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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 185 28 it is the complementary color RGB 172 70 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 185 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 83 185 28: RGB 88 185 23, RGB 105 203 42, RGB 122 221 61, RGB 139 239 80 and RGB 156 255 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 185 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 83 185 28: RGB 83 185 28, RGB 66 167 9, RGB 49 149 0, RGB 32 131 0 and RGB 15 113 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 85 / 27

HEX #53B91C

RGB 83 185 28

HSL 98.98, 0.74%, 0.42%

LAB 66.99, -54.85, 62.76

 

Complementary color

CMYK 24 / 69 / 0 / 11

HEX #AC46E3

RGB 172 70 227

HSL 278.98, 0.74%, 0.58%

LAB 50.33, 65.76, -61.9

 

CMYK 52 / 0 / 88 / 27

HEX #58B917

RGB 88 185 23

HSL 95.93, 0.78%, 0.41%

LAB 67.15, -53.63, 64.07

 

CMYK 48 / 0 / 79 / 20

HEX #69CB2A

RGB 105 203 42

HSL 96.52, 0.66%, 0.48%

LAB 73.47, -54.54, 65.27

 

CMYK 45 / 0 / 72 / 13

HEX #7ADD3D

RGB 122 221 61

HSL 97.13, 0.7%, 0.55%

LAB 79.72, -55.15, 65.48

 

CMYK 42 / 0 / 67 / 6

HEX #8BEF50

RGB 139 239 80

HSL 97.74, 0.83%, 0.63%

LAB 85.91, -55.53, 65.1

 

CMYK 39 / 0 / 61 / 0

HEX #9CFF63

RGB 156 255 99

HSL 98.08, 1%, 0.69%

LAB 91.45, -54.96, 63.75

 

CMYK 55 / 0 / 85 / 27

HEX #53B91C

RGB 83 185 28

HSL 98.98, 0.74%, 0.42%

LAB 66.99, -54.85, 62.76

 

CMYK 60 / 0 / 95 / 35

HEX #42A709

RGB 66 167 9

HSL 98.35, 0.9%, 0.35%

LAB 60.62, -53.52, 60.62

 

CMYK 67 / 0 / 100 / 42

HEX #319500

RGB 49 149 0

HSL 100.27, 1%, 0.29%

LAB 54.18, -51.58, 56.57

 

CMYK 76 / 0 / 100 / 49

HEX #208300

RGB 32 131 0

HSL 105.34, 1%, 0.26%

LAB 47.67, -49.02, 51.22

 

CMYK 87 / 0 / 100 / 56

HEX #0F7100

RGB 15 113 0

HSL 112.04, 1%, 0.22%

LAB 41.08, -45.81, 45.83

 

CMYK 55 / 0 / 85 / 27

HEX #53B91C

RGB 83 185 28

HSL 98.98, 0.74%, 0.42%

LAB 66.99, -54.85, 62.76

 

CMYK 68 / 0 / 85 / 27

HEX #3BBA1B

RGB 59 186 27

HSL 107.92, 0.75%, 0.42%

LAB 66.62, -60.91, 62.4

 

CMYK 82 / 0 / 85 / 27

HEX #21BA1B

RGB 33 186 27

HSL 117.74, 0.75%, 0.42%

LAB 66.15, -64.94, 61.81

 

CMYK 85 / 0 / 74 / 27

HEX #1BBA30

RGB 27 186 48

HSL 127.92, 0.75%, 0.42%

LAB 66.19, -64.25, 55.61

 

CMYK 85 / 0 / 60 / 27

HEX #1BBA4B

RGB 27 186 75

HSL 138.11, 0.75%, 0.42%

LAB 66.41, -61.44, 44.73

 

CMYK 55 / 0 / 85 / 27

HEX #53B91C

RGB 83 185 28

HSL 98.98, 0.74%, 0.42%

LAB 66.99, -54.85, 62.76

 

CMYK 55 / 0 / 85 / 7

HEX #6AEC24

RGB 106 236 36

HSL 99, 0.84%, 0.53%

LAB 83.54, -66.42, 75.85

 

CMYK 56 / 0 / 84 / 87

HEX #0E2005

RGB 14 32 5

HSL 100, 0.73%, 0.07%

LAB 10.09, -13.78, 12.74

 

CMYK 55 / 0 / 84 / 67

HEX #25530D

RGB 37 83 13

HSL 99.43, 0.73%, 0.19%

LAB 30.9, -29.27, 33.46

 

CMYK 55 / 0 / 85 / 47

HEX #3C8614

RGB 60 134 20

HSL 98.95, 0.74%, 0.3%

LAB 49.57, -42.61, 48.9

 

CMYK 55 / 0 / 85 / 27

HEX #53B91C

RGB 83 185 28

HSL 98.98, 0.74%, 0.42%

LAB 66.99, -54.85, 62.76

 

CMYK 85 / 0 / 15 / 27

HEX #1BBA9F

RGB 27 186 159

HSL 169.81, 0.75%, 0.42%

LAB 67.91, -44.49, 2.85

 

CMYK 0 / 85 / 20 / 27

HEX #BA1B95

RGB 186 27 149

HSL 313.96, 0.75%, 0.42%

LAB 43.35, 69.03, -27.3

 

CMYK 55 / 0 / 85 / 27

HEX #53B91C

RGB 83 185 28

HSL 98.98, 0.74%, 0.42%

LAB 66.99, -54.85, 62.76

 

CMYK 85 / 54 / 0 / 27

HEX #1B55BA

RGB 27 85 186

HSL 218.11, 0.75%, 0.42%

LAB 38.33, 20.51, -58.3

 

CMYK 0 / 85 / 54 / 27

HEX #BA1B55

RGB 186 27 85

HSL 338.11, 0.75%, 0.42%

LAB 41.02, 62.51, 8.95

 

CMYK 55 / 0 / 85 / 27

HEX #53B91C

RGB 83 185 28

HSL 98.98, 0.74%, 0.42%

LAB 66.99, -54.85, 62.76

 

CMYK 85 / 0 / 15 / 27

HEX #1BBA9F

RGB 27 186 159

HSL 169.81, 0.75%, 0.42%

LAB 67.91, -44.49, 2.85

 

CMYK 31 / 85 / 0 / 27

HEX #801BBA

RGB 128 27 186

HSL 278.11, 0.75%, 0.42%

LAB 35.83, 64.57, -62.03

 

CMYK 0 / 85 / 71 / 27

HEX #BA1B36

RGB 186 27 54

HSL 349.81, 0.75%, 0.42%

LAB 40.39, 60.67, 27.65

 

CMYK 55 / 0 / 85 / 27

HEX #53B91C

RGB 83 185 28

HSL 98.98, 0.74%, 0.42%

LAB 66.99, -54.85, 62.76

 

CMYK 85 / 11 / 0 / 27

HEX #1BA5BA

RGB 27 165 186

HSL 187.92, 0.75%, 0.42%

LAB 62.24, -26.72, -20.6

 

CMYK 31 / 85 / 0 / 27

HEX #801BBA

RGB 128 27 186

HSL 278.11, 0.75%, 0.42%

LAB 35.83, 64.57, -62.03

 

CMYK 0 / 74 / 85 / 27

HEX #BA301B

RGB 186 48 27

HSL 7.92, 0.75%, 0.42%

LAB 42.2, 53.79, 44.73

 

Description

Color code: RGB 83 185 28 | qconv.com Color code: RGB 83 185 28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 185 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 185 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 85 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 85% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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