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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 197 138 it is the complementary color RGB 171 58 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 197 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 84 197 138: RGB 89 197 133, RGB 106 215 152, RGB 123 233 171, RGB 140 251 190 and RGB 157 255 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 197 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 84 197 138: RGB 84 197 138, RGB 67 179 119, RGB 50 161 100, RGB 33 143 81 and RGB 16 125 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 30 / 23

HEX #54C58A

RGB 84 197 138

HSL 148.67, 0.49%, 0.55%

LAB 72, -45.77, 20.17

 

Complementary color

CMYK 0 / 66 / 32 / 33

HEX #AB3A75

RGB 171 58 117

HSL 328.67, 0.49%, 0.45%

LAB 42.72, 51.65, -8.93

 

CMYK 55 / 0 / 32 / 23

HEX #59C585

RGB 89 197 133

HSL 144.44, 0.48%, 0.56%

LAB 72.06, -45.62, 22.94

 

CMYK 51 / 0 / 29 / 16

HEX #6AD798

RGB 106 215 152

HSL 145.32, 0.58%, 0.63%

LAB 78.42, -45.52, 21.71

 

CMYK 47 / 0 / 27 / 9

HEX #7BE9AB

RGB 123 233 171

HSL 146.18, 0.71%, 0.7%

LAB 84.7, -45.36, 20.57

 

CMYK 44 / 0 / 24 / 2

HEX #8CFBBE

RGB 140 251 190

HSL 147.03, 0.93%, 0.77%

LAB 90.91, -45.16, 19.5

 

CMYK 38 / 0 / 18 / 0

HEX #9DFFD1

RGB 157 255 209

HSL 151.84, 1%, 0.81%

LAB 93.14, -38.74, 12.99

 

CMYK 57 / 0 / 30 / 23

HEX #54C58A

RGB 84 197 138

HSL 148.67, 0.49%, 0.55%

LAB 72, -45.77, 20.17

 

CMYK 63 / 0 / 34 / 30

HEX #43B377

RGB 67 179 119

HSL 147.86, 0.46%, 0.48%

LAB 65.57, -45.68, 21.49

 

CMYK 69 / 0 / 38 / 37

HEX #32A164

RGB 50 161 100

HSL 147.03, 0.53%, 0.41%

LAB 59.06, -45.38, 22.94

 

CMYK 77 / 0 / 43 / 44

HEX #218F51

RGB 33 143 81

HSL 146.18, 0.63%, 0.35%

LAB 52.47, -44.74, 24.55

 

CMYK 87 / 0 / 50 / 51

HEX #107D3E

RGB 16 125 62

HSL 145.32, 0.77%, 0.28%

LAB 45.81, -43.54, 26.31

 

CMYK 57 / 0 / 30 / 23

HEX #54C58A

RGB 84 197 138

HSL 148.67, 0.49%, 0.55%

LAB 72, -45.77, 20.17

 

CMYK 57 / 0 / 21 / 23

HEX #54C49B

RGB 84 196 155

HSL 158.04, 0.49%, 0.55%

LAB 72.05, -41.71, 11.11

 

CMYK 57 / 0 / 12 / 23

HEX #54C4AD

RGB 84 196 173

HSL 167.68, 0.49%, 0.55%

LAB 72.48, -37.44, 1.98

 

CMYK 57 / 0 / 2 / 23

HEX #54C4C0

RGB 84 196 192

HSL 177.86, 0.49%, 0.55%

LAB 73, -32.53, -7.6

 

CMYK 57 / 8 / 0 / 23

HEX #54B5C4

RGB 84 181 196

HSL 188.04, 0.49%, 0.55%

LAB 68.69, -24.08, -16.24

 

CMYK 57 / 0 / 30 / 23

HEX #54C58A

RGB 84 197 138

HSL 148.67, 0.49%, 0.55%

LAB 72, -45.77, 20.17

 

CMYK 57 / 0 / 30 / 3

HEX #6AF8AE

RGB 106 248 174

HSL 148.73, 0.91%, 0.69%

LAB 88.57, -54.92, 24.26

 

CMYK 57 / 0 / 30 / 83

HEX #132C1F

RGB 19 44 31

HSL 148.8, 0.4%, 0.12%

LAB 15.69, -13.55, 5.49

 

CMYK 57 / 0 / 29 / 63

HEX #295F43

RGB 41 95 67

HSL 148.89, 0.4%, 0.27%

LAB 36.1, -25.27, 10.71

 

CMYK 58 / 0 / 30 / 43

HEX #3E9266

RGB 62 146 102

HSL 148.57, 0.4%, 0.41%

LAB 54.6, -36.13, 15.85

 

CMYK 57 / 0 / 30 / 23

HEX #54C58A

RGB 84 197 138

HSL 148.67, 0.49%, 0.55%

LAB 72, -45.77, 20.17

 

CMYK 57 / 38 / 0 / 23

HEX #5479C4

RGB 84 121 196

HSL 220.18, 0.49%, 0.55%

LAB 51.32, 9.48, -43.14

 

CMYK 0 / 54 / 57 / 23

HEX #C45B54

RGB 196 91 84

HSL 3.75, 0.49%, 0.55%

LAB 51.68, 41.4, 24.28

 

CMYK 57 / 0 / 30 / 23

HEX #54C58A

RGB 84 197 138

HSL 148.67, 0.49%, 0.55%

LAB 72, -45.77, 20.17

 

CMYK 31 / 57 / 0 / 23

HEX #8854C4

RGB 136 84 196

HSL 267.86, 0.49%, 0.55%

LAB 46.39, 43.94, -50.74

 

CMYK 0 / 31 / 57 / 23

HEX #C48854

RGB 196 136 84

HSL 27.86, 0.49%, 0.55%

LAB 61.64, 17.36, 36.85

 

CMYK 57 / 0 / 30 / 23

HEX #54C58A

RGB 84 197 138

HSL 148.67, 0.49%, 0.55%

LAB 72, -45.77, 20.17

 

CMYK 57 / 38 / 0 / 23

HEX #5479C4

RGB 84 121 196

HSL 220.18, 0.49%, 0.55%

LAB 51.32, 9.48, -43.14

 

CMYK 0 / 57 / 27 / 23

HEX #C4548F

RGB 196 84 143

HSL 328.39, 0.49%, 0.55%

LAB 51.9, 51.09, -10.45

 

CMYK 0 / 19 / 57 / 23

HEX #C49E54

RGB 196 158 84

HSL 39.64, 0.49%, 0.55%

LAB 67.15, 5.34, 43.46

 

CMYK 57 / 0 / 30 / 23

HEX #54C58A

RGB 84 197 138

HSL 148.67, 0.49%, 0.55%

LAB 72, -45.77, 20.17

 

CMYK 57 / 56 / 0 / 23

HEX #5457C4

RGB 84 87 196

HSL 238.39, 0.49%, 0.55%

LAB 42.29, 30.63, -57.6

 

CMYK 0 / 57 / 27 / 23

HEX #C4548F

RGB 196 84 143

HSL 328.39, 0.49%, 0.55%

LAB 51.9, 51.09, -10.45

 

CMYK 0 / 2 / 57 / 23

HEX #C4C054

RGB 196 192 84

HSL 57.86, 0.49%, 0.55%

LAB 76.12, -12.57, 53.78

 

Description

Color code: RGB 84 197 138 | qconv.com Color code: RGB 84 197 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 197 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 197 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 30 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 30% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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