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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 122 137 it is the complementary color RGB 171 133 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 122 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 84 122 137: RGB 89 122 132, RGB 106 140 151, RGB 123 158 170, RGB 140 176 189 and RGB 157 194 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 122 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 84 122 137: RGB 84 122 137, RGB 67 104 118, RGB 50 86 99, RGB 33 68 80 and RGB 16 50 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 11 / 0 / 46

HEX #547A89

RGB 84 122 137

HSL 196.98, 0.24%, 0.43%

LAB 49.02, -9.27, -12.4

 

Complementary color

CMYK 0 / 22 / 31 / 33

HEX #AB8576

RGB 171 133 118

HSL 16.98, 0.24%, 0.57%

LAB 58.73, 12.35, 13.66

 

CMYK 33 / 8 / 0 / 48

HEX #597A84

RGB 89 122 132

HSL 193.95, 0.19%, 0.43%

LAB 49.14, -9.12, -9.24

 

CMYK 30 / 7 / 0 / 41

HEX #6A8C97

RGB 106 140 151

HSL 194.67, 0.18%, 0.5%

LAB 56.14, -9.13, -9.71

 

CMYK 28 / 7 / 0 / 33

HEX #7B9EAA

RGB 123 158 170

HSL 195.32, 0.22%, 0.57%

LAB 62.98, -9.14, -10.18

 

CMYK 26 / 7 / 0 / 26

HEX #8CB0BD

RGB 140 176 189

HSL 195.92, 0.27%, 0.65%

LAB 69.68, -9.15, -10.63

 

CMYK 25 / 7 / 0 / 18

HEX #9DC2D0

RGB 157 194 208

HSL 196.47, 0.35%, 0.72%

LAB 76.26, -9.17, -11.08

 

CMYK 39 / 11 / 0 / 46

HEX #547A89

RGB 84 122 137

HSL 196.98, 0.24%, 0.43%

LAB 49.02, -9.27, -12.4

 

CMYK 43 / 12 / 0 / 54

HEX #436876

RGB 67 104 118

HSL 196.47, 0.28%, 0.36%

LAB 41.85, -9.16, -11.98

 

CMYK 49 / 13 / 0 / 61

HEX #325663

RGB 50 86 99

HSL 195.92, 0.33%, 0.29%

LAB 34.47, -9, -11.55

 

CMYK 59 / 15 / 0 / 69

HEX #214450

RGB 33 68 80

HSL 195.32, 0.42%, 0.22%

LAB 26.84, -8.7, -11.09

 

CMYK 74 / 18 / 0 / 76

HEX #10323D

RGB 16 50 61

HSL 194.67, 0.58%, 0.15%

LAB 18.92, -8.1, -10.57

 

CMYK 39 / 11 / 0 / 46

HEX #547A89

RGB 84 122 137

HSL 196.98, 0.24%, 0.43%

LAB 49.02, -9.27, -12.4

 

CMYK 39 / 16 / 0 / 47

HEX #537187

RGB 83 113 135

HSL 205.38, 0.24%, 0.43%

LAB 46.18, -4.91, -15.54

 

CMYK 39 / 23 / 0 / 47

HEX #536887

RGB 83 104 135

HSL 215.77, 0.24%, 0.43%

LAB 43.49, 0.47, -19.65

 

CMYK 39 / 30 / 0 / 47

HEX #535F87

RGB 83 95 135

HSL 226.15, 0.24%, 0.43%

LAB 40.85, 6.01, -23.72

 

CMYK 39 / 36 / 0 / 47

HEX #535687

RGB 83 86 135

HSL 236.54, 0.24%, 0.43%

LAB 38.28, 11.68, -27.74

 

CMYK 39 / 11 / 0 / 46

HEX #547A89

RGB 84 122 137

HSL 196.98, 0.24%, 0.43%

LAB 49.02, -9.27, -12.4

 

CMYK 39 / 11 / 0 / 26

HEX #73A7BC

RGB 115 167 188

HSL 197.26, 0.35%, 0.59%

LAB 65.68, -11.77, -16.24

 

CMYK 38 / 11 / 0 / 6

HEX #93D5EF

RGB 147 213 239

HSL 196.96, 0.74%, 0.76%

LAB 81.85, -14.39, -19.36

 

CMYK 40 / 11 / 0 / 86

HEX #151F23

RGB 21 31 35

HSL 197.14, 0.25%, 0.11%

LAB 11, -3.18, -4.17

 

CMYK 38 / 10 / 0 / 66

HEX #354D56

RGB 53 77 86

HSL 196.36, 0.24%, 0.27%

LAB 31.2, -6.58, -8.25

 

CMYK 39 / 11 / 0 / 46

HEX #547A89

RGB 84 122 137

HSL 196.98, 0.24%, 0.43%

LAB 49.02, -9.27, -12.4

 

CMYK 21 / 39 / 0 / 47

HEX #6B5387

RGB 107 83 135

HSL 267.69, 0.24%, 0.43%

LAB 39.68, 21.05, -25.38

 

CMYK 0 / 5 / 39 / 47

HEX #878053

RGB 135 128 83

HSL 51.92, 0.24%, 0.43%

LAB 53.18, -4.46, 25.4

 

CMYK 39 / 11 / 0 / 46

HEX #547A89

RGB 84 122 137

HSL 196.98, 0.24%, 0.43%

LAB 49.02, -9.27, -12.4

 

CMYK 0 / 39 / 10 / 47

HEX #875379

RGB 135 83 121

HSL 316.15, 0.24%, 0.43%

LAB 42.34, 27.68, -12.49

 

CMYK 10 / 0 / 39 / 47

HEX #798753

RGB 121 135 83

HSL 76.15, 0.24%, 0.43%

LAB 54.05, -14.2, 26.29

 

CMYK 39 / 11 / 0 / 46

HEX #547A89

RGB 84 122 137

HSL 196.98, 0.24%, 0.43%

LAB 49.02, -9.27, -12.4

 

CMYK 21 / 39 / 0 / 47

HEX #6B5387

RGB 107 83 135

HSL 267.69, 0.24%, 0.43%

LAB 39.68, 21.05, -25.38

 

CMYK 0 / 28 / 39 / 47

HEX #876153

RGB 135 97 83

HSL 16.15, 0.24%, 0.43%

LAB 44.7, 13.47, 14.07

 

CMYK 18 / 0 / 39 / 47

HEX #6F8753

RGB 111 135 83

HSL 87.69, 0.24%, 0.43%

LAB 53.31, -18.26, 25.19

 

CMYK 39 / 11 / 0 / 46

HEX #547A89

RGB 84 122 137

HSL 196.98, 0.24%, 0.43%

LAB 49.02, -9.27, -12.4

 

CMYK 9 / 39 / 0 / 47

HEX #7B5387

RGB 123 83 135

HSL 286.15, 0.24%, 0.43%

LAB 41.45, 26.34, -22.5

 

CMYK 0 / 28 / 39 / 47

HEX #876153

RGB 135 97 83

HSL 16.15, 0.24%, 0.43%

LAB 44.7, 13.47, 14.07

 

CMYK 30 / 0 / 39 / 47

HEX #5F8753

RGB 95 135 83

HSL 106.15, 0.24%, 0.43%

LAB 52.27, -24.4, 23.63

 

Description

Color code: RGB 84 122 137 | qconv.com Color code: RGB 84 122 137 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 122 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 122 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 11 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 11% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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