 84 245 142

HSL 141.61, 0.89%, 0.65%

LAB 86.57, -63.75, 37.58

 

CMYK 65 / 55 / 0 / 4

HEX #566EF5

RGB 86 110 245

HSL 230.94, 0.89%, 0.65%

LAB 51.52, 33.09, -70.46

 

CMYK 0 / 65 / 23 / 4

HEX #F556BD

RGB 245 86 189

HSL 321.13, 0.89%, 0.65%

LAB 61.43, 70.33, -22.06

 

CMYK 0 / 10 / 65 / 4

HEX #F5DD56

RGB 245 221 86

HSL 50.94, 0.89%, 0.65%

LAB 87.87, -6.77, 66.88

 

Description

Color code: RGB 84 245 142 | qconv.com Color code: RGB 84 245 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 245 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 245 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 42 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 42% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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