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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 49 20 it is the complementary color RGB 172 206 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 49 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 83 49 20: RGB 88 49 15, RGB 105 67 34, RGB 122 85 53, RGB 139 103 72 and RGB 156 121 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 49 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 83 49 20: RGB 83 49 20, RGB 66 31 1, RGB 49 13 0, RGB 32 0 0 and RGB 15 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 76 / 67

HEX #533114

RGB 83 49 20

HSL 27.62, 0.61%, 0.2%

LAB 23.95, 12.49, 24.4

 

Complementary color

CMYK 27 / 12 / 0 / 8

HEX #ACCEEB

RGB 172 206 235

HSL 207.62, 0.61%, 0.8%

LAB 81.24, -4.83, -18.01

 

CMYK 0 / 44 / 83 / 65

HEX #58310F

RGB 88 49 15

HSL 27.95, 0.71%, 0.2%

LAB 24.66, 14.67, 28.1

 

CMYK 0 / 36 / 68 / 59

HEX #694322

RGB 105 67 34

HSL 27.89, 0.51%, 0.27%

LAB 32.11, 12.87, 26.39

 

CMYK 0 / 30 / 57 / 52

HEX #7A5535

RGB 122 85 53

HSL 27.83, 0.39%, 0.34%

LAB 39.4, 11.47, 24.65

 

CMYK 0 / 26 / 48 / 45

HEX #8B6748

RGB 139 103 72

HSL 27.76, 0.32%, 0.41%

LAB 46.52, 10.37, 23.08

 

CMYK 0 / 22 / 42 / 39

HEX #9C795B

RGB 156 121 91

HSL 27.69, 0.26%, 0.48%

LAB 53.49, 9.48, 21.67

 

CMYK 0 / 41 / 76 / 67

HEX #533114

RGB 83 49 20

HSL 27.62, 0.61%, 0.2%

LAB 23.95, 12.49, 24.4

 

CMYK 0 / 53 / 98 / 74

HEX #421F01

RGB 66 31 1

HSL 27.69, 0.97%, 0.13%

LAB 16.21, 14.53, 23.69

 

CMYK 0 / 73 / 100 / 81

HEX #310D00

RGB 49 13 0

HSL 15.92, 1%, 0.1%

LAB 8.49, 17.32, 13.1

 

CMYK 0 / 100 / 100 / 87

HEX #200000

RGB 32 0 0

HSL 0, 1%, 0.06%

LAB 2.77, 12.44, 4.38

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 41 / 76 / 67

HEX #533114

RGB 83 49 20

HSL 27.62, 0.61%, 0.2%

LAB 23.95, 12.49, 24.4

 

CMYK 0 / 29 / 77 / 68

HEX #523A13

RGB 82 58 19

HSL 37.14, 0.62%, 0.2%

LAB 26.35, 6.16, 27.47

 

CMYK 0 / 17 / 77 / 68

HEX #524413

RGB 82 68 19

HSL 46.67, 0.62%, 0.2%

LAB 29.35, -0.17, 30.56

 

CMYK 0 / 5 / 77 / 68

HEX #524E13

RGB 82 78 19

HSL 56.19, 0.62%, 0.2%

LAB 32.46, -6.29, 33.66

 

CMYK 10 / 0 / 77 / 68

HEX #4A5213

RGB 74 82 19

HSL 67.62, 0.62%, 0.2%

LAB 33, -12.58, 33.94

 

CMYK 0 / 41 / 76 / 67

HEX #533114

RGB 83 49 20

HSL 27.62, 0.61%, 0.2%

LAB 23.95, 12.49, 24.4

 

CMYK 0 / 41 / 76 / 47

HEX #864F20

RGB 134 79 32

HSL 27.65, 0.61%, 0.33%

LAB 39.18, 19.03, 36.35

 

CMYK 0 / 41 / 76 / 27

HEX #B96D2D

RGB 185 109 45

HSL 27.43, 0.61%, 0.45%

LAB 53.43, 25.1, 46.89

 

CMYK 0 / 41 / 76 / 7

HEX #EC8B39

RGB 236 139 57

HSL 27.49, 0.82%, 0.57%

LAB 66.97, 30.8, 57.29

 

CMYK 0 / 41 / 75 / 87

HEX #201308

RGB 32 19 8

HSL 27.5, 0.6%, 0.08%

LAB 7.14, 4.95, 7.5

 

CMYK 0 / 41 / 76 / 67

HEX #533114

RGB 83 49 20

HSL 27.62, 0.61%, 0.2%

LAB 23.95, 12.49, 24.4

 

CMYK 50 / 0 / 77 / 68

HEX #295213

RGB 41 82 19

HSL 99.05, 0.62%, 0.2%

LAB 30.77, -26.95, 30.97

 

CMYK 72 / 77 / 0 / 68

HEX #171352

RGB 23 19 82

HSL 243.81, 0.62%, 0.2%

LAB 10.97, 24.25, -37.66

 

CMYK 0 / 41 / 76 / 67

HEX #533114

RGB 83 49 20

HSL 27.62, 0.61%, 0.2%

LAB 23.95, 12.49, 24.4

 

CMYK 77 / 0 / 43 / 68

HEX #13522F

RGB 19 82 47

HSL 146.67, 0.62%, 0.2%

LAB 30.35, -28.82, 15.01

 

CMYK 43 / 77 / 0 / 68

HEX #2F1352

RGB 47 19 82

HSL 266.67, 0.62%, 0.2%

LAB 13.71, 28.7, -33.08

 

CMYK 0 / 41 / 76 / 67

HEX #533114

RGB 83 49 20

HSL 27.62, 0.61%, 0.2%

LAB 23.95, 12.49, 24.4

 

CMYK 50 / 0 / 77 / 68

HEX #295213

RGB 41 82 19

HSL 99.05, 0.62%, 0.2%

LAB 30.77, -26.95, 30.97

 

CMYK 77 / 34 / 0 / 68

HEX #133652

RGB 19 54 82

HSL 206.67, 0.62%, 0.2%

LAB 21.53, -1.82, -20.68

 

CMYK 27 / 77 / 0 / 68

HEX #3C1352

RGB 60 19 82

HSL 279.05, 0.62%, 0.2%

LAB 15.67, 31.69, -29.8

 

CMYK 0 / 41 / 76 / 67

HEX #533114

RGB 83 49 20

HSL 27.62, 0.61%, 0.2%

LAB 23.95, 12.49, 24.4

 

CMYK 72 / 0 / 77 / 68

HEX #175213

RGB 23 82 19

HSL 116.19, 0.62%, 0.2%

LAB 30.07, -32.41, 30.02

 

CMYK 77 / 34 / 0 / 68

HEX #133652

RGB 19 54 82

HSL 206.67, 0.62%, 0.2%

LAB 21.53, -1.82, -20.68

 

CMYK 5 / 77 / 0 / 68

HEX #4E1352

RGB 78 19 82

HSL 296.19, 0.62%, 0.2%

LAB 18.78, 36.16, -24.65

 

Description

Color code: RGB 83 49 20 | qconv.com Color code: RGB 83 49 20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 49 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 49 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 76 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 76% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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